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(229266, 1, '2025-07-10 10:53:57', '2025-07-10 02:53:57', '<!-- wp:paragraph -->\n<p><strong>1992</strong> 生於臺東臺灣。<br><strong>2018</strong> 畢業於國立臺灣藝術大學雕塑學系碩士。<br><strong>2018-2023</strong> 於板橋435藝文特區擔任駐村藝術家。<br><strong>2022-2023</strong> 於學學實驗教育機構擔任基礎雕塑創作講師。</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>學歷</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>國立臺灣藝術大學雕塑學系碩士 </div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>國立臺灣藝術大學雕塑學系學士</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>個展</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>「若水」吳耀庭個展，首都藝術中心，臺北，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>「潛安」Trends 櫥窗個展，微風信義，臺北，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>「人間莊嚴」吳耀庭創作個展，麗寶文化藝術基金會，臺北，臺灣</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>聯展</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2025</td>\n            <td>\n                <div>「蛇發蛇 GOOD」蛇年主題袖珍木雕展，三義木雕博物館，苗栗，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>「曼谷設計週-當代木雕聯展」，CAM+，曼谷，泰國</div>\n                <div>「玲瓏集：國際雕塑展」，多納藝術，臺北，臺灣</div>\n                <div>「紋新雕龍」龍年主題袖珍木雕展，三義木雕博物館，苗栗，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>「夯兔大展」木雕聯展，三義木雕博物館，苗栗，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>「用手去看見世界」聯展，板橋 435 藝文特區，新北市，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>「New Normal 疫情新日常」聯展，板橋 435 藝文特區，新北市，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「三義木藝傳習計畫」駐村創作計畫，三義木雕博物館，苗栗，臺灣</div>\n                <div>「刓無缺—當代具象木雕觀察展」，首都藝術中心，台北，臺灣</div>\n                <div>「打撈」三人木雕聯展，福溢畫廊，高雄，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>「藝術家94狂」現場大型木雕創作表演，板橋435藝文特區，臺北，臺灣</div>\n                <div>「清邁設計週」聯展，清邁藝術文化中心，泰國</div>\n                <div>「森態—亞太木質藝術交流展」聯展，三義木雕博物館，苗栗三義，臺灣</div>\n                <div>「浪潮 - 臺灣具象木雕藝術 50 年」聯展，麗寶文化藝術基金會 / 三義木 雕博物館，臺北，臺灣</div>\n                <div>「大田原市藝術研究所第五屆鞋盒展」，大田原市藝術研究所，櫪木縣，日本</div>\n                <div>「豬事如藝」東籬新春小品雕塑展，東籬畫廊，臺北，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>「萬物糧倉 大地慶典 藝術季」駐村創作計畫，臺東，臺灣</div>\n                <div>「大田原市藝術研究所駐村計畫」，大田原市藝術研究所，櫪木縣，日本</div>\n                <div>「蓋婭的故事」木雕聯展，心動藝術空間，臺北，臺灣</div>\n                <div>「狗來賦」－東籬戊戌祈願春展，東籬畫廊，臺北，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>「彫刻五七五展」聯展，女子美術大學美術館，神奈川縣，日本</div>\n                <div>「雲想藝－臺灣金屬／木質雕塑新秀平行展」，雲清藝術中心，臺北，臺灣</div>\n                <div>「台灣文創藝術博覽會：蛻變」聯展，臺中大里軟體園區，臺中，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>「新進藝術家育成交流作品展」，筑波大學，茨城，日本</div>\n                <div>「雲端集瑞」雕塑聯展，雲清藝術中心，臺北，臺灣</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>藝術博覽會</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2025</td>\n            <td>\n                <div>「One Art Taipei 2025」藝術博覽會，首都藝術中心，JR 東日本大飯店，臺北，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>「臺北國際藝術博覽會」，臺北，臺灣</div>\n                <div>「臺中藝術博覽會」，臺中，臺灣</div>\n                <div>「One Art Taipei 2023」藝術博覽會，首都藝術中心，JR 東日本大飯店，臺北，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>「2022 台北國際藝術博覽會」，首都藝術中心，臺北世界貿易中心，臺北，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>「2021 高雄藝術博覽會」，駁二藝術特區，高雄，臺灣</div>\n                <div>「2021 臺北國際藝術博覽會」，首都藝術中心，臺北世界貿易中心，臺北，臺灣</div>\n                <div>「2021 臺南藝術博覽會」，首都藝術中心，遠東香格里拉大飯店，臺南，臺灣</div>\n                <div>「One Art Taipei 2021」藝術博覽會，首都藝術中心，西華飯店，臺北，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「2020 台北國際藝術博覽會」，首都藝術中心，臺北世界貿易中心，臺北，臺灣</div>\n                <div>「高雄漾藝術博覽會」，駁二藝術特區，高雄，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>「2019 Seoul Art Expo 首爾國際藝術博覽會」，いりや画廊，COEX，首爾，韓國</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>駐村</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「三義木藝傳習計畫」駐村創作計畫，三義木雕博物館，苗栗，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>「萬物糧倉 大地慶典 藝術季」駐村創作計畫，臺東，臺灣</div>\n                <div>「大田原市藝術研究所駐村計畫」，大田原市藝術研究所，櫪木縣，日本</div>\n                <div>「435藝文特區 藝術家駐村」，板橋435藝文特區，新北市，臺灣</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>獲獎</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>「捷伴豐年祭 – 原木雕刻大賽」，第三名</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>「國立臺灣藝術大學第七屆國際袖珍雕塑展暨競賽」，金賞獎</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>「國立臺灣藝術大學美術學院雕塑展」，木雕類第二名</div>\n                <div>「國際木雕競賽」，第三名</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>「三義木雕博物館『木雕藝術薪傳營』」，傑出創作獎</div>\n                <div>「『森情擁抱』大專生木雕創作營」，第一名</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>典藏</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>「凝視·傳承」，桃園市原住民族行政局，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>「黑羽の〆縄」，大田原市藝術研究所，日本</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>「人間莊嚴 – 本自具足五」，麗寶文化藝術基金會，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>「人間莊嚴 – 本自具足三」，國立臺灣藝術大學雕塑系，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>「無法自拔的 ..」，三義木雕博物館，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>「現實中的自由」，三義木雕博物館，臺灣</div>\n                <div>「人猴」，嘉義縣政府文化觀光局，臺灣</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>「不要這樣」，三義木雕博物館，臺灣</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', '吳耀庭 WU Yao-Ting', '', 'publish', 'closed', 'closed', '', '%e5%90%b3%e8%80%80%e5%ba%ad-wu-yao-ting', '', '', '2025-07-12 13:33:50', '2025-07-12 05:33:50', '', 0, 'http://scp.ntua.edu.tw/?p=229266', 0, 'post', '', 0),
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(229274, 1, '2025-07-10 11:41:39', '2025-07-10 03:41:39', '<img width=\"1313\" height=\"1920\" src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_mobile1749x2560_ed.jpg\" alt=\"\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_mobile1749x2560_ed.jpg 1313w, http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_mobile1749x2560_ed-205x300.jpg 205w, http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_mobile1749x2560_ed-700x1024.jpg 700w, http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_mobile1749x2560_ed-768x1123.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_mobile1749x2560_ed-1050x1536.jpg 1050w\" sizes=\"(max-width: 1313px) 100vw, 1313px\" />															\n															<img width=\"2560\" height=\"1269\" src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_2560-x-1266-像素ed.jpg\" alt=\"\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_2560-x-1266-像素ed.jpg 2560w, http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_2560-x-1266-像素ed-300x149.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_2560-x-1266-像素ed-1024x508.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_2560-x-1266-像素ed-768x381.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_2560-x-1266-像素ed-1536x761.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_2560-x-1266-像素ed-2048x1015.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_2560-x-1266-像素ed-1920x952.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" />															\n            News        \n    <h2>\n                最新ニュース                    </h2>\n	<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/masters-program-evaluation-jp/229937.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n		</figure>\n	</a>\n											2025-06-24\n				<h4>\n										<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/masters-program-evaluation-jp/229937.html\">\n						修士学位論文発表|梁祥發（LIANG Xiang-Fa）「肢体と隠喩－梁祥發による石彫刻創作論述」					</a>\n				</h4>\n				<small>発表日時｜2025年6月24日（火）15:00–17:00<br>\n会場｜彫刻系棟1階 1001会議室\n</small>			\n											<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/ja/category/announcements-jp/masters-program-evaluation-jp\">修士課程評価・論文発表</a>\n					        <a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/masters-program-evaluation-jp/229937.html\">\n				    <svg xmlns=\"http://www.w3.org/2000/svg\" width=\"24\" height=\"24\" fill=\"currentColor\"><path d=\"M7 7h8.586L5.293 17.293l1.414 1.414L17 8.414V17h2V5H7v2z\"/></svg>\n				</a>\n	<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/events-news-jp/229736.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/20250614-576x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/20250614-576x1024.jpg 576w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/20250614-169x300.jpg 169w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/20250614-768x1366.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/20250614-863x1536.jpg 863w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/20250614-1151x2048.jpg 1151w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/20250614.jpg 1439w\" sizes=\"(max-width: 576px) 100vw, 576px\" alt=\"\" >\n		</figure>\n	</a>\n											2025-06-14\n				<h4>\n										<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/events-news-jp/229736.html\">\n						期末発表パーティー——国立台湾芸術大学 美術学院大学院ワークショップB・彫刻学科大学院スタジオC					</a>\n				</h4>\n				<small>2025年6月14日（土）18:00–22:00<br>\n新北市板橋区大観路一段59号 美術大学 彫刻学科 B1</small>			\n											<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/ja/category/announcements-jp/events-news-jp\">イベント情報</a>\n											<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/ja/category/announcements-jp/masters-program-evaluation-jp\">修士課程評価・論文発表</a>\n					        <a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/events-news-jp/229736.html\">\n				    <svg xmlns=\"http://www.w3.org/2000/svg\" width=\"24\" height=\"24\" fill=\"currentColor\"><path d=\"M7 7h8.586L5.293 17.293l1.414 1.414L17 8.414V17h2V5H7v2z\"/></svg>\n				</a>\n	<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/exhibitions-presentation-jp/229754.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-726x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-726x1024.jpg 726w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-213x300.jpg 213w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-768x1083.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-1089x1536.jpg 1089w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-1452x2048.jpg 1452w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed.jpg 1815w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n											2025-04-30\n				<h4>\n										<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/exhibitions-presentation-jp/229754.html\">\n						2025年 台芸大彫刻学科 年度展					</a>\n				</h4>\n				<small>展示期間｜2025年4月30日（水）-5月10日（土） 9:00-17:00<br>\n会場｜国立台湾芸術大学 教学研究棟\n</small>			\n											<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/ja/category/announcements-jp/exhibitions-presentation-jp\">展示発表</a>\n					        <a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/exhibitions-presentation-jp/229754.html\">\n				    <svg xmlns=\"http://www.w3.org/2000/svg\" width=\"24\" height=\"24\" fill=\"currentColor\"><path d=\"M7 7h8.586L5.293 17.293l1.414 1.414L17 8.414V17h2V5H7v2z\"/></svg>\n				</a>\n            Exhibitions        \n    <h2>\n                展覧会のお知らせ                    </h2>\n	<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/exhibitions-presentation-jp/229754.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-726x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-726x1024.jpg 726w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-213x300.jpg 213w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-768x1083.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-1089x1536.jpg 1089w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-1452x2048.jpg 1452w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed.jpg 1815w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/exhibitions-presentation-jp/229754.html\">\n					2025年 台芸大彫刻学科 年度展				</a>\n			</h4>\n			<small>展示期間｜2025年4月30日（水）-5月10日（土） 9:00-17:00<br>\n会場｜国立台湾芸術大学 教学研究棟\n</small>		\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/ja/category/announcements-jp/exhibitions-presentation-jp\">展示発表</a>\n	<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/exhibitions-presentation-jp/229760.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250408aed-768x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250408aed-768x1024.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250408aed-225x300.jpg 225w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250408aed.jpg 1083w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/exhibitions-presentation-jp/229760.html\">\n					緑の境界にて——洪雪寧 個展				</a>\n			</h4>\n			<small>展示期間｜2025年4月8日（火）-4月12日（土） 9:00-17:00<br>\nプレオープン｜2025年4月7日（月）19:00<br>\n会場｜国立台湾芸術大学 彫刻学科館 1階実験展示場\n</small>		\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/ja/category/announcements-jp/exhibitions-presentation-jp\">展示発表</a>\n	<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/exhibitions-presentation-jp/229766.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20251225a-1024x455.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20251225a-1024x455.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20251225a-300x133.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20251225a-768x341.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20251225a.jpg 1219w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/exhibitions-presentation-jp/229766.html\">\n					神豚会——台湾芸術大学彫刻学科大学院 スタジオC期末発表				</a>\n			</h4>\n			<small>展示期間｜2024年12月25日（水）-12月28日（土）10:00-17:00<br>\n会場｜臺藝大 有章藝術博物館 北側アート・クラスター\n</small>		\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/ja/category/announcements-jp/masters-program-evaluation-jp\">修士課程評価・論文発表</a>\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/ja/category/announcements-jp/exhibitions-presentation-jp\">展示発表</a>\n	<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/exhibitions-presentation-jp/229774.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-1024x723.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-1024x723.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-300x212.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-768x542.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-1536x1085.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-2048x1446.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-200x140.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-1920x1356.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/exhibitions-presentation-jp/229774.html\">\n					ギャラクティコス——113学年度大学院新入生展				</a>\n			</h4>\n			<small>展示期間｜2024年12月4日（水）-12月14日（土） 9:00-17:00\n会場｜国立台湾芸術大学 彫刻学科館 1階実験展示場\n</small>		\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/ja/category/announcements-jp/exhibitions-presentation-jp\">展示発表</a>\n    <a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/exhibitions-presentation-jp\" >\n        More\n                                </a>\n            Academic Lectures        \n    <h2>\n                学術講演                    </h2>\n	<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/academic-lectures-jp/229469.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-1024x724.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-1024x724.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-300x212.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-768x543.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-1536x1087.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-2048x1449.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-1920x1358.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/academic-lectures-jp/229469.html\">\n					2025現代芸術特別講座				</a>\n			</h4>\n			<small>日程｜2025年2月25日-6月3日（毎週火曜 15:10-17:00）<br>\n会場｜国立台湾芸術大学 彫刻学科 選聴覚教室1002\n</small>		\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/ja/category/announcements-jp/academic-lectures-jp\">学術講演</a>\n	<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/academic-lectures-jp/229564.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-824x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-824x1024.jpg 824w, http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-242x300.jpg 242w, http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-768x954.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-1237x1536.jpg 1237w, http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-1649x2048.jpg 1649w, http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-1920x2385.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/academic-lectures-jp/229564.html\">\n					アーティスト講演｜ロナ・ポンディック（Rona Pondick）				</a>\n			</h4>\n			<small>場所｜ 国立台湾芸術大学 彫刻学科 視聴覚教室1002<br>\n日時｜ 2024年5月17日（金）13:00～15:00</small>		\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/ja/category/announcements-jp/academic-lectures-jp\">学術講演</a>\n	<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/academic-lectures-jp/229570.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-1024x724.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-1024x724.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-300x212.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-768x543.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-1536x1085.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-2048x1447.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-1920x1357.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/academic-lectures-jp/229570.html\">\n					2024現代芸術特別講座				</a>\n			</h4>\n			<small>日程｜2024年3月1日-6月14日（毎週金曜日 13:00-15:00）<br>\n会場｜国立台湾芸術大学 彫刻学科 1002視聴覚教室</small>		\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/ja/category/announcements-jp/academic-lectures-jp\">学術講演</a>\n	<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/academic-lectures-jp/229583.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed-724x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed-724x1024.jpg 724w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed-212x300.jpg 212w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed-768x1086.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed-1086x1536.jpg 1086w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed-1448x2048.jpg 1448w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed.jpg 1810w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/academic-lectures-jp/229583.html\">\n					マスターシリーズ講演｜王衛（WANG Wei）✕賴志盛（LAI Chih-Sheng）				</a>\n			</h4>\n			<small>場所｜国立台湾芸術大学 彫刻学科 視聴覚教室1002<br>\n日時｜2023年11月23日（木）14:00～16:00<br>\n司会｜游崴（ユー・ウェイ）\n</small>		\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/ja/category/announcements-jp/academic-lectures-jp\">学術講演</a>\n    <a href=\"http://scp.ntua.edu.tw/ja/announcements-jp/academic-lectures-ja\" >\n        More\n                                </a>\n                    <img\n                src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/thumb-2ed.jpg\"\n                srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/thumb-2ed-1024x576.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/thumb-2ed-300x169.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/thumb-2ed-768x432.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/thumb-2ed-1536x864.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/thumb-2ed-2048x1152.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/thumb-2ed-1920x1080.jpg 1920w\"\n                sizes=\"(max-width: 640px) 100vw, 640px\"\n                alt=\"\"\n                >\n            <button aria-label=\"Play the video\">\n                <i><svg width=\"13\" height=\"20\" viewBox=\"0 0 13 20\" fill=\"none\" xmlns=\"http://www.w3.org/2000/svg\"><path d=\"M0 20L13 10L0 0V20Z\"></path></svg></i>\n            </button>', '1ページ目', '', 'publish', 'closed', 'closed', '', 'home-jp', '', '', '2025-10-13 10:00:26', '2025-10-13 02:00:26', '', 0, 'http://scp.ntua.edu.tw/?page_id=229274', 0, 'page', '', 0),
(229275, 1, '2025-07-10 11:41:24', '2025-07-10 03:41:24', '<img width=\"1313\" height=\"1920\" src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_mobile1749x2560_ed.jpg\" alt=\"\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_mobile1749x2560_ed.jpg 1313w, http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_mobile1749x2560_ed-205x300.jpg 205w, http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_mobile1749x2560_ed-700x1024.jpg 700w, http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_mobile1749x2560_ed-768x1123.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_mobile1749x2560_ed-1050x1536.jpg 1050w\" sizes=\"(max-width: 1313px) 100vw, 1313px\" />															\n															<img width=\"2560\" height=\"1269\" src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_2560-x-1266-像素ed.jpg\" alt=\"\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_2560-x-1266-像素ed.jpg 2560w, http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_2560-x-1266-像素ed-300x149.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_2560-x-1266-像素ed-1024x508.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_2560-x-1266-像素ed-768x381.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_2560-x-1266-像素ed-1536x761.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_2560-x-1266-像素ed-2048x1015.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2025/05/banner_2560-x-1266-像素ed-1920x952.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" />															\n    <h2>\n                News                    </h2>\n	<a href=\"http://scp.ntua.edu.tw/en/announcements/masters-program-evaluation/229936.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n		</figure>\n	</a>\n											2025-06-24\n				<h4>\n										<a href=\"http://scp.ntua.edu.tw/en/announcements/masters-program-evaluation/229936.html\">\n						Master’s Thesis Presentation|LIANG, Xiang-Fa “Body and Metaphor – A Discourse on the Stone Sculpture Creations of LIANG Xiang-Fa”					</a>\n				</h4>\n				<small>Date & Time｜Tuesday, June 24, 2025 • 15:00–17:00<br>\nVenue｜Sculpture Building, 1st Floor, Room 1001, Department of Sculpture</small>			\n											<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/en/category/announcements/masters-program-evaluation\">Master&#039;s Program Evaluation &amp; Thesis Presentation</a>\n					        <a href=\"http://scp.ntua.edu.tw/en/announcements/masters-program-evaluation/229936.html\">\n				    <svg xmlns=\"http://www.w3.org/2000/svg\" width=\"24\" height=\"24\" fill=\"currentColor\"><path d=\"M7 7h8.586L5.293 17.293l1.414 1.414L17 8.414V17h2V5H7v2z\"/></svg>\n				</a>\n	<a href=\"http://scp.ntua.edu.tw/en/announcements/events-news/229735.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/20250614-576x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/20250614-576x1024.jpg 576w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/20250614-169x300.jpg 169w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/20250614-768x1366.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/20250614-863x1536.jpg 863w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/20250614-1151x2048.jpg 1151w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/20250614.jpg 1439w\" sizes=\"(max-width: 576px) 100vw, 576px\" alt=\"\" >\n		</figure>\n	</a>\n											2025-06-14\n				<h4>\n										<a href=\"http://scp.ntua.edu.tw/en/announcements/events-news/229735.html\">\n						Final Presentation Party – Graduate Studio B (College of Fine Arts) &amp; Studio C (Department of Sculpture), National Taiwan University of Arts					</a>\n				</h4>\n				<small>2025.06.14 (Sat) 18:00–22:00<br>\nB1, Department of Sculpture, No. 59, Sec. 1, Daguan Rd., Banqiao District, New Taipei City</small>			\n											<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/en/category/announcements/events-news\">Events &amp; News</a>\n											<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/en/category/announcements/masters-program-evaluation\">Master&#039;s Program Evaluation &amp; Thesis Presentation</a>\n					        <a href=\"http://scp.ntua.edu.tw/en/announcements/events-news/229735.html\">\n				    <svg xmlns=\"http://www.w3.org/2000/svg\" width=\"24\" height=\"24\" fill=\"currentColor\"><path d=\"M7 7h8.586L5.293 17.293l1.414 1.414L17 8.414V17h2V5H7v2z\"/></svg>\n				</a>\n	<a href=\"http://scp.ntua.edu.tw/en/announcements/exhibitions-presentation/229753.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-726x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-726x1024.jpg 726w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-213x300.jpg 213w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-768x1083.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-1089x1536.jpg 1089w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-1452x2048.jpg 1452w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed.jpg 1815w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n											2025-04-30\n				<h4>\n										<a href=\"http://scp.ntua.edu.tw/en/announcements/exhibitions-presentation/229753.html\">\n						NTUA Sculpture Annual Exhibition 2025					</a>\n				</h4>\n				<small>Date｜2025.04.30 (Wed) – 05.11 (Sat), 9:00–17:00<br>\nVenue｜National Taiwan University of Arts, Teaching and Research Building\n</small>			\n											<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/en/category/announcements/exhibitions-presentation\">Exhibitions Presentation</a>\n					        <a href=\"http://scp.ntua.edu.tw/en/announcements/exhibitions-presentation/229753.html\">\n				    <svg xmlns=\"http://www.w3.org/2000/svg\" width=\"24\" height=\"24\" fill=\"currentColor\"><path d=\"M7 7h8.586L5.293 17.293l1.414 1.414L17 8.414V17h2V5H7v2z\"/></svg>\n				</a>\n    <h2>\n                Exhibitions                    </h2>\n	<a href=\"http://scp.ntua.edu.tw/en/announcements/exhibitions-presentation/229753.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-726x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-726x1024.jpg 726w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-213x300.jpg 213w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-768x1083.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-1089x1536.jpg 1089w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-1452x2048.jpg 1452w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed.jpg 1815w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/en/announcements/exhibitions-presentation/229753.html\">\n					NTUA Sculpture Annual Exhibition 2025				</a>\n			</h4>\n			<small>Date｜2025.04.30 (Wed) – 05.11 (Sat), 9:00–17:00<br>\nVenue｜National Taiwan University of Arts, Teaching and Research Building\n</small>		\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/en/category/announcements/exhibitions-presentation\">Exhibitions Presentation</a>\n	<a href=\"http://scp.ntua.edu.tw/en/announcements/exhibitions-presentation/229759.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250408aed-768x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250408aed-768x1024.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250408aed-225x300.jpg 225w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250408aed.jpg 1083w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/en/announcements/exhibitions-presentation/229759.html\">\n					Along These Lines– ANG Xue-Ning Solo Exhibition				</a>\n			</h4>\n			<small>Date｜2025.04.08 (Tue) – 2025.04.12 (Sat) 9:00-17:00<br>\nPreview Opening｜2025.04.07 (Mon), 19:00<br>\nVenue｜1F Experimental Gallery, Department of Sculpture, National Taiwan University of Arts\n</small>		\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/en/category/announcements/exhibitions-presentation\">Exhibitions Presentation</a>\n	<a href=\"http://scp.ntua.edu.tw/en/announcements/exhibitions-presentation/229765.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20251225a-1024x455.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20251225a-1024x455.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20251225a-300x133.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20251225a-768x341.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20251225a.jpg 1219w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/en/announcements/exhibitions-presentation/229765.html\">\n					Divine Pigs Society — Final Presentation of Studio C, Graduate Institute of Sculpture, NTUA				</a>\n			</h4>\n			<small>Date｜2024.12.25 (Wed) – 12.28 (Sat), 10:00–17:00<br>\nVenue｜North Art Cluster, YOZANG Art Museum, NTUA\n</small>		\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/en/category/announcements/exhibitions-presentation\">Exhibitions Presentation</a>\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/en/category/announcements/masters-program-evaluation\">Master&#039;s Program Evaluation &amp; Thesis Presentation</a>\n	<a href=\"http://scp.ntua.edu.tw/en/announcements/exhibitions-presentation/229773.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-1024x723.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-1024x723.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-300x212.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-768x542.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-1536x1085.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-2048x1446.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-200x140.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-1920x1356.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/en/announcements/exhibitions-presentation/229773.html\">\n					Galácticos– 2024–2025 MFA Freshmen Exhibition				</a>\n			</h4>\n			<small>Date｜2024.12.04 (Wed) – 12.14 (Sat) 9:00-17:00<br>\nVenue｜1F Experimental Gallery, Department of Sculpture, National Taiwan University of Arts\n</small>		\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/en/category/announcements/exhibitions-presentation\">Exhibitions Presentation</a>\n    <a href=\"http://scp.ntua.edu.tw/en/announcements/exhibitions-presentation\" >\n        More\n                                </a>\n    <h2>\n                Academic Lectures                    </h2>\n	<a href=\"http://scp.ntua.edu.tw/en/announcements/academic-lectures/229466.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-1024x724.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-1024x724.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-300x212.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-768x543.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-1536x1087.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-2048x1449.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-1920x1358.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/en/announcements/academic-lectures/229466.html\">\n					Contemporary Art Lecture Series 2025				</a>\n			</h4>\n			<small>Date｜ February 25 – June 3, 2025 (Tuesdays, 15:10–17:00)<br>\nVenue｜ Room 1002, Department of Sculpture, National Taiwan University of Arts\n</small>		\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/en/category/announcements/academic-lectures\">Academic Lectures</a>\n	<a href=\"http://scp.ntua.edu.tw/en/announcements/academic-lectures/229563.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-824x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-824x1024.jpg 824w, http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-242x300.jpg 242w, http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-768x954.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-1237x1536.jpg 1237w, http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-1649x2048.jpg 1649w, http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-1920x2385.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/en/announcements/academic-lectures/229563.html\">\n					Artist Lecture | PONDICK Rona				</a>\n			</h4>\n			<small>Venue｜ Room 1002, Department of Sculpture, National Taiwan University of Arts<br>\nDate & Time｜ Friday, May 17, 2024, 13:00–15:00<br>\n</small>		\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/en/category/announcements/academic-lectures\">Academic Lectures</a>\n	<a href=\"http://scp.ntua.edu.tw/en/announcements/academic-lectures/229569.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-1024x724.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-1024x724.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-300x212.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-768x543.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-1536x1085.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-2048x1447.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-1920x1357.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/en/announcements/academic-lectures/229569.html\">\n					Contemporary Art Lecture Series 2024				</a>\n			</h4>\n			<small>Date｜March 1 – June 14, 2024 (Fridays, 13:00–15:00)<br>\nVenue｜Room 1002, Department of Sculpture, National Taiwan University of Arts\n</small>		\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/en/category/announcements/academic-lectures\">Academic Lectures</a>\n	<a href=\"http://scp.ntua.edu.tw/en/announcements/academic-lectures/229582.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed-724x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed-724x1024.jpg 724w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed-212x300.jpg 212w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed-768x1086.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed-1086x1536.jpg 1086w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed-1448x2048.jpg 1448w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed.jpg 1810w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/en/announcements/academic-lectures/229582.html\">\n					Master Lecture Series | WANG Wei × LAI Chih-Sheng				</a>\n			</h4>\n			<small>Venue｜Room 1002, Department of Sculpture, National Taiwan University of Arts<br>\nDate & Time｜Thursday, November 23, 2023, 14:00–16:00<br>\nModerator｜YU Wei\n</small>		\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/en/category/announcements/academic-lectures\">Academic Lectures</a>\n    <a href=\"http://scp.ntua.edu.tw/en/announcements/academic-lectures\" >\n        More\n                                </a>\n                    <img\n                src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/thumb-2ed.jpg\"\n                srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/thumb-2ed-1024x576.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/thumb-2ed-300x169.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/thumb-2ed-768x432.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/thumb-2ed-1536x864.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/thumb-2ed-2048x1152.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/thumb-2ed-1920x1080.jpg 1920w\"\n                sizes=\"(max-width: 640px) 100vw, 640px\"\n                alt=\"\"\n                >\n            <button aria-label=\"Play the video\">\n                <i><svg width=\"13\" height=\"20\" viewBox=\"0 0 13 20\" fill=\"none\" xmlns=\"http://www.w3.org/2000/svg\"><path d=\"M0 20L13 10L0 0V20Z\"></path></svg></i>\n            </button>', 'Home', '', 'publish', 'closed', 'closed', '', 'home', '', '', '2025-10-13 09:59:36', '2025-10-13 01:59:36', '', 0, 'http://scp.ntua.edu.tw/?page_id=229275', 0, 'page', '', 0);
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(229289, 1, '2025-07-08 11:58:03', '2025-07-08 03:58:03', '<!-- wp:html -->\n<h3>Education</h3>\n<div>Ph.D. in Art History, Paris-Sorbonne University (Paris IV), France</div>\n<div>D.E.A. in Art History, Paris-Sorbonne University (Paris IV), France</div>\n<div>M.F.A., Graduate Institute of Fine Arts, National Taiwan Normal University</div>\n<div>B.F.A., Department of Fine Arts, National Taiwan Normal University</div>\n\n\n<h3>Professional Experience (Summary)</h3>\n<p>Liu Chun-Lan previously served as Director of Taoyuan Museum of Fine Arts (2018–2022), Director of Yo-Chang Art Museum, National Taiwan University of Arts (2015–2017), and Chair of the Department of Fine Arts and Director of the Graduate Institute of Arts Education at National Changhua University of Education (2011–2012). She has led multiple research projects, received National Science Council grants (2003, 2005–2011), conducted short-term research in France (2005), and was awarded a Canadian Studies Grant by the Canadian Trade Office in Taipei (2005). Liu is an active editor, author, translator, and reviewer for various academic publications. She frequently serves as a juror for exhibitions and funding programs at public and private art institutions, as well as a speaker and lecturer for thematic forums and lecture series.</p>\n<p>Beyond academic research, education, and outreach, Liu has curated numerous major national and international art exhibitions. Notable examples include the Asian Contemporary Sculpture Exhibition (2024, Juming Museum), Marc Chagall Retrospective (2011, National Palace Museum), FORMOSA Sculpture Biennial (2013, 2015, 2017), Kaohsiung International Steel Sculpture Festival (2014, 2016), Taoyuan Land Art Festival (2019), and Taoyuan International Driftwood Art Festival (2017), among others.</p>\n\n\n<h3>Selected Curatorial Projects</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div><i>Mapping the Coastline — 2024 Formosa North Coast Art Season</i> (co-curated with You, Wei), organized by the North Coast & Guanyinshan National Scenic Area Administration, Sep 28–Oct 20, 2024.</div>\n                <div><i>Objects in Focus: Asian Contemporary Sculpture Exhibition</i> (co-curated with CHOI Tae Man), Juming Museum, Sep 13, 2024–Jan 12, 2025.</div>\n                <div><i>Here and Elsewhere: Eight Modes of Temporal-Spatial Transition — Taiwanese Contemporary Sculpture Exhibition</i> (in preparation), Paris, France.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div><i>Heavenly Inquiries: Dong Cheng-Lian × Chang Yung-Ta</i>, Tainan: Chiayi Art, Aug 20–Oct 2, 2022.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div><i>Beyond the Window: Taoyuan Museum of Fine Arts & Centraal Museum Utrecht Joint Exhibition</i> (co-curated with Bart Rutten), Taoyuan.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div><i>New Landscapes: 2019 Taoyuan Land Art Festival</i>, Taoyuan.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div><i>M-Space — 2017 FORMOSA Sculpture Biennial</i> (Chief Curator and Chief Editor of Exhibition Catalogue, published 2019), Pier-2 Art Center, Kaohsiung.</div>\n                <div><i>A Garden Within a Garden — 2017 Taoyuan International Driftwood Art Festival</i>, Fenghe Park, Taoyuan.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div><i>Steel Play — 2016 Kaohsiung International Steel Sculpture Festival</i>, Pier-2 Art Center, Kaohsiung.</div>\n                <div><i>Transfiguration: Liu Po-Chun Solo Exhibition</i>, Taipei: Chiayi Art.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div><i>How to Measure? 2015 FORMOSA Sculpture Biennial</i> (Chief Curator and Chief Editor), Pier-2 Art Center, Kaohsiung.</div>\n                <div><i>Symphonic Aesthetic — A Cross-Media Synesthetic Space</i> (Chief Curator), Yo-Chang Art Museum, NTUA.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div><i>Endless Steel — 2014 Kaohsiung International Steel Sculpture Festival</i>, Pier-2 Art Center, Kaohsiung.</div>\n                <div><i>What Lies Ahead?: Taiwanese Contemporary Sculpture in the Post-Expansion Era, 2014 FORMOSA Sculpture Biennial</i> (Chief Curator and Chief Editor), Pier-2 Art Center, Kaohsiung.</div>\n                <div>Assisted in curating <i>Romantic Paris: Marie Laurencin Retrospective</i>, held at Chiang Kai-shek Memorial Hall, National Taiwan Museum of Fine Arts, and organized by United Daily News Group.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div><i>Paradise, Judgment, Rebirth: Michelangelo — The Renaissance Master Revisited</i>, Advisor, National Museum of History and Very Mainstream Co., Ltd.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div><i>Western Myths and Legends: Louvre Treasures Exhibition</i>, Advisor, National Palace Museum and Very Mainstream Co., Ltd.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div><i>Happy Birthday: The Love and Beauty of Chagall</i>, Curator, National Palace Museum and National Taiwan Museum of Fine Arts.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2006</td>\n            <td>\n                <div><i>Art and Nature</i>, Changhua Art Museum.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2004</td>\n            <td>\n                <div><i>Geometric Forms in Modern Art</i>, Curator, “Forms” Special Exhibition for National Science Council’s Science Week — Art & Humanities Section, Chiang Kai-shek Memorial Hall, Taipei.</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Selected Books, Articles, and Related Publications</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>“Reflections and Transformations in the Epistemology of Taiwanese \'Contemporary Sculpture\',” <i>Shifting Boundaries: Symposium Proceedings on Post-Martial Law Taiwanese Sculpture Studies</i>, Juming Museum & Department of Sculpture, National Taiwan University of Arts, May 2024.</div>\n                <div>“The Arena within the Arena: Approaches to \'Sculpture–Spatial Art\' by New Generation Artists,” <i>Sculpture Studies</i> (Supplement), no. 31, Juming Museum, May 2024, pp. 51–68.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>“‘Human‧Object’ Co-Refinement: An Alternative Historical Narrative in Po-Chun Liu’s Exhibition <i>Archaeology and Contemporary Smelting</i>,” Po-Chun Liu Studio, New Taipei City, Oct. 2023, pp. 32–55.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>“Modernity in Dialogic Margins: Re-examining the Geometric Abstract Aesthetics of Li Tsai-chien,” in <i>Strings of Silence: Li Tsai-chien</i>, Soka Culture & Education Foundation, Taipei, Aug. 2022, pp. 42–59.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>“M Space: A Realm of Flux and Re-Enchantment,” in <i>M Space – 2017 FORMOSA Sculpture Biennial</i>, Tung Ho Steel Culture Foundation, 2019, pp. 10–31.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>“The Truth in Minimalism: Kazuo Tomihara’s Cross-Cultural Practice at Tung Ho Steel,” in <i>Special Relations 5.0: International Artist Residency Project at Tung Ho Steel</i>, Tung Ho Steel Culture Foundation, 2018, pp. 6–23.</div>\n                <div>“Sensibility of Seclusion: On Wen-Chih Wang’s Shelter,” in <i>Shelter</i>, Taipei Fine Arts Museum, 2018, pp. 16–33.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>“The Playful Aesthetics of Scrap Iron: 2016 Kaohsiung Steel Sculpture Festival,” in <i>Infinite Steel</i>, Kaohsiung Bureau of Cultural Affairs, 2017, pp. 14–45.</div>\n                <div>“Fifty Days vs. Fifteen Years: Normality and Exception in Novella’s Residency Practice,” in <i>Special Relations 4.0</i>, Tung Ho Steel Culture Foundation, 2017, pp. 6–23.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>“On the Move Again: Nikolay Polissky’s Residency at Tung Ho Steel in Miaoli,” in <i>Special Relations 3.0</i>, Tung Ho Steel Culture Foundation, 2016, pp. 6–21.</div>\n                <div>“What Is the Measure? On Scale in a Time of Meaninglessness,” in <i>What Is the Measure? – 2015 FORMOSA Sculpture Biennial</i>, 2016, pp. 12–25.</div>\n                <div>“Corporeal Mutations in Po-Chun Liu’s Sculpture: Beginning with Questions of Size,” in <i>Metamorphosis: The Sculpture of Po-Chun Liu, 1997–2015</i>, Taimon Art, Taipei, 2016, pp. 68–101.</div>\n                <div>“The Prologue to Special Relations: Artist Residencies at Tung Ho Steel, 2009–2011,” in <i>Special Relations: Prologue</i>, Tung Ho Steel Culture Foundation, 2016, pp. 30–45.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>“Infinite Steel: On the 2014 Kaohsiung Steel Sculpture Festival,” in <i>Infinite Steel</i>, Artist Publishing, 2015, pp. 10–31.</div>\n                <div>“Beyond What Meets the Eye: Poetic Imaginations in Dong-Hoon Sung’s Residency at Tung Ho Steel,” in <i>Special Relations 2.0</i>, Tung Ho Steel Culture Foundation, May 2015, pp. 8–27.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>“Special Relations: Artistic Creation vs. Industrial Production – Phillip King and Po-Chun Liu at Tung Ho Steel,” in <i>Special Relations 1.0</i>, Tung Ho Steel Culture Foundation, Oct. 2014, pp. 8–31.</div>\n                <div>“What Lies Ahead?: Taiwanese Contemporary Sculpture in the Post-Expansion Era,” in <i>2013 FORMOSA Sculpture Biennial</i>, Taipei: ARTCO, 2014, pp. 12–27.</div>\n                <div>“Phantom of the Metropolis: Marie Laurencin Inside and Outside the Mainstream,” in <i>Belle Époque Paris: Marie Laurencin</i>, United Daily News, Taipei, 2014, pp. 18–29.</div>\n                <div>“On the Boundaries of Contemporary Sculpture,” in <i>Boundaries & Diffusion – Alumni Exhibition of the Department of Sculpture, NTUA</i>, 2014 [n.p.].</div>\n                <div>“Entering the World: A New Aesthetic in 21st Century Taiwanese Sculpture,” in <i>Transforming Forms: Contemporary Sculpture Since 2000, FORMOSA Sculpture Biennial Symposium Proceedings</i>, 2014, pp. 74–111.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>“Beyond Nature: The Human Form and Structure in Michelangelo’s Sculpture,” <i>Sculpture Studies</i>, no. 9, Juming Museum, Mar. 2013, pp. 1–43.</div>\n                <div>“Emerging from the Stone: Michelangelo’s Sculptural Views and Practices,” <i>Historical Relics</i>, vol. 23, no. 2 (n.235), National Museum of History, Taipei, Feb. 2013, pp. 46–55.</div>\n                <div>“A Century of Taiwanese Sculpture: Toward Pluralistic Openness,” in <i>Taiwanese Creative Icons vol. 8: Sculptors</i>, Tung Ho Steel & Daguan Visual Consultants, 2013, pp. 7–10.</div>\n                <div>“Steel, Site, and Creativity: 2012 Kaohsiung Public Steel Art Residency,” in <i>2012 Kaohsiung International Steel Sculpture Festival</i>, 2013, pp. 20–27.</div>\n                <div>“Transgressions in Sculpture: Michelangelo’s Sculptural Standpoint,” in <i>Paradise, Judgment, Rebirth: Michelangelo – Renaissance Master Revisited</i>, National Museum of History, 2013, pp. 33–43.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>“The Three-Dimensional Materiality of Sculpture: Revisiting the Conceptual Art of Erwin Wurm,” in <i>Sculptural Paradigms in Transition, NTUA Sculpture Department International Symposium Proceedings</i>, pp. 33–46.</div>\n                <div>“Different Times, Different ‘Classics’: Greek Myths and Heroic Tales through History,” <i>ARTCO Investment</i>, Feb. 2012, pp. 86–89.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>“Interview with American Contemporary Art Duo Anthony Aziz and Sammy Cucher,” <i>Artist Magazine</i>, Oct. 2011, pp. 290–297.</div>\n                <div>“Infinite Picasso: A Dialogue of Primitivism, Classicism, and Modernity,” <i>ARTCO Investment</i>, no. 44, Jun. 2011, pp. 94–98.</div>\n                <div><i>Happy Birthday – The Love and Beauty of Chagall</i>, Taipei: National Palace Museum, National Taiwan Museum of Fine Arts, United Daily News, Feb. 2011. [Sections: pp. 37–47; 60–81; 84–87; 92–115; 118–153; 158–161.]</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2010</td>\n            <td>\n                <div><i>Paul Gauguin: Forever the Otherland</i>, Taipei Fine Arts Museum, Nov. 2010. [Chief text author for exhibit captions: pp. 140–201; 202–205; 208–247; 252–269; etc.]</div>\n                <div>“Van Gogh’s Distant ‘Mentors’,” <i>Historical Relics</i>, vol. 20, no. 3 (n.200), NMH, Mar. 2010, pp. 18–31.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div>“Bernard Rancillac’s Transgressive Realism,” <i>Art Criticism</i>, Taipei National University of the Arts, no. 19, Dec. 2009, pp. 1–23.</div>\n                <div>“Visages of an Era: Bernard Rancillac’s Portraiture, 1966–1980,” <i>Journal of Modern Art</i>, Taipei Fine Arts Museum, no. 18, Oct. 2009, pp. 11–50.</div>\n                <div>“Embodied Imagination of Nation and Fate: Magdalena Abakanowicz’s Human Figures,” <i>Sculpture Studies</i>, no. 3, Juming Museum, Sep. 2009, pp. 37–73.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2008</td>\n            <td>\n                <div>“Anti-Portraits in Christian Boltanski’s Works,” in <i>Discourse and Thought, Proceedings of the 4th Art Conference</i>, National Kaohsiung Normal University, Oct. 2008, pp. 2.1–2.22.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2007</td>\n            <td>\n                <div>“Trauma, Memory, and History in Christian Boltanski’s Works,” <i>Journal of Modern Art</i>, no. 14, TFAM, Dec. 2007, pp. 93–106.</div>\n                <div>“Portraits of the Masses: Boltanski’s Inventory Series,” <i>Research and Innovation</i>, no. 4, National Changhua University of Education, Nov. 2007.</div>\n                <div><i>The Birth of an Artist</i> (co-authored with Mei-Hsiang Huang), National Taiwan Arts Education Center, Oct. 2007.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2006</td>\n            <td>\n                <div><i>Visual Art Appreciation</i> (co-authored with Chiu-Chin Chen, Chang-Te Lin, Kuang-Nan Huang, Ching-Yueh Hsu, Ching-Feng Chang, and Mei-Jung Lee), Taipei: Hwatai Publishing, 2006.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2005</td>\n            <td>\n                <div>“A Study of David Hockney’s Portraits,” <i>Journal of the College of Liberal Arts</i>, National Changhua University of Education, no. 4, Dec. 2005, pp. 244–280.</div>\n                <div>“Bernard Rancillac’s Paintings on China’s Cultural Revolution,” in <i>2005 Cross-Strait University Presidents and Technology Conference Proceedings</i>, National Yunlin University of Science and Technology, Nov. 2005, pp. 453–456.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2004</td>\n            <td>\n                <div>“The Monetary Disputes between Jacques-Louis David and Napoleon Bonaparte,” <i>Journal of the College of Liberal Arts, NCUE</i>, no. 3, Nov. 2004, pp. 215–250.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2003</td>\n            <td>\n                <div>“Dominique-Vivant Denon and the Dream of Creating the Most Beautiful and Largest Museum Ever,” <i>Taiwan Art</i>, Jan. 2003, pp. 90–104.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2002</td>\n            <td>\n                <div>“Facing History: Valerio Adami’s French Revolution Series,” <i>Journal of the College of Liberal Arts, NCUE</i>, Nov. 2002, pp. 257–282.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2001</td>\n            <td>\n                <div>“The Tableaux historiques de la Révolution française by Werkihrer Stecher: A Thematic Analysis,” in <i>Bildgedächtnis eines zelthistorischen Ereignisses</i>, Göttingen: Vandenhoeck & Ruprecht, Germany, 2001, pp. 259–280.</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Academic Editor</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div><i>Shifting Territories</i> (forthcoming), Proceedings of the Symposium on Post-Martial Law Taiwanese Sculpture, Juming Museum.</div>\n                <div><i>Exhibition Writing‧Phenomenon Observation I</i>, Editor-in-Chief, Sculpture Studies Supplement, Juming Museum, 2024.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div><i>Archaeology and Contemporary Smelting—2022 Solo Exhibition of Po-Chun Liu</i>, Editor-in-Chief, New Taipei City: Po-Chun Liu Studio, 2023.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div><i>Extraordinary Relationship 5.0: Tung Ho Steel International Artist-in-Residence Program Album</i>, Editor-in-Chief, Taipei: Tung Ho Steel Art Foundation, 2018.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div><i>Extraordinary Relationship 4.0: Tung Ho Steel International Artist-in-Residence Program Album</i>, Editor-in-Chief, Taipei: Tung Ho Steel Art Foundation, 2017.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div><i>Diamond Transformation: Po-Chun Liu’s Sculpture, 1997–2015</i>, Editor-in-Chief, Taipei: Yiri International Publishing, 2016.</div>\n                <div><i>Extraordinary Relationship 3.0: Tung Ho Steel International Artist-in-Residence Program Album</i>, Editor-in-Chief, Taipei: Tung Ho Steel Art Foundation, 2016.</div>\n                <div><i>Prologue to “Extraordinary Relationship”: Artist-in-Residence Project by National Culture and Arts Foundation and Tung Ho Steel</i>, Editor-in-Chief, Taipei: Tung Ho Steel Art Foundation, 2016.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div><i>Extraordinary Relationship 2.0: Tung Ho Steel International Artist-in-Residence Program Album</i>, Editor-in-Chief, Taipei: Tung Ho Steel Art Foundation, 2015.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div><i>Extraordinary Relationship 1.0: Tung Ho Steel International Artist-in-Residence Program Album</i>, Editor-in-Chief, Taipei: Tung Ho Steel Art Foundation, 2014.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div><i>Western Mythology and Legends—Masterpieces from the Louvre</i>, Chief Editor: Chun-Lan Liu, Taipei: National Palace Museum & Cite Shows, 2012.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div><i>Picasso: Master of the Century</i>, Translation Review and Editing, Taipei: National Museum of History & United Daily News Group, 2011.</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Technical Reports, Translations, Interviews, and Others (Selected)</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>“Continuing the Journey — Cheng-Liang Lee Solo Exhibition <i>The Next Stop of Eternal Station</i>” (forthcoming), March 2024.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>“Epistemological Speculations and the Shifting History of Taiwanese Art” (talk abstract), Curating as a Method of Art History: Discourse and Practice, Symposium, National Taiwan Museum of Fine Arts, Huafan University, and Taiwan Art History Research Association, Nov. 2023, pp. 18–19.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>“Multidirectional Experimentation in Freedom and Play: Interview with Artist Juanjo Novella,” <i>Extraordinary Relationship 4.0</i>, Taipei: Tung Ho Steel Art Foundation, 2017, pp. 54–65.</div>\n                <div>“Beyond Modernity: Interview with Artist Ching-Chih Kuo” (co-interviewed with Po-Chun Liu and Yuan-Ta Hsu), <i>Extraordinary Relationship 4.0</i>, 2017, pp. 36–53.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>“East vs. West, Nature vs. Industry: Interviews with Artists of the 3rd Residency,” <i>Extraordinary Relationship 3.0</i>, 2016, pp. 36–61.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>“Already Begun, Newly Discovered, and Still Continuing: Interviews with Artists-in-Residence,” <i>Extraordinary Relationship 2.0</i>, 2015/5, pp. 40–53.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>“Sculpture Should Be a Physical Object: Interview with Phillip King,” <i>Extraordinary Relationship 1.0</i>, Oct. 2014, pp. 32–47.</div>\n                <div>“The Way of Steel Sculpture: Interview with Po-Chun Liu,” <i>Extraordinary Relationship 1.0</i>, 2014, pp. 48–65.</div>\n                <div>“My Residency Experience at Tung Ho Steel” (by Phillip King, trans. Chun-Lan Liu), <i>Extraordinary Relationship 1.0</i>, 2014, pp. 66–69.</div>\n                <div><i>Elegant Paris: Marie Laurencin</i>, Translation Review, Taipei: United Daily News, 2014, pp. 18–29.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div><i>Phillip King and Po-Chun Liu in Dialogue</i> (Residency Project Short Film), Translation, Dec. 2013.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>Joan Pomero, trans. Chun-Lan Liu: “Thomas et les autres…,” Artist Statement, <i>Joan Pomero Solo Exhibition</i>, National Changhua University of Education, Baisha Art Center, 2012.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div><i>The Eternal Elsewhere—Gauguin Pocket Guide</i> (with André Cariou), Taipei: Global Impressions Co., 2010.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2005</td>\n            <td>\n                <div><i>The Louvre</i>, Alexandre Bonfante-Warren, trans. Chun-Lan Liu, Taipei: Taiwan Mac Educational Co., 2005.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2003</td>\n            <td>\n                <div>“Painting the Eternal Present,” Pierre Restany, trans. Chun-Lan Liu, in <i>Chen Cheng-Hsiung: A 50-Year Retrospective</i>, Taipei: National Museum of History, May–June 2003, pp. 68–70.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2001</td>\n            <td>\n                <div><i>Three Centuries of French Painting—From Poussin to Cézanne</i>, trans. by Chun-Lan Liu et al., Taipei: National Palace Museum & Min Sheng Daily News, 2001.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2000</td>\n            <td>\n                <div>“Design Errors in the Mitterrand Site of the Bibliothèque nationale de France,” Teaching and Research Conference, Vanung University, May 2000.</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Symposium, Forum, and Panel Planning (Selected)</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>Project Director and Forum Organizer, <i>Post-Martial Law Taiwanese Sculpture Studies</i> (2023–2024), Taiwan Contemporary Sculpture Research Center, Juming Museum.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>Project Director, <i>Phenomena and Trends—Observations on the Development of Taiwanese Contemporary Sculpture</i> (2023–2024), Taiwan Contemporary Sculpture Research Center, Juming Museum.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>Forum Curator, <i>Archaeology and Contemporary Smelting Exhibition Forums</i> (Sep. 24, Oct. 22, Nov. 19, 2022), Shihsanhang Museum of Archaeology & Department of Sculpture, NTUA.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>Forum Curator, <i>Re-Experimentation: From the Bauhaus Spirit to the Development and Education of Contemporary Sculpture</i>, 2019 Sculpture Practice Program by Ministry of Education, NTUA, Oct. 3, 2019.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>Curator, <i>Rethinking Change: International Conference on Contemporary Sculpture since 2000</i>, Cultural Affairs Bureau of Kaohsiung City & Department of Sculpture, NTUA, 2014.</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', 'LIU Chun-Lan', '', 'publish', 'closed', 'closed', '', 'liu-chun-lan', '', '', '2025-10-09 20:46:42', '2025-10-09 12:46:42', '', 0, 'http://scp.ntua.edu.tw/?p=229289', 0, 'post', '', 0),
(229290, 1, '2025-07-07 12:05:08', '2025-07-07 04:05:08', '<!-- wp:html -->\n<h3>Education & Academic Background</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>1982</td>\n            <td>\n                <div>Graduated from Mingdao High School, Department of Arts and Crafts (Three-Dimensional Section)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1986</td>\n            <td>\n                <div>B.F.A., Department of Sculpture, National Taiwan Academy of Arts</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1997</td>\n            <td>\n                <div>B.F.A., Department of Sculpture, Tama Art University, Japan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1999</td>\n            <td>\n                <div>M.F.A., Graduate School of Fine Arts, Tama Art University, Japan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2002</td>\n            <td>\n                <div>Doctor of Fine Arts, Kanazawa College of Art, Japan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2002–2004</td>\n            <td>\n                <div>Assistant Professor, Department of Traditional Crafts, National Taiwan University of Arts</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2004–2009</td>\n            <td>\n                <div>Assistant Professor, Department of Fine Arts, Dayeh University</div>\n                <div>‧Served as Department Chair from 2007 to 2009</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009–present</td>\n            <td>\n                <div>Professor, Department of Sculpture, National Taiwan University of Arts</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Publications</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>“<i>Hiromando Kitagawa’s Red Clay Sculpture: A New Look at Japanese Figurative Sculpture</i>,” Sculpture Studies, No.05, pp. 61–86, May 2011</div>\n                <div>“<i>In Search of the Intermediate Zone Between Mind and Form</i>,” Strait Crafts, Vol.1, pp. 38–41, April 2011</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2010</td>\n            <td>\n                <div>“<i>The Growing Sanyi Woodcarving: 2010 Taiwan & Japan International Woodcarving Art Exchange Exhibition</i>,” Taiwan Craft Quarterly, Vol.39, pp. 70–75, October 2010</div>\n                <div>“<i>Hiromando Kitagawa Solo Exhibition: The Direction of Contemporary Figurative Sculpture</i>,” Yihai Binfen – Art Appreciation Journal, Vol.6 No.2, pp. 7–19, April 2010</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div>“<i>The Position of Basic Sculpture Courses in the Foundational Education of Plastic Arts</i>,” Proceedings of the 2009 Conference on Thinking and Practice in Plastic Arts, Dayeh University, February 21, 2009</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2008</td>\n            <td>\n                <div><i>Self-Portrait 2008 – Solo Exhibition by Yun-Hsin Lai</i>, published by Providence University, September 2008</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2004</td>\n            <td>\n                <div><i>2004 Woodcarving Art Creation Exhibition – Mixed Media Category</i>, published by Sanyi Woodcarving, December 2004</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2003</td>\n            <td>\n                <div><i>Requiem & Gate of Hell – Duo Exhibition by Shunsuke Tsuchida and Yun-Hsin Lai</i>, published by Kaohsiung Museum of Fine Arts, November 2003</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2002</td>\n            <td>\n                <div><i>On Enku Buddha – A Sculptor’s Perspective</i>, published by Shoseki Co., Ltd., July 2002</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Solo Exhibitions</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div><i>Self-Portrait and Self Image – Yun-Hsin Lai Solo Exhibition</i></div>\n            </td>\n        </tr>\n        <tr>\n            <td>2010</td>\n            <td>\n                <div><i>In Search of the Intermediate Zone Between Mind and Form – Yun-Hsin Lai Woodcarving Solo Exhibition</i>, Hungkuang University Art Center</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Group Exhibitions</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div><i>The Wave: 50 Years of Figurative Wood Sculpture in Taiwan</i></div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div><i>Ruian Rotary Club 2016–17 Charity Art Auction – Life Bridge</i></div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div><i>Beyond the Tiny Space: International Shoebox Sculpture Exhibition</i></div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Curatorial Projects</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div><i>International Woodcarving Art Exchange Exhibition</i>, Sanyi Wood Sculpture Museum</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2010</td>\n            <td>\n                <div><i>International Woodcarving Art Exchange Exhibition</i>, Sanyi Wood Sculpture Museum</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2003</td>\n            <td>\n                <div><i>Creative Forum – Requiem & Gate of Hell Duo Exhibition</i>, Kaohsiung Museum of Fine Arts</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Awards and Other Projects</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2008</td>\n            <td>\n                <div>Community Building Project Grant, Taichung County Community Empowerment Center</div>\n                <div>KIKI COCO Old Street Revitalization Project Sub-plan, Yuanlin Township</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2007</td>\n            <td>\n                <div>KIKI COCO Stone Lane Old Street Revitalization Plan, Yuanlin Township</div>\n                <div>Special Jury Prize, 11th Yulon Woodcarving Innovation Awards</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2006</td>\n            <td>\n                <div>Selected for Co6 Taiwan Avant-Garde Document Exhibition</div>\n                <div>Appointed as Principal Investigator for the subproject “Sculpture Knowledge Center” under the National Science Council’s “Ju Ming Sculpture Digital Park Value-Added Application Center”</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2005</td>\n            <td>\n                <div>Decorative Ridge Tile Replication Research for Historic Site – Changhua Butokuden</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1998</td>\n            <td>\n                <div>Excellence Award, 7th Contemporary Japanese Figurative Sculpture Exhibition</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1996</td>\n            <td>\n                <div>Special Selection, 81st Nika Exhibition</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Jury Service & Professional Contributions</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>Member, 4th Cultural Heritage Review Committee, Taoyuan County Government (03/01/2012)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>Committee Member, Traditional Crafts Intangible Cultural Heritage Review, Taoyuan County (12/30/2011)</div>\n                <div>Jury Member, Outdoor Installation Art Projects, 2012 Hsinchu City International Glass Art Festival (12/28/2011)</div>\n                <div>Field Investigator, Traditional Crafts Registration Review, Taoyuan County Government (11/14/2011)</div>\n                <div>Jury Member, Sand Sculpture Art Planning and Design Project, Maoluo River, Nantou City (10/24/2011)</div>\n                <div>Instructor, Woodcarving Category, 8th International Abilympics (09/25–10/01/2011), organized by Council of Labor Affairs</div>\n                <div>Jury Member, Model Selection, 2011 International Woodcarving Art Creation Camp, Miaoli County Government (06/18/2011)</div>\n                <div>Professional Translator, 2011 International Woodcarving Art Exchange Exhibition, Miaoli County Cultural Affairs Bureau (06/01/2011)</div>\n                <div>Translator and Cultural Consultant for Japanese artist Mamoru Nakagawa, 3rd National Metal Craft Competition and Gold Museum Metal Studio Planning, New Taipei City (05/17/2011)</div>\n                <div>Procurement Review Committee Member, Public Art Planning Project, Southern Taiwan Science Park – Kaohsiung Site (03/10/2011)</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Lectures</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div>Guest Lecture, Department of Sculpture, Tama Art University, Japan</div>\n                <div>Topic: “Contemporary Art in Taiwan – Sculpture” (May 20, 2009)</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Collections</h3>\n<div>Neng Ren Vocational High School of Commerce</div>\n<div>Dr. Lin Yao-Dong Memorial Hall</div>\n<div>Tenjo Museum</div>\n<div>Dayeh University</div>\n<div>Providence University</div>\n<div>Pinglin Elementary School, Caotun Township</div>\n<!-- /wp:html -->', 'LAI Yun-Hsin', '', 'publish', 'closed', 'closed', '', 'lai-yun-hsin', '', '', '2025-10-09 20:46:58', '2025-10-09 12:46:58', '', 0, 'http://scp.ntua.edu.tw/?p=229290', 0, 'post', '', 0),
(229291, 1, '2025-07-06 12:07:40', '2025-07-06 04:07:40', '<!-- wp:html -->\n<h3>Biography</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>1963</td>\n            <td>\n                <div>Born in Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1991</td>\n            <td>\n                <div>Master’s degree in Sculpture, École Nationale Supérieux des Beaux Arts, Paris, France</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2004</td>\n            <td>\n                <div>Chair, Department of Sculpture, National Taiwan University of Arts (2004-2006, 2009-2011)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>Director, Yo-Chang Art Museum, National Taiwan University of Arts</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>Dean, College of Fine Arts, National Taiwan University of Arts (-2019)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>Director, Preparatory Office, New Taipei Museum of Arts (-2020)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>Director, Juming Museum (-2025)</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Solo Exhibitions</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>“<i>Field of the unkonwn</i>”, Tina Keng gallery</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>“<i>Archaeology and Contemporary Iron Art</i>”, Shihsanhang Museum of Archaeology</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>“<i>Steel Romance</i>“, Remarkable Art Cultivation Museum</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>“<i>Indefinite Museum</i>”, International Art Fair </div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>“<i>Metemorphosis of Ironman</i>”, Chini Gallery</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Group Exhibitions、Symposiums</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>“<i>Immemory</i>”, Keelung Museum of Art Opening Exhibition </div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>China Art Today, Shanxi</div>\n                <div>Dalseong Daegu Contemporary Art Festival, Korea</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>“<i>Indefinite Museum</i>” ART TAIPEI</div>\n                <div>“<i>Ask The Way</i>”, Keelung Harbor Biennale, Keelung Cultural Center </div>\n                <div>“<i>35th Annual Exhibition Sculpture Survey 2018</i>, Comboc Gallery Sculpture Park </div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>“<i>M Space</i>”, Formosa Sculpture Biennial</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div><i>The Mountain of Iron Men</i>, Very Fun Park Art Exhibition, Fubon Life Building Plaza </div>\n                <div><i>The Incarnation of Iron Men – The Deity</i>, Very Fun Park </div>\n                <div><i>International Shoebox Sculpture Exhibition</i>, Red Gold Fine Art Gallery </div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Awards</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div><i>1st Prize, Gaocheng Farm Pond Installation Art Commission Project</i>, Cultural Affairs Bureau, Taoyuan City Government</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div><i>Best Environmental Integration Award, 6th Public Art Awards</i>, Ministry of Culture </div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div><i>First prize in Public Art Competition, Zhonghe Gymnasium</i>, New Taipei City</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Collection</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>Iridescent Ironmen; Iron Man Tree, Taiwan Art Bank</div>\n                <div>Anchor - Harbor, Cultural Affairs Bureau, Keelung City Government</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>Air Bongong 1, Taoyuan Cultural Center</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>Life of Imagery, Taoyuan Cultural Center</div>\n                <div>Flower non Flower, Tree non Tree, Taoyuan Cultural Center</div>\n                <div>Garden Landscape, Yilan Cultural Center</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>Iron Man Tree, Chiayi Culture Creative Industry Park</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>Sitting On Clouds, Shelterbelt, CLARK MIDORI & CASINO, Philippines </div>\n                <div>Transformed Iron Man, White Rabbit Gallery</div>\n                <div>Flower, Tainan Cultural Center</div>\n                <div>Strolling Between Giant, The Pulse of Life, Chiayi County Cildren’s Park</div>\n                <div>The Transfiguration of the City-2, A.ROMA Lifestyle Hotel, Italy</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', 'LIU Po-Chun', '', 'publish', 'closed', 'closed', '', 'liu-po-chun', '', '', '2025-10-09 20:46:03', '2025-10-09 12:46:03', '', 0, 'http://scp.ntua.edu.tw/?p=229291', 0, 'post', '', 0);
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(229292, 1, '2025-07-05 12:12:48', '2025-07-05 04:12:48', '<!-- wp:html -->\n<h3>Education and Career</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>1990</td>\n            <td>\n                <div>B.A. in Commercial Design, Chung Yuan Christian University</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1994</td>\n            <td>\n                <div>M.A. in Art Education, Saitama University, Japan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1999</td>\n            <td>\n                <div>Ph.D. in Design, Tokyo University of the Arts, Japan</div>\n                <div>Employed at AIM Metal Processing Co., Ltd., Japan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2001</td>\n            <td>\n                <div>Assistant Professor, Department of Visual Communication Design, National Taiwan University of Arts</div>\n                <div>Member of the Japan Environmental Art Society</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>Currently Full Professor, Dean of Academic Affairs, and Chair of the Department of Fine Arts, National Taiwan University of Arts</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Publications and Papers</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>1999</td>\n            <td>\n                <div>‘<i>A Study on Modern Art and Kinetic Art Formations</i>’, Journal of Tokyo University of the Arts</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1995</td>\n            <td>\n                <div>‘<i>A Comparative Study on Colour Psychology in Taiwan, Japan, Korea, and China</i>’ (co-authored), Proceedings of the Japan Basic Form Society Annual Conference 1995</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1994</td>\n            <td>\n                <div>‘<i>A Study on the Effect of Three-dimensional Spatial Perception Based on Colour Principles</i>’, Journal of Saitama University</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Solo Exhibitions</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2025</td>\n            <td>\n                <div>“<i>VOICES2025</i>” Solo Exhibition, Huashan 1914 Creative Park, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>“<i>Material and Antimaterial</i>” Solo Exhibition, Lih Pao Cultural & Arts Foundation, New Taipei City, Taiwan</div>\n                <div>“<i>Mirror the Illusonal Landscape 2024</i>” Solo Exhibition, Daxiang Art Space, Taichung, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>“<i>SUNG His-Te Kinetic Art Exhibition</i>” Solo Exhibition, Macronix Cultural and Educational Foundation, Hsinchu, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>“<i>Da Xiang Art | Illusory Landscape – Hsi-Te SUNG Sculpture Exhibition</i>” (21 Nov – 31 Dec)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>“<i>Steel Landscape</i>”, Solo Exhibition by Hsi-Te SUNG, Daxiang Gallery, Taichung (18 Jul – 23 Aug)</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Group Exhibitions</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>“<i>Taipei Dangdai Art</i>” Group Exhibition, Nangang Exhibition Center, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>“<i>ART:GWANGJU:23</i>” Group Exhibition, Kim Daejung Convention Center, Gwangju, South Korea</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>“<i>Taipei International Art Fair</i>” Group Exhibition, TWTC Exhibition Hall 1, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>“<i>Swinging Wind</i>” (12 Dec 2020 – 6 Feb 2021)</div>\n                <div>“<i>Floral Trees Among Rocks</i>” (26 Dec 2020 – 6 Feb 2021)</div>\n                <div>“<i>2020 ART TAIPEI | Da Xiang Art Booth F02 & MIT Newcomers Area Booth M01</i>” (23 – 26 Oct)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>“<i>2019 INK ASIA Ink Art Fair</i>” Booth H3</div>\n                <div>“<i>2019 ART SHENZHEN</i>” Da Xiang Art Space Booth B05</div>\n                <div>“<i>2019 ART AMOY</i>” Da Xiang Art Space X ART AMOY</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>“<i>Da Xiang Art Space @ 2018 ART TAIPEI</i>”</div>\n                <div>“<i>Tainan Art Fair</i>” Room 0816</div>\n                <div>“<i>As If There Were Light</i>” Contemporary Artists’ Boundary Journey</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>“<i>ART TAIPEI</i>” Booth C09</div>\n                <div>“<i>Vision and Space</i>” Da Xiang 10th Anniversary Exhibition</div>\n                <div>“<i>Life Bridge Charity Sale by Rui’an Rotary Club 2016~17</i>”</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>“<i>Extraordinary Art Museum: Contemporary Taiwan Abstract Classics Exhibition</i>”</div>\n                <div>“<i>Hopscotch – Art Bank Relay Exhibition</i>” Taichung Edition: City Filling with Hopscotch</div>\n                <div>“<i>Port City International Art Fair</i>”</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>“<i>2015 Taichung Art Fair</i>”</div>\n                <div>“<i>Between Inch and Beyond Imagination</i>” International Miniature Sculpture Exhibition</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Collections</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2010</td>\n            <td>\n                <div>‘East Teng Thousand Miles’, Dongteng Construction</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div>‘The Best is Like Water’, Babao River Park, Ershui Township, Changhua County</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2008</td>\n            <td>\n                <div>‘Spring Breeze · Flower of Life’, Yang Ming University</div>\n                <div>‘Astonishing Puppet Show’, Taipei Puppet Theatre</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2007</td>\n            <td>\n                <div>‘Christmas Art Installation’, Grand Hotel Taipei</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2004</td>\n            <td>\n                <div>‘The Wind is Speaking’, Penghu Magong Airport Parking Entrance</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2002</td>\n            <td>\n                <div>‘Floating in the Wind’, Neihu Sewage Treatment Plant Waterside Park</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Awards</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2007</td>\n            <td>\n                <div><i>1st Public Art Award – Most Popular Award</i></div>\n            </td>\n        </tr>\n        <tr>\n            <td>1996</td>\n            <td>\n                <div><i>Ube City Mainichi Newspaper 17th Modern Japan Sculpture Exhibition – Outstanding Work Selected</i></div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Judging and Service</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>‘<i>Hero</i>’ Character Design Research (Tsan Ti-Jan)</div>\n                <div>‘<i>Beautiful Loneliness</i>’ Illustration Study (Lin Wan-Rong)</div>\n                <div><i>Taiwan Indie Music Visual Design Study</i> (Chu Shu-Ju)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div><i>Museum E-newsletter Structure and Interface Design Study</i> (Yan Chong-En)</div>\n                <div><i>USB Flash Drive Design Study</i> (Wang Yi-Chiao)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2007</td>\n            <td>\n                <div><i>Study on Characteristics of Animation Education for Elementary Students</i></div>\n                <div><i>Embracing Happiness – Illustration Study</i> (Hsieh Shun-Hsiang)</div>\n                <div>Editorial Guidance, National Taiwan University of Arts ‘<i>i DESIGNER</i>’ Issue 38</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2006</td>\n            <td>\n                <div>Planning Guidance, ‘<i>i DESIGNER</i>’ Issue 37, National Taiwan University of Arts</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2005</td>\n            <td>\n                <div><i>Research on Negative Traits of Posters and Their Communication Effects</i> (Lin Chun-Chieh)</div>\n                <div>Planning Guidance, ‘<i>i DESIGNER</i>’ Issue 36, National Taiwan University of Arts</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2004</td>\n            <td>\n                <div>Planning Guidance, ‘<i>i DESIGNER</i>’ Issue 35, National Taiwan University of Arts</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2003</td>\n            <td>\n                <div>Planning Guidance, ‘<i>i DESIGNER</i>’ Issue 34, National Taiwan University of Arts</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', 'SUNG Hsi-Te', '', 'publish', 'closed', 'closed', '', 'sung-hsi-te', '', '', '2025-10-09 20:48:13', '2025-10-09 12:48:13', '', 0, 'http://scp.ntua.edu.tw/?p=229292', 0, 'post', '', 0),
(229293, 1, '2025-07-04 12:16:30', '2025-07-04 04:16:30', '<!-- wp:paragraph -->\n<p>Highest Education｜Meisterschüler, Hochschule für Bildende Künste Dresden, Germany<br>Email｜chienwei@ntua.edu.tw<br>Contact Number｜+886-2-2272-2181 ext.2138</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Born in 1982, Taiwan. Currently lives and works between Miaoli, Taiwan and Berlin, Germany.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>Education</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2005</td>\n            <td>\n                <div>B.F.A. in Sculpture, National Taiwan University of Arts, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div>M.F.A. in Plastic Arts (Sculpture), National Taiwan University of Arts, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>Meisterschüler in Fine Arts, Hochschule für Bildende Künste Dresden, Germany</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Selected Exhibitions</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>“Forbidden Mountain No.14 – Chien-Wei LIU Solo Exhibition”, Chiayi Art Museum，Chiayi，Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>“Household Matters”, UZ Art Museum，Taipei，Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>“Global Convergence – The Pleasure of Theory”, einBuch.haus，Berlin，Germany</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>“Homeland / Mutation”, Galerina Steiner，Berlin，Germany</div>\n                <div>“Forbidden Mountain No.14 – Opening Text”, on-site presentation at the Forbidden Mountain No.14 ruins，Miaoli，Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>“Greater Taipei Biennial of Contemporary Arts”, National Taiwan University of Arts，Taipei，Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>“Anesthesia”, Tête Art Space，Berlin</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>“Between Us”, Studio Nikibi Contemporary Art Space，Berlin，Germany</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>“Chien-Wei LIU Solo Exhibition”, Garden Party Contemporary Art & Culture Space，Berlin，Germany</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>“Young Generation of Taiwan”, Centre Culturel de Savigny，Champagne-Ardenne，France</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div>“Taiwan Contemporary Art Archive Exhibition”, École nationale supérieure des Beaux-Arts，Paris，France</div>\n                <div>“Cold Q”, Kuandu Museum of Fine Arts，Taipei，Taiwan</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Artist Residencies</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>YATOO – Korean Nature Artists’ Association，Busan，South Korea</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>CAMAC – Centre d’Art Marnay-sur-Seine，France</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>La Maison Laurentine，France</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', 'LIU Chien-Wei', '', 'publish', 'closed', 'closed', '', 'liu-chien-wei', '', '', '2025-07-20 10:56:21', '2025-07-20 02:56:21', '', 0, 'http://scp.ntua.edu.tw/?p=229293', 0, 'post', '', 0),
(229294, 1, '2025-07-03 12:18:39', '2025-07-03 04:18:39', '<!-- wp:paragraph -->\n<p>Highest Education｜Ph.D., Humanities and Cultural Studies at Birkbeck, University of London (former London Consortium)<br>Email｜weiyu@ntua.edu.tw<br>Contact Number｜+886-2-2272-2181 ext.2141<br>Research Specialties｜Contemporary Art / Curating / Art Criticism / Postwar Taiwanese Art History</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>Education</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>Ph.D., Humanities and Cultural Studies at Birkbeck, University of London (former London Consortium)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2003</td>\n            <td>\n                <div>M.A., Art History and Art Criticism, Tainan National College of the Arts</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Professional Experience</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2023–</td>\n            <td>\n                <div>Assistant Professor, Department of Sculpture, National Taiwan University of Arts</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020–2023</td>\n            <td>\n                <div>Curator, Taiwan Contemporary Culture Lab (C-LAB)</div>\n                <div>Adjunct Assistant Professor, School of Fine Arts, Taipei National University of the Arts</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019–2020</td>\n            <td>\n                <div>Head of Research, Taiwan Contemporary Culture Lab (C-LAB)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018–2019</td>\n            <td>\n                <div>Researcher, Taiwan Contemporary Culture Lab (C-LAB)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2006–2007</td>\n            <td>\n                <div>Editor-in-Chief, ARTCO Magazine</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2005–2006</td>\n            <td>\n                <div>Editor, ARTCO Magazine</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Curatorial Projects (Selected)</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>“Tsong Pu: Folding Landscapes”, Sky Gallery at Luodong Cultural Working House</div>\n                <div>“Walking the Shoreline: 2024 Formosa North Coast Art Festival”, North Coast & Guanyinshan National Scenic Area (Co-curator)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>“Memory Palace in Ruins”, Taiwan Contemporary Culture Lab (C-LAB)</div>\n                <div>“C-LAB Forum: A Future Slowly Cancelled”, Taiwan Contemporary Culture Lab (C-LAB)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>“Minimal Input – Algorithmic Art Gathering”, Taiwan Contemporary Culture Lab (C-LAB)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>“Liu Shih-Tung: Cut Out and Mix”, Kaohsiung Museum of Fine Arts (KMFA)</div>\n                <div>“Signals: CREATORS 2020–21”, Taiwan Contemporary Culture Lab (C-LAB)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>“2020 Taiwan International Video Art Exhibition – ANIMA”, Hong-gah Museum, Taiwan Contemporary Culture Lab (C-LAB) (Co-curator)</div>\n                <div>“Yao Jui-Chung - Republic of Cynic (R.O.C.)”, Taiwan Contemporary Culture Lab (C-LAB)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>“City Flip-Flop: Stained”, Taiwan Contemporary Culture Lab (C-LAB) (Co-curator)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>“The Alternative Guide of Time”, Taiwan Contemporary Culture Lab (C-LAB) (Co-curator)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>“Broken Spectre”, Taipei Fine Arts Museum (TFAM) (Co-curator); shortlisted for the 16th Taishin Arts Award.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>“Su Hui-Yu: A Man After Midnight”, Double Square; shortlisted for the 15th Taishin Arts Awards.</div>\n                <div>“The Taiwanese Underground: Dino, Wang Fu-Jui, Lin Chi-Wei” in Counterflows Festival, CCA Glasgow</div>\n                <div>“Shoot the Pianist: The Noise Scene in Taipei 1990–1995”, Peltz Gallery, Café OTO</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Conference Presentations</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>“Broken Corporeality: The Subversive Arts and Its Representations Around the Lifting of Martial Law in Taiwan“ (破敗身體性：臺灣解嚴前後的破壞藝文及其再現), presented in Horizontal Art History: Perspectives from Taiwan, National Taiwan Museum of Fine Arts, Taichung (presented in Chinese)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>“David Medalla, Li Yuan-chia and Rasheed Araeen’s Conceptualist projects from the mid-1960s to the mid-1970s”, presented in Conceptualism – Intersectional Readings, International Framings: Black Artists And Modernism In Europe After 1968, Van Abbemuseum (VAM), Eindhoven</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>“Transgressive Body</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Book Chapters (Selected)</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>“The Gallery as Studio: The Trio Hall” (展場即片場：論蘇匯宇《三廳電影》), in The Trio Hall－Su Hui-Yu Solo Exhibition. Taipei: MoCA Taipe, 2024, pp.28–35.*</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>“Memory Palace in Ruins” (崩塌記憶之宮) (Curatorial Statement), in Memory Palace in Ruins. Taipei: Taiwan Living Arts Foundation, 2023, pp.10–15.*</div>\n                <div>“On the Rim of the Taipei Basin, 1993-1995: Trash, Noise, and the Experiment of Local Government Sponsored Art Exhibitions” (台北盆邊1993–1995：垃圾、噪音與地方美展實驗), in Exhibition in Becoming: Taipei County Art Exhibition and Experimental Art, 1992–1997. New Taipei City: Cultural Affaires Department, New Taipei City Department, pp.114–159.* </div>\n                <div>“When Bodies Become Information—On the Avatars in The Modern Exorcist” (當身體成為信息：談「現代驅魔師」中的虛擬化身), in The Modern Exorcist, Taipei: Taipei Fine Arts Museum, 2023, pp.36–48.*</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>“Preface: From Studios to the Community Generating Experiments” (前言：從工作室到一個創造實驗的聚落), in Three Years: CREATORS 2018–2020. Taipei: Taiwan Contemporary Culture Lab (C-LAB), 2022, pp.10–15.*</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>“Art with Projects, Chapters, and Multiple Interim Presentations — 2021 Taipei Art Awards Observations” (關於藝術裡的計畫、篇章，與不只一次的階段性發表), in Taipei Art Awards 2021. Taipei: Taipei Fine Arts Museum, 2021, pp.12–20.*</div>\n                <div>“Liu Shih-Tung: Cut Out and Mix” (影像燴──劉時棟個展) (Curatorial Statement), in Liu Shih-Tung: Cut Out and Mix. Kaohsiung: Kaohsiung Museum of Fine Arts, pp.6–15.*</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>“Yao Jui-Chung - Republic of Cynic (R.O.C.)” (姚瑞中：犬儒共和國) (Curatorial Statement), in Yao Jui-Chung - Republic of Cynic (R.O.C.), Taipei: Taiwan Contemporary Culture Lab (C-LAB), 2020, pp.6–11.*</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>“Broken Spectre” (破身影) (Curatorial Statement) in Broken Spectre, in Taipei: Taipei Fine Arts Museum, 2017, pp.18–22.*</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>“Li Yuan-chia: Art and Artefact” (李元佳：造物), in View-Point: A Retrospective Exhibition of Li Yuan-chia, Taipei: Taipei Fine Arts Museum, 2015, pp.78-113.*</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Journal Articles (Selected)</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>“From Air Plants and Bagasse Missiles to Marked Marble: Observations on Formosa Objects: Asian Contemporary Sculpture” (從空氣鳳梨、蔗渣飛彈，到有記號的大理石──「方物：亞洲當代雕塑展」觀察), The Sculpture Research Semiyearly (Additional Issue “Exhibition Writing And Phenomenon Observing), No.32 (2024.11), pp. 91-106. (in Chinese)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>“Factories, Fake News, and Us as Audience: On Ting-Tong Chang’s New Project Soap” (工廠、假新聞與扮演受眾的我們：張碩尹新作《肥皂》計劃現場) , ARTFORUM 藝術論壇, 2021.11.03 (in Chinese)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>“When Bad Students Start Editing: Laughter and Rebellion in 1990s Underground Zines” (當壞學生開始編輯──1990年代校園地下刊物的笑聲與反叛), ARTouch, 2020.03.19 (in Chinese)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>“Waste, Noise, and Local Art Exhibitions.” Yishu, Vol.18. February 2019, pp.68–91.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>“Kao Chung-li: Cinema Lucida,” ArtReview Asia, autumn/winter 2014. pp.68-71.</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', 'YU Wei', '', 'publish', 'closed', 'closed', '', 'yu-wei', '', '', '2025-07-20 10:56:14', '2025-07-20 02:56:14', '', 0, 'http://scp.ntua.edu.tw/?p=229294', 0, 'post', '', 0),
(229295, 1, '2025-07-02 12:21:22', '2025-07-02 04:21:22', '<!-- wp:paragraph -->\n<p>Highest Education｜Department of Visual Arts – Sculpture, Accademia di Belle Arti di Carrara, Italy<br>Email｜zan1004@ntua.edu.tw<br>Contact Number｜+886-2-2272-2181 ext. 2142<br>Research Specialties｜Visual Arts / Sculpture</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>Education</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>Diploma of Advanced Studies in Visual Arts – Sculpture, Accademia di Belle Arti di Carrara, Italy</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2003</td>\n            <td>\n                <div>M.F.A. in Plastic Arts, Tainan National University of the Arts, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1994</td>\n            <td>\n                <div>Graduated from the Department of Sculpture, National Taiwan Academy of Arts, Taiwan</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Solo Exhibition</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>“mi rifletto’”, Project Fulfill Art Space, Taipei</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>“Stone”, Project Fulfill Art Space, Taipei</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>“If so”, YZ SPACE, Taipei</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>“Array of Imaginary Obstructions”, Art House, Taipei</div>\n                <div>“Array of Obstructions”, Yuntech Library Art Center, Yunlin</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>“Then He Just Left Me”, Absolute Space for the Arts, Tainan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>“Standing on the Margin”, No.33 Art Window, Taipei</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>“Square and Circle”, Taiyu Beaux Arts Salon, Hsinchu</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>“I Am Not a Lathe”, mt.black, Taipei</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Group Exhibition</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>“Fang Wu – Asian Contemporary Sculpture Exhibition”, Juming Museum, New Taipei</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>“Detonation of Essence and Form”, Hualien County Stone Sculptural Museum, Hualien</div>\n                <div>“Boundless”, Taiyu Beaux Arts Salon, Chiayi</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>“TAIPEI DANGDAI Art & Ideas”, Taipei World Trade Center, Taipei</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>“Site: Avant-Garde Art of Space and Object 1980–2021”, National Taiwan Museum of Fine Arts, Taichung</div>\n                <div>“Super Spontaneous Power – County 119 Local Exhibition”, Daxin Art Museum, Tainan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>“Rumbling / Quite Possible – Empowerment Lab”, National Taiwan Living Art Center, Tainan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>“A Path of Its Own – Taiwanese Territorial Art”, Art House, Taipei</div>\n                <div>“Seoul International Sculpture Festa”, Seoul Arts Center, Seoul, South Korea</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>“Will to Move Forward – Contemporary Art Exhibition”, Hung Fuk Museum of Humanities, New Taipei</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>“Everyday Thomason – Group Exhibition”, Double Square Gallery, Taipei</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>“Island of Nature – OUR ISLAND Group Exhibition”, WinWin Art, Kaohsiung</div>\n                <div>“Air Bridge – Tainan–Los Angeles Creative Exchange Project”, Soulangh Cultural Park, Tainan</div>\n                <div>“Panorama: Contemporary Art Exhibition”, Absolute Space for the Arts, Tainan</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Sculpture Creation Camp and Awards</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>“Caldas da Rainha – 15th Simppetra International Sculpture Symposium”, Portugal</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>“Eastward Art – Hualien International Stone Sculpture Festival”, Hualien</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2008</td>\n            <td>\n                <div>“Volterra – 5th Alabastro International Sculpture Symposium”, Italy</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2007</td>\n            <td>\n                <div>“Beyond Dreams – International Sculpture Symposium”, Tainan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2006</td>\n            <td>\n                <div>“L\'ACQUA Castelraimondo International Sculpture Symposium”, Italy</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2005</td>\n            <td>\n                <div>“Touching Stone into Gold – Hualien International Stone Sculpture Festival”, Hualien</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2001</td>\n            <td>\n                <div>“Sedile Scultura – Rapolano Terme International Young Sculptors Camp”, Italy</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1999</td>\n            <td>\n                <div>“Fiore di Pietra – Rapolano Terme International Young Sculptors Camp”, Italy</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', 'CHAN Shih-Tai', '', 'publish', 'closed', 'closed', '', 'chan-shih-tai', '', '', '2025-07-20 10:56:09', '2025-07-20 02:56:09', '', 0, 'http://scp.ntua.edu.tw/?p=229295', 0, 'post', '', 0),
(229296, 1, '2025-07-01 12:25:23', '2025-07-01 04:25:23', '<!-- wp:paragraph -->\n<p>Highest Education｜M.F.A. in Sculpture, Graduate Institute of Plastic Arts, National Taiwan University of Arts<br>Email｜chiuchenhung@ntua.edu.tw<br>Contact Number｜+886-2-2272-2181 ext.2137<br>Research Specialties｜Sculpture / Installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>1983</strong> Born in Hualien, Taiwan<br><strong>2008</strong> Graduated from the Graduate Institute of Plastic Arts (Sculpture Division), National Taiwan University of Arts</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>Solo Exhibitions</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div><i>Embroidered Swallows Across Original Jungle</i>, TKG+ Projects, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div><i>Phototaxis</i>, Kunstlerhaus Bethanien, Berlin, Germany</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div><i>The Dust of Time</i>, Yiri Arts, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div><i>Mile-a-minute weed</i>, Taipei Artist Village, Taipei, Taiwan</div>\n                <div><i>Series of Marble Works</i>, Kuang Long Museum, Hualien, Taiwan</div>\n                <div><i>Meranti</i>, FreeS Art Space, Taipei, Taiwan</div>\n                <div><i>Sham-bha-la</i>, Crane Gallery , Kaohsiung, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div><i>A Deer of Nine Colors</i>, Kuandu Museum of Fine Arts, Taipei, Taiwan</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Group Exhibitions</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2025</td>\n            <td>\n                <div><i>Still Life</i>, Taipei Fine Arts Museum, Taipei Taiwan </div>\n                <div>Art Basel Hong Kong, Hong Kong Convention and Exhibition Centre, Hong Kong</div>\n                <div>Taipei Dangdai, Taipei World Trade Center Exhibition Hall 1, Taipei, Taiwan</div>\n                <div><i>The Painter’s Muse</i>, Tina Keng Gallery , Taipei, Taiwan</div>\n                <div><i>When Night Falls</i>, TKG+ Projects, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div><i>Before Thunders: An Exhibition of Taiwanese Artists</i>, Taipei Nangang Exhibition Center, Taipei, Taiwan</div>\n                <div><i>A Few Yards</i>, TKG+ Projects, Taipei, Taiwan</div>\n                <div><i>Anonymous Exhibition</i>, Art Central, Hong Kong</div>\n                <div>Art SG, Marina Bay Sands Expo and Convention Centre, Singapore, Singapore</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>Art Collaboration Kyoto, Kyoto International Conference Center, Kyoto, Japan</div>\n                <div>Frieze Seoul, 513 Yeongdong-daero, Gangnam-gu, Seoul, Korea</div>\n                <div>Art Basel Hong Kong, Hong Kong Convention and Exhibition Centre, Hong Kong</div>\n                <div><i>First Half Champions The 10:10 Tie</i>, Taiwan Contemporary Culture Lab, Taipei, Taiwan</div>\n                <div>Art SG, Marina Bay Sands Expo and Convention Centre, Singapore, Singapore</div>\n                <div>New Taipei City Arts Festival, New Taipei City Art Museum Park, Taipei, Taiwan</div>\n                <div><i>Here Is Where We Meet</i>, Chiayi Art Museum, Chiayi, Taiwan</div>\n                <div><i>At This Moment</i>, Hualien Cultural and Creative Industries Park, Hualien, Taiwan</div>\n                <div><i>Reflections upon Plants</i>, Juming Museum, Taipei, Taiwan</div>\n                <div>Formosa North Coast Art Festival, Dharma Drum Mountain, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>The Sovereign Asian Art Prize Finalists Exhibition, Hong Kong Convention and Exhibition Centre, Hong Kong</div>\n                <div><i>Unseen the Seen</i>, Lightwell, Taipei, Taiwan</div>\n                <div>Taipei Dangdai, Taipei World Trade Center Exhibition Hall 1, Taipei, Taiwan</div>\n                <div>Nuit Blanche Taipei, Chiang Kai-Shek Shilin Residence, Taipei, Taiwan</div>\n                <div><i>Hidden City</i>, Chiayi Art Museum, Chiayi, Taiwan</div>\n                <div><i>Sensing Nature</i>, Tamsui Historical Museum, Taipei, Taiwan</div>\n                <div><i>Underground Matters</i>, Residential houses at Ho\'ao Village, Matsu, Taiwan</div>\n                <div><i>Solid Art 2nd Anniversary Exhibition</i>, Checheng, Solid Art, Taoyuan, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>Kunstfest Weimar, Park des Landguts Holzdorf, Weimar, Germany</div>\n                <div><i>Polyphony Myth</i>, National Taiwan University of Art, Taipei, Taiwan</div>\n                <div>Art Taipei, Taipei World Trade Center Exhibition Hall 1, Taipei, Taiwan</div>\n                <div><i>New Perspectives of Hualien’s Landscape</i>, Stone Sculpture Museum, Hualien, Taiwan</div>\n                <div><i>A Rhythm of Tree Forming the Forest</i>, Chiayi Art Museum, Chiayi, Taiwan</div>\n                <div><i>When You Read a Wave</i>, Beibin Beach, Hualien, Taiwan</div>\n                <div><i>Mipaliw Land Art</i> ,Baliwan River, Hualien, Taiwan</div>\n                <div><i>Project: The Folly</i>, Taiwan Contemporary Culture Lab, Taipei, Taiwan</div>\n                <div><i>The Poetic Realm</i>, YuHsiu Museum of Art, Nantou, Taiwan</div>\n                <div><i>Chrono Cotemporary</i>, Museum of Contemporary Art, Taipei, Taiwan</div>\n                <div><i>Specific Containers</i>, National Taiwan University of Art, Taipei, Taiwan</div>\n                <div><i>Dwelling on the Island</i>, Yuguang Island, Tainan, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div><i>The Secret South: From Cold War Perspective to Global South in Museum Collection</i>, Taipei Fine Arts Museum, Taipei, Taiwan</div>\n                <div>Luoshanfeng Arts Festival, Checheng, Pingtung, Taiwan</div>\n                <div><i>Symbiosis Relationship</i>, Treasure Hill Artist Village, Taipei, Taiwan</div>\n                <div>Art Taipei, Taipei World Trade Center Exhibition Hall 1, Taipei, Taiwan</div>\n                <div><i>When Residence Becomes Attractions: A Gaze Towards the Viewer</i>, Hualien Cultural and Creative Industries Park, Hualien, Taiwan</div>\n                <div><i>Daylighting</i>, Solid Art, Taoyuan, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div><i>Asian Art Biennial—The Strangers From Beyond the Mountain and the Sea</i>, National Taiwan Museum of Fine Arts, Taichung, Taiwan</div>\n                <div><i>Island Tales: Taiwan and Australia</i>, Taipei Fine Arts Museum, Taipei, Taiwan</div>\n                <div><i>The Making of Memory</i>, Banqiao Broadcasting Station, Taipei, Taiwan</div>\n                <div>Art Taipei, Taipei World Trade Center Exhibition Hall 1, Taipei, Taiwan</div>\n                <div>Taipei Landscape Public Art Project, Shangtayo Park, Taipei, Taiwan</div>\n                <div><i>Sculpture, Play, Ground</i>, National Taiwan University of Art, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div><i>Artist\'s Furniture</i>, See Arts Space, Taipei, Taiwan</div>\n                <div><i>Quiet Riot</i>, TKG+Projects, Taipei, Taiwan</div>\n                <div>Art Taipei, Taipei World Trade Center Exhibition Hall 1, Taipei, Taiwan</div>\n                <div><i>The Hidden South</i>, DaWu Waterfront Park, Taitung, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>Formosa Sculpture Biennial, The Pier-2 Art Center, Kaohsiung, Taiwan</div>\n                <div><i>Damage Control</i>, Chung Hsing Cultural and Creative Park, Yilan, Taiwan</div>\n                <div><i>The Aftermath: The Lift of Martial Law</i>, Liang Gallery, Taipei, Taiwan</div>\n                <div>Art Taipei, Taipei World Trade Center Exhibition Hall 1, Taipei, Taiwan</div>\n                <div>I SEE International Video Art Festival, RAM Gallery, Oslo, Norway</div>\n                <div><i>Shattered Sanctity</i>, Museum of Contemporary Art Taipei, Taipei, Taiwan</div>\n                <div>I SEE International Video Art Festival, Berlinische Gallery, Berlin, Germany</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>I SEE International Video Art Festival, Goethe-Institut China, Beijing, China</div>\n                <div><i>Greater Taipei Biennial of Contemporary Arts: De-coincidence—Where do art and existence come from?</i>, National Taiwan University of Arts, Taipei, Taiwan</div>\n                <div><i>Taiwan Biennial: The Possibility of an Island</i>, National Taiwan Museum of Fine Arts, Taichung, Taiwan</div>\n                <div>Art Taipei, Taipei World Trade Center Exhibition Hall 1, Taipei, Taiwan</div>\n                <div>I SEE International Video Art Festival, MADHAUS, Shanghai, China</div>\n                <div>I SEE International Video Art Festival, Sichuan Fine Arts Institute, Chongqing, China</div>\n                <div><i>Allegory of Objects</i>, See Arts Space, Taipei, Taiwan</div>\n                <div>OCAC Group Exhibition 2016, TKG+Projects, Taipei, Taiwan</div>\n                <div><i>Symbiosis</i>, Live-Forever Construction, Taichung, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div><i>The Sound and the Fury</i>, Yiri Arts, Taipei/Taiwan</div>\n                <div><i>On Site:Visual</i>, URS21 Chung Shan Creative Hub, Taipei/Taiwan</div>\n                <div>Art Taipei, Taipei World Trade Center Exhibition Hall 1, Taipei/Taiwan</div>\n                <div>Rencontres internationales Paris, Berlin, Madrid, Reina Sofia National Museum Madrid, Madrid/Spain</div>\n                <div>Rencontres internationales Paris, Berlin, Madrid, Haus der Kulturen der Welt Berlin, Berlin/Germany</div>\n                <div>Rencontres internationales Paris, Berlin, Madrid, La Gaîté lyrique, Paris, France</div>\n                <div><i>Travelers Rainbow White Cloth</i>, National Taiwan University of Arts, Taipei, Taiwan</div>\n                <div><i>ART on TV: The TAV Studio Project</i>, Taipei Artist Village, Taipei, Taiwan</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Artist Residency Programs and Awards</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>The Sovereign Asian Art Prize Finalists, Hong Kong Convention and Exhibition Centre, Hong Kong</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>Kunstlerhaus Bethanien, Berlin, Germany</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>Treasure Hill Artist Village, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>Open Contemporary Art Center – Bangkok, Bangkok, Thailand</div>\n                <div>Cité Internationale des Arts, Paris, France</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', 'CHIU Chen-Hung', '', 'publish', 'closed', 'closed', '', 'chiu-chen-hung', '', '', '2025-07-20 10:56:03', '2025-07-20 02:56:03', '', 0, 'http://scp.ntua.edu.tw/?p=229296', 0, 'post', '', 0);
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(229328, 1, '2025-07-08 12:47:16', '2025-07-08 04:47:16', '<!-- wp:html -->\n<h3>学歴</h3>\n<div>フランス‧パリ＝ソルボンヌ第四大学（Sorbonne-Paris IV）美術史博士</div>\n<div>フランス‧パリ＝ソルボンヌ第四大学 博士前期課程修了（D.E.A.）</div>\n<div>国立台湾師範大学 美術研究科 修士</div>\n<div>国立台湾師範大学 美術学科 学士</div>\n\n\n<h3>経歴概要</h3>\n<div>元桃園市立美術館館長（2018–2022）、国立台湾芸術大学 有章芸術博物館館長（2015–2017）、国立彰化師範大学 美術学科主任兼芸術教育研究所所長（2011–2012）を歴任。</div>\n<div>複数の研究プロジェクトの主任研究者を務め、国家科学委員会の研究助成（2003、2005–2011）を受けるほか、2005年には短期フランス留学の補助を受け、同年にはカナダ台北貿易事務所よりカナダ研究奨学金（Canadian Studies Grant）を獲得し、現代美術の研究を行う。</div>\n<div>学術論文‧作品集の編集、翻訳‧監修、公共‧民間文化機関の美術展審査、補助金案件の評価、講演会や連続講座の講師なども数多く担当。</div>\n<div>学術研究、美術教育、普及活動に積極的に取り組むほか、国内外で大規模な美術展の企画も手がけている。主な展覧会には、アジア現代彫刻展（2024、朱銘美術館）、マルク‧シャガール特別展（2011、国立故宮博物院）、FORMOSA彫刻ビエンナーレ（2013、2015、2017）、高雄国際スチール‧スカルプチャー‧フェスティバル（2014、2016）、2019桃園ランドアートフェスティバル、2017桃園国際流木芸術フェスティバルなどがある。</div>\n\n\n<h3>展覧会企画（抜粋）</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>「濱線測繪―2024フォルモサ北海岸芸術祭」（游崴と共同企画）、北海岸及び観音山国家風景区管理処主催（2024.9.28～10.20）</div>\n                <div>「方物：アジア現代彫刻展」（CHOI Tae Manと共同キュレーション）、朱銘美術館（2024.9.13～2025.1.12）</div>\n                <div>「この地―彼方：八つの時空を超える術」台湾現代彫刻展（準備中／パリ）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>「天問―董承濂×張永達」、台北：采泥藝術（2022.8.20～10.2）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「窓の外へ―桃園市立美術館＆オランダ‧ユトレヒト中央美術館館際交流展」（Bart Ruttenと共同キュレーション）、桃園</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>「新たなる風景線—2019桃園ランドアートフェスティバル」、桃園</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>「M空間 — 2017 FORMOSA彫刻ビエンナーレ」企画‧編集長、高雄‧駁二芸術特区</div>\n                <div>「園中の園 — 2017桃園国際流木芸術フェスティバル」、桃園‧風禾公園</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>「スチール‧プレイ（Steel Play）— 2016高雄国際スチール‧スカルプチャー‧フェスティバル」、高雄‧駁二芸術特区</div>\n                <div>「金剛変：劉柏村個展」、台北：采泥藝術</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>「何をもって限度とするか？2015 FORMOSA彫刻ビエンナーレ」企画‧編集長、高雄‧駁二芸術特区</div>\n                <div>「交響メロディ―メディア横断による共感空間」特別展 総合キュレーション、国立台湾芸術大学 有章芸術博物館</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>「無限なる鋼―2014高雄国際スチール‧スカルプチャー‧フェスティバル」、高雄‧駁二芸術特区</div>\n                <div>「『私たちの前には何があるのか？』：ポストエクスパンション時代の台湾現代彫刻」2014 FORMOSA彫刻ビエンナーレ、企画‧編集長、高雄‧駁二芸術特区</div>\n                <div>「唯美パリ：マリー‧ローランサン」特別展（企画協力）、台北‧中正紀念堂／国立台湾美術館／聯合報股份有限公司</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>「楽園‧審判‧再生：ミケランジェロ、ルネサンス巨匠の再現」特別展 顧問、国立歴史博物館‧時藝多媒体</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>「西洋神話と伝説―ルーヴル美術館所蔵展」特別展 顧問、国立故宮博物院‧時藝多媒体</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>「お誕生日おめでとう—シャガールの愛と美」キュレーター、国立故宮博物院‧国立台湾美術館</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2006</td>\n            <td>\n                <div>「芸想自然」特別展、彰化芸術館</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2004</td>\n            <td>\n                <div>「現代美術における幾何形体」キュレーター、国科会科学活動週「形」特別展「芸術と人文」部門、台北‧中正紀念堂</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>専著‧論文‧その他関連発表（抜粋）：</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>「台湾『現代彫刻』の理解論に関する思索と変遷」、『変動する境界域』— 解嚴後台湾彫刻研究シンポジウム論文集、朱銘美術館‧国立台湾芸術大学彫刻学科、2024年5月刊。</div>\n                <div>「場中の場―新世代アーティストによる「彫刻–空間芸術」の表現手法」、『彫刻研究』別冊第31号、朱銘美術館、2024年5月、51–68頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>「人と物の共錬：劉柏村《考古與當代冶煉》個展における別様な歴史語り」、新北市：劉柏村工作室、2023年10月、32–55頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>「境界越えの対話におけるモダニティ：李再鈐の幾何抽象美学を再探る」、『無弦‧琴音‧李再鈐』、台北市：財団法人創価文教基金会、2022年8月、42–59頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>「迷‧空間／M Space：変動と復権の想像領域」、『M 空間—2017 FORMOSA彫刻ビエンナーレ』記録集、東和鋼鉄文化基金会、2019年、10–31頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>「“真実”の愛：湯原和夫の東鋼駐在作とミニマリズム美学の異文化的実践」、『非常關係5.0：東和鋼鉄国際アーティスト‧イン‧レジデンス企画集』、東和鋼鉄文化基金会、2018年、6–23頁。</div>\n                <div>「避世の情感—王文志《庇護所》について」、『庇護所』展図録、台北市立美術館、2018年、16–33頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>「廃鋼のユーモア的美学の展演—2016高雄鋼彫刻フェスティバル」、『無限なる鋼』、高雄市文化局、2017年、14–45頁。</div>\n                <div>「50日 vs. 15年：ノヴィラ彫刻芸術の常態性から考える駐在作の例外状態」、『非常關係4.0：東和鋼鉄国際アーティスト‧イン‧レジデンス記録』、東和鋼鉄文化基金会、2017年、6–23頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>「再出発：ニコラ‧ポリスキーの東和鋼鉄苗栗工場駐在制作」、『非常關係3.0：東和鋼鉄国際アーティスト‧イン‧レジデンス記録』、東和鋼鉄文化基金会、2016年、6–21頁。</div>\n                <div>「何を尺度とするか—意味ある/無意味な時代と向き合って」、『何以為度？—2015FORMOSA彫刻ビエンナーレ記録』、2016年、12–25頁。</div>\n                <div>「劉柏村彫刻における身体的変異考—サイズ問題をめぐって」、『金剛変：劉柏村の彫刻, 1997–2015』、台北：采泥国際文化、2016年、68–101頁。</div>\n                <div>「『非常關係』前日譚：国芸会と東和鋼鉄のアーティスト駐在プロジェクト、2009–2011」、『非常關係前日譚』、東和鋼鉄文化基金会、2016年、30–45頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>「“無限なる鋼”について—2014高雄鋼彫刻フェスティバル」、『無限なる鋼』、藝術家出版社、2015年、10–31頁。</div>\n                <div>「見えたものは得たものに非ず：成東勳の東鋼駐在作における詩的想像」、『非常關係2.0：東和鋼鉄国際アーティスト‧イン‧レジデンス記録』、東和鋼鉄文化基金会、2015年5月、8–27頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>「非常關係：芸術制作 vs. 工場生産—Phillip Kingと劉柏村の東和鋼鉄工場駐在制作をめぐって」、『非常關係1.0：東和鋼鉄国際アーティスト‧イン‧レジデンス記録』、2014年10月、8–31頁。</div>\n                <div>「私たちの前には何があるのか？—ポストエクスパンション時代の台湾現代彫刻」、『2013 FORMOSA彫刻ビエンナーレ記録』、台北：典藏出版社、2014年、12–27頁。</div>\n                <div>「芸都の幻影：主流内外を行き来するマリー‧ローランサン」、『唯美パリ：マリー‧ローランサン』、台北：聯合報股份有限公司、2014年、18–29頁。</div>\n                <div>「当代彫刻の境界をめぐって」、『疆界‧拡散—2014台芸大彫刻学科新世代卒業生展』、国立台湾芸術大学、2014年（n.p.）。</div>\n                <div>「入世：2000年以降の台湾現代彫刻の新美学」、『思變：2000年以降の当代彫刻』、FORMOSA彫刻ビエンナーレ兼国際学術会議論文集、2014年、74–111頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>「より自然を超えて：ミケランジェロ彫刻における人体形貌と構造」、『彫刻研究』第9号、朱銘美術館、2013年3月、1–43頁。</div>\n                <div>「岩を破り出る人体像：ミケランジェロの彫刻的視点と実践」、『歴史文物』第23巻2号、台北：国立歴史博物館、2013年2月、46–55頁。</div>\n                <div>「台湾彫刻百年：多様と開放に向かう歩み」、『台湾創意人物誌［8：彫刻家］』、東和鋼鉄‧大観視覚顧問有限公司、2013年、7–10頁。</div>\n                <div>「異なる鋼、異なる高雄：‘材’と‘地’の限界から見る2012高雄“全民大恋鋼”創作キャンプ」、『2012高雄国際鋼彫刻フェスティバル記録』、2013年、20–27頁。</div>\n                <div>「彫刻の越境的展開—ミケランジェロの彫刻家としての立場から」、『楽園‧審判‧再生：ミケランジェロ、ルネサンス巨匠再現』、台北：国立歴史博物館、2013年、33–43頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>「彫刻の三次元的物質性について：Erwin Wurmを手がかりに当代彫刻観念を再論」、『越境する彫刻の典範—継承と展開』、台湾芸術大学彫刻学科国際学術シンポジウム論文集、33–46頁。</div>\n                <div>「異なる時代、それぞれの“古典”：歴史の流変におけるギリシア神話と英雄伝説」、『典蔵投資』、2012年第2号、86–89頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>「米国現代アーティスト‧デュオ Aziz（Anthony Aziz）と Cucher（Sammy Cucher）対談」、『藝術家』、2011年10月、290–297頁。</div>\n                <div>「変容するピカソ：原始‧古典‧現代の時空を超えた対話」、『典蔵投資』第44号、2011年6月、94–98頁。</div>\n                <div>Happy Birthday—Chagall’s Love and Beauty 特別展図録、台北：国立故宮博物館‧国立台湾美術館‧聯合報系、2011年2月（37–47, 60–81, 84–87, 92–115, 118–153, 158–161頁）。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2010</td>\n            <td>\n                <div>The Eternal Elsewhere—Gauguin 特別展図録、台北市立美術館、2010年11月（展示解説主筆、140–201; 202–205; 208–247; 252–269; 276–277; 284–289; 292–293; 306–307; 314–315; 320–321頁）。</div>\n                <div>「独学画家ゴッホの“遠距教師”」、『歴史文物』第20巻3号、台北：国立歴史博物館、2010年3月、18–31頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div>「Bernard Rancillacにおける越境的写実主義の美学」、『藝術評論』第19号、国立台北芸術大学、2009年12月、1–23頁。</div>\n                <div>「時代の面貌：1966–1980年期Bernard Rancillac作品における肖像画」、『現代美術学報』第18号、台北市立美術館、2009年10月、11–50頁。</div>\n                <div>「民族の歴史と人の宿命の身体化イマジネーション：Magdalena Abakanowiczの人体彫刻」、『彫刻研究』第3号、朱銘美術館、2009年9月、37–73頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2008</td>\n            <td>\n                <div>「Christian Boltanski作品における“反肖像”の表象」、『論述と思想』、国立高雄師範大学第四回芸術学術研討会論文集、2008年10月、2.1–2.22頁。</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>学術編集</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>『変動する境域』（準備中）、「解厳後の台湾彫刻研究」学術シンポジウム論文集、朱銘美術館。</div>\n                <div>『展覧会の書き記し‧現象の観察 I』編輯長（『彫塑研究』付録）、朱銘美術館、2024年。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>『考古と現代の錬成―2022 劉柏村個展』編集長、新北市：劉柏村スタジオ、2023年。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>『非常な関係5.0：東和鋼鉄国際アーティスト‧イン‧レジデンス計画作品集』総編集長、台北：東和鋼鉄文化基金会、2018年。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>『非常な関係4.0：東和鋼鉄国際アーティスト‧イン‧レジデンス計画作品集』総編集長、台北：東和鋼鉄文化基金会、2017年。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>『金剛変：劉柏村の彫刻，1997-2015』編集長、台北：采泥国際文化、2016年。</div>\n                <div>『非常な関係3.0：東和鋼鉄国際アーティスト‧イン‧レジデンス計画作品集』総編集長、台北：東和鋼鉄文化基金会、2016年。</div>\n                <div>『「非常な関係」前史 — 国藝会芸術企業連携プラットフォーム‧東和鋼鉄レジデンス計画作品集』編集長、台北：東和鋼鉄文化基金会、2016年。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>『非常な関係2.0：東和鋼鉄国際アーティスト‧イン‧レジデンス計画作品集』総編集長、東和鋼鉄文化基金会、2015年。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>『非常な関係1.0：東和鋼鉄国際アーティスト‧イン‧レジデンス計画作品集』総編集長、東和鋼鉄文化基金会、2014年。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>劉俊蘭（総編集監修）（2012）：『西洋神話と伝説―ルーヴル美術館名品展』特別展図録、台北：国立故宮博物院‧時藝マルチメディア。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>『世紀の巨匠 — ピカソ』特別展図録 翻訳監修（2011）、台北：国立歴史博物館‧聯合報系。</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>技術報告、翻訳、インタビュー、その他（抜粋）</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>〈歩みを続けて ― 李承亮個展《萬年站の次の駅》〉（未刊）、2024年3月。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>〈認識論の思弁と変容する台湾美術史〉（講演要旨）、『キュレーションを美術史の方法として―言説と実践』学術シンポジウム、国立台湾美術館‧華梵大学‧台湾美術史研究学会、2023年11月、pp.18–19。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>〈自由と遊びの中で再起動する多方向的実験：第4回東和鋼鉄レジデンス作家 ファンホー‧ノヴィラ インタビュー〉、『非常な関係4.0』、pp.54–65。</div>\n                <div>〈現代を歩む：第4回東和鋼鉄レジデンス作家 郭清治 インタビュー〉（劉柏村‧許遠達との共同インタビュー）、『非常な関係4.0』、pp.36–53。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>〈東洋 vs. 西洋、自然 vs. 工業：第3回東和鋼鉄レジデンス作家インタビュー〉、『非常な関係3.0』、pp.36–61。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>〈すでに始まっていたもの、ここで発見されたもの、そしてこれから続くもの：東和鋼鉄レジデンス作家インタビュー〉、『非常な関係2.0』、2015年5月、pp.40–53。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>〈「彫刻とは物体であるべきだ」：フィリップ‧キング インタビュー〉、『非常な関係1.0』、pp.32–47。</div>\n                <div>〈鋼鉄彫刻の道：劉柏村 インタビュー〉、『非常な関係1.0』、pp.48–65。</div>\n                <div>〈東和鋼鉄でのレジデンス制作について〉（フィリップ‧キング著、劉俊蘭訳）、『非常な関係1.0』、pp.66–69。</div>\n                <div>『唯美なるパリ：マリー‧ローランサン』（監修）、台北：聯合報股份有限公司、2014年、pp.18–29。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>『フィリップ‧キングと劉柏村の対談』（レジデンス短編映像字幕翻訳）、2013年12月。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>Joan Pomero 著、劉俊蘭訳：〈Thomas et les autres…〉（作家ステートメント）、『Joan Pomero個展』、国立彰化師範大学白沙芸術センター、2012年。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>『永遠の異郷 ― ゴーギャン』特別展ポケットブック（劉俊蘭、André Cariou）、台北：環球印象有限公司、2010年。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2005</td>\n            <td>\n                <div>『ルーヴル美術館』（Alexandre Bonfante-Warren 原著、劉俊蘭訳）、台北：台湾マイク株式会社、2005年。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2003</td>\n            <td>\n                <div>〈永遠の現在を表現する絵画〉（Pierre Restany 原著、劉俊蘭訳）、『陳正雄 絵画50年回顧展，1952-2000』、台北：国立歴史博物館、2003年5-6月、pp.68–70。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2001</td>\n            <td>\n                <div>『フランス絵画三百年―プッサンからセザンヌへ』（劉俊蘭ほか訳）、国立故宮博物院‧民生報、2001年。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2000</td>\n            <td>\n                <div>〈フランス国立図書館ミッテラン館（site Mitterrand）の設計誤差〉、萬能技術学院 教学研究改善セミナー、2000年5月。</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>シンポジウム‧フォーラム‧座談会の企画（抜粋）</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>「解厳後の台湾彫刻研究」プロジェクト代表およびフォーラム企画（2023–2024）、朱銘美術館台湾現代彫刻研究センター。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>「現象と趨勢―台湾現代彫刻の発展観察」プロジェクト代表（2023–2024）、朱銘美術館台湾現代彫刻研究センター。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>「考古と現代の錬成」特別展フォーラム企画（2022/9/24、10/22、11/19）、新北市十三行博物館‧国立台湾芸術大学彫塑学科。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>「再実験—バウハウス精神から現代彫刻芸術の発展と教育へ」フォーラム企画（2019/10/03）、教育部「彫塑実践プロジェクト—現代彫塑フォーラム」、国立台湾芸術大学彫塑学科。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>「変革への思考：2000年以降の現代彫刻」国際学術シンポジウム企画（2014）、高雄市文化局‧国立台湾芸術大学彫塑学科。</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', '劉俊蘭 LIU Chun-Lan', '', 'publish', 'closed', 'closed', '', '%e5%8a%89%e4%bf%8a%e8%98%ad-liu-chun-lan', '', '', '2025-10-09 21:21:10', '2025-10-09 13:21:10', '', 0, 'http://scp.ntua.edu.tw/?p=229328', 0, 'post', '', 0),
(229329, 1, '2025-07-07 13:02:52', '2025-07-07 05:02:52', '<!-- wp:html -->\n<h3>学歴‧職歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>1982</td>\n            <td>\n                <div>明道中学 美工科立体組 卒業</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1986</td>\n            <td>\n                <div>国立芸専（現‧国立台湾芸術大学） 彫塑科 卒業</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1997</td>\n            <td>\n                <div>日本 多摩美術大学 彫刻科 卒業</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1999</td>\n            <td>\n                <div>同大学院 美術学修士 修了</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2002</td>\n            <td>\n                <div>日本金沢美術工芸大学 芸術博士（Ph.D.）取得</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2002–2004</td>\n            <td>\n                <div>助理教授｜国立台湾芸術大学 伝統工芸学系</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2004–2009</td>\n            <td>\n                <div>助理教授｜大葉大学 造形芸術学系（2007–2009は学科長）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009–現在</td>\n            <td>\n                <div>教授｜国立台湾芸術大学 彫刻学系</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>著作‧論文</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>「北川宏人の赤土陶―日本人物彫刻の新様相」、彫塑研究学術半年刊、No.05、pp. 61–86</div>\n                <div>『心と造形の中間を求めて』、海峡工芸美術 創刊号、pp. 38–41</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2010</td>\n            <td>\n                <div>『成長する三義木彫―2010年台湾＆日本国際木彫藝術交流展』、台湾工芸季刊、Vol.39、pp. 70–75</div>\n                <div>『北川宏人個展―新時代の人物彫刻の歩み』、芸術欣賞期刊藝海繽紛、Vol.6 No.2、pp. 7–19</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div>「基礎彫刻課程の芸術基礎教育における位置づけの探討」、大葉大学「2009年度造形芸術思考と実践学術研討会」論文集</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2008</td>\n            <td>\n                <div>自刻像2008 賴永興木彫個展（静宜大学出版）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2004</td>\n            <td>\n                <div>2004年木彫藝術創作采風展–複合媒材類作品集（三義木彫出版）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2003</td>\n            <td>\n                <div>鎮魂曲＆地獄門土田俊介と賴永興の二人展（高雄市立美術館出版）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2002</td>\n            <td>\n                <div>圓空仏論考一人の彫刻家の視点から（株式会社ショセキ出版）</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>個展</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>『自刻相與自刻像 —Self Portrait and Self Image—』賴永興個展</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2010</td>\n            <td>\n                <div>『心と造形の中間を求めて』賴永興木彫個展（弘光技術大学アートセンター）</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>グループ展</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>『浪潮：台湾具象木彫芸術50年』</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>『瑞安ロータリークラブ 2016–17 ライフブリッジ チャリティ‧オークション』</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>『方寸の間、想像の外』国際袖珍雕塑展</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>キュレーション（策展）</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>国際木彫芸術交流展（於：三義木彫博物館）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2010</td>\n            <td>\n                <div>同上（國際木彫芸術交流展）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2003</td>\n            <td>\n                <div>フォーラム展「鎮魂曲と地獄門」（於：高雄市立美術館）</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>受賞‧主な参加プロジェクト</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2008</td>\n            <td>\n                <div>台中県コミュニティ形成センター 実行計画</div>\n                <div>KIKI COCO 老街振興プロジェクト（員林鎮）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2007</td>\n            <td>\n                <div>同プロジェクト第二弾（員林鎮）</div>\n                <div>第11回 裕隆木彫革新賞 審査特別賞</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2006</td>\n            <td>\n                <div>Co6 台湾前衛ドキュメント展 選出</div>\n                <div>國科會「朱銘雕刻数位園区附加価値應用中心」子計画『雕塑藝術知識館』責任者</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2005</td>\n            <td>\n                <div>彰化県 武徳殿 鬼瓦複製研究</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1998</td>\n            <td>\n                <div>第7回 現代日本具象彫刻展 優秀賞</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1996</td>\n            <td>\n                <div>第81回 二科展 特選</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>審査‧委員‧講師歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>桃園県 第4回文化資産審議委員（任期：2012/3/1）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>桃園県政府 無形文化資産伝統工芸美術審議委員会 委員（2011/12/30）</div>\n                <div>新竹市国際ガラス芸術祭 屋外インスタレーション審査委員（2011/12/28）</div>\n                <div>桃園県伝統工芸美術登録調査委員（2011/11/14）</div>\n                <div>南投猫羅渓沙彫文化藝術節 作品審査委員（2011/10/24）</div>\n                <div>第8回国際展能祭（木彫職種） 随行指導講師（労工委員会。期間：2011/9/25–10/1）</div>\n                <div>苗栗県 木彫芸術薪傳創作キャンプ 模型選考委員（2011/6/18）</div>\n                <div>苗栗県文化局 国際木彫芸術交流展 専門通訳（2011/6/1）</div>\n                <div>新北市 黄金博物館「第3回全国金属工芸大賽」 審査通訳（2011/5/17）</div>\n                <div>南科高雄園区 公共藝術設置計画プロジェクト 入札審査委員（2011/3/10）</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>講座</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div>5月20日 多摩美術大学 彫刻科 客員講座 「台湾の現代芸術 ― 彫刻篇」</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>所蔵先</h3>\n<div>能仁家商</div>\n                <div>林耀東博士記念館</div>\n                <div>天彫博物館</div>\n                <div>大葉大学</div>\n                <div>静宜大学</div>\n                <div>草屯鎮平林国小</div>\n<!-- /wp:html -->', '賴永興 LAI Yun-Hsin', '', 'publish', 'closed', 'closed', '', '%e8%b3%b4%e6%b0%b8%e8%88%88-lai-yun-hsin', '', '', '2025-07-20 11:02:24', '2025-07-20 03:02:24', '', 0, 'http://scp.ntua.edu.tw/?p=229329', 0, 'post', '', 0),
(229330, 1, '2025-07-06 13:04:33', '2025-07-06 05:04:33', '<!-- wp:html -->\n<h3>経歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>1963</td>\n            <td>\n                <div>台湾生まれ</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1991</td>\n            <td>\n                <div>フランス国立パリ高等美術学校 彫刻科 修士課程修了</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2004</td>\n            <td>\n                <div>国立台湾芸術大学 彫刻学科 学科長（2004–2006、2009–2011）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>国立台湾芸術大学 有章芸術博物館 館長</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>国立台湾芸術大学 美術学院 院長（～2019）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>新北市立美術館 準備室 主任（～2020）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>朱銘美術館 館長（～2025）</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>個展</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>「未知之域」耿画廊（台北）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>「考古與當代冶煉」十三行博物館（新北）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「金剛演義」耘非凡美術館（台中）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>「八方維度之金剛造像」台北国際芸術博覧会</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>「金剛變」采泥画廊（台北）</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>グループ展‧アートキャンプ</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>「未記持」基隆美術館（基隆）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>今日中国美術高峰フォーラムおよび展覧会（中国‧山西）</div>\n                <div>大邱現代美術祭（韓国‧大邱）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>「無形の美術館」台北国際画廊博覧会、世貿一館（台北）</div>\n                <div>「問津」基隆ビエンナーレ、基隆市立文化センター</div>\n                <div>第35回 彫刻年次特別展（オーストラリア‧Gombocギャラリー彫刻公園）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>「M空間」第3回フォルモサ彫刻ビエンナーレ（台湾）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>《金剛山》台北粉楽町芸術大展、富邦ビル広場（台北）</div>\n                <div>《鋼鉄化身－神祇》台大粉楽町キャンパス芸術展、萬才ビル（台北）</div>\n                <div>国際ミニチュア彫刻展、赤粒画廊（台北）</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>受賞歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>桃園市文化局「高城陂塘インスタレーション芸術委託案件」最優秀賞</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>文化部 第6回パブリックアート賞「環境融合賞」</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>新北市中和区体育館 パブリックアート 最優秀賞</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>コレクション</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>《幻彩金剛塔》、《金剛樹》 文化部芸術銀行</div>\n                <div>《錨－舶》 基隆市政府文化局</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>《水漾飛機》 桃園国際ランドアート作品</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>《生命の意象》 桃園国際漂流木芸術祭</div>\n                <div>《花非花 樹非樹》、《桃花源》 桃園国際ランドアートフェスティバル</div>\n                <div>《庭園山水》 宜蘭文化局</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>《金剛樹》 嘉義文化創意産業園区</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>《坐擁雲端》、《防風林》 フィリピン‧ミドリホテル屋外広場</div>\n                <div>《鋼鉄化身》 オーストラリア‧ホワイトラビットギャラリー</div>\n                <div>《花中花》 台南芸術センター</div>\n                <div>《穿梭神木之間》、《生命之舞》 嘉義児童公園</div>\n                <div>《城市變身－2》 イタリア‧ローマ優活ホテル屋外広場</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', '劉柏村 LIU Po-Chun', '', 'publish', 'closed', 'closed', '', '%e5%8a%89%e6%9f%8f%e6%9d%91-liu-po-chun', '', '', '2025-07-20 11:02:17', '2025-07-20 03:02:17', '', 0, 'http://scp.ntua.edu.tw/?p=229330', 0, 'post', '', 0),
(229331, 1, '2025-07-05 13:09:20', '2025-07-05 05:09:20', '<!-- wp:html -->\n<h3>学歴‧経歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>1990</td>\n            <td>\n                <div>中原大学 商業デザイン学科 卒業</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1994</td>\n            <td>\n                <div>日本国立埼玉大学 教育学研究科 美術教育専攻 修士</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1999</td>\n            <td>\n                <div>日本国立東京藝術大学 美術研究科 デザイン専攻 博士</div>\n                <div>日本 AIM 金属加工株式会社 勤務</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2001</td>\n            <td>\n                <div>国立台湾芸術大学 視覚伝達デザイン学科 助教授</div>\n                <div>日本環境芸術学会 会員</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>現職：彫刻学科 教授／教務長／美術学系主任</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>著書‧論文</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>1999</td>\n            <td>\n                <div>東京藝術大学学報「現代美術と動態芸術造形の研究」</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1995</td>\n            <td>\n                <div>「台湾‧日本‧韓国‧中国における色彩心理の比較研究」（共同発表）、日本基礎造形学会 1995年大会</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1994</td>\n            <td>\n                <div>埼玉大学学報「色彩原理に基づく三次元空間効果の研究」</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>個展</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2025</td>\n            <td>\n                <div>「VOICES2025」個展、台北 華山1914文化創意産業園区、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>「物質と反物質」個展、麗寶文化芸術基金会、新北市、台湾</div>\n                <div>「幻境山水 2024」個展、大象芸術空間館、台中、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>「宋璽德モーショナルアート展」個展、旺宏文化芸術基金会</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「大象芸術｜幻鏡山水－宋璽德彫刻展」（11/21–12/31）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>「鉄の風景」宋璽德個展、大象ギャラリー、台中市（07/18–08/23）</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>グループ展</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>「台北コンテンポラリーアートフェア」南港展示ホール、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>「ART:GWANGJU:23」金大中コンベンションセンター、光州、韓国</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>「台北国際芸術博覧会」世貿一館、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「揺れる風 Swinging wind」（12/12–2021/02/06）</div>\n                <div>「岩中花樹」（12/26–2021/02/06）</div>\n                <div>「2020 ART TAIPEI 台北国際アートフェア｜大象芸術 ブースF02 & MIT新人特区 ブースM01」（10/23–10/26）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>「2019 INK ASIA 水墨アートフェア」Booth:H3</div>\n                <div>「2019 アート深圳」Da Xiang Art Space ブースB05</div>\n                <div>「2019 アート厦門」Da Xiang Art Space × ART AMOY</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>「大象芸術空間館@2018 台北国際芸術博覧会 ART TAIPEI」</div>\n                <div>「台南アートフェア」ブース0816</div>\n                <div>「まるで光のように」現代アーティストの世界観の旅</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>「台北アートフェア ART TAIPEI」ブースC09</div>\n                <div>「視界‧場域」大象10周年特別展</div>\n                <div>「瑞安ロータリークラブ 2016–17 生命の橋 慈善バザー」</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>「耘非凡美術館《現代台湾‧抽象クラシック展》」</div>\n                <div>「けんけんぱ–アートバンクリレー展」台中ステーション、マス目都市に空白を</div>\n                <div>「港都国際アートフェア」</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>「2015 台中アートフェア」</div>\n                <div>「方寸の中 想像を超えて」国際ミニチュア彫刻展</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>コレクション収蔵</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2010</td>\n            <td>\n                <div>《東騰千里》，東騰建設</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div>《上善若水》，彰化県二水郷 八堡川公園</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2008</td>\n            <td>\n                <div>《春風‧命の華》，陽明大学</div>\n                <div>《驚きの人形劇》，台北人形劇館</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2007</td>\n            <td>\n                <div>《圓山大飯店 クリスマスアートインスタレーション》，圓山大飯店</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2004</td>\n            <td>\n                <div>《風が語る》，澎湖馬公空港 駐車場入口</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2002</td>\n            <td>\n                <div>《風中水漂》，内湖下水処理場 親水公園</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>受賞歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2007</td>\n            <td>\n                <div>第1回公共芸術賞「最優秀人気賞」</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1996</td>\n            <td>\n                <div>宇部市毎日新聞「第17回現代日本彫刻展」優秀作品選出</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>審査‧指導経験</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>「英雄」キャラクターデザインの創作研究（詹迪然）</div>\n                <div>「美しい孤独」イラスト創作論（林宛輮）</div>\n                <div>台湾インディーズ音楽のビジュアルデザイン研究（朱書濡）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div>博物館電子ニュースレターの構成とUIデザインに関する研究（顏崇恩）</div>\n                <div>USBメモリの形状デザインに関する考察（王誼喬）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2007</td>\n            <td>\n                <div>アニメーション教育の特性研究－小学生を対象として</div>\n                <div>幸福感を抱く－イラスト創作論（謝舜翔）</div>\n                <div>国立台湾芸術大学 デザイン学院誌「i DESIGNER 設計人」第38号 編集指導</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2006</td>\n            <td>\n                <div>「i DESIGNER 設計人」第37号 企画指導</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2005</td>\n            <td>\n                <div>ポスターにおける「ネガティブ特性」とそのメッセージ伝達効果の考察（林俊傑）</div>\n                <div>「i DESIGNER 設計人」第36号 企画指導</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2004</td>\n            <td>\n                <div>「i DESIGNER 設計人」第35号 企画指導</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2003</td>\n            <td>\n                <div>「i DESIGNER 設計人」第34号 企画指導</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', '宋璽德 SUNG Hsi-Te', '', 'publish', 'closed', 'closed', '', '%e5%ae%8b%e7%92%bd%e5%be%b7-sung-hsi-te', '', '', '2025-07-20 11:02:11', '2025-07-20 03:02:11', '', 0, 'http://scp.ntua.edu.tw/?p=229331', 0, 'post', '', 0),
(229332, 1, '2025-07-04 13:11:42', '2025-07-04 05:11:42', '<!-- wp:paragraph -->\n<p>1982年、台湾生まれ。現在、台湾の苗栗とドイツ‧ベルリンを拠点に活動。</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>学歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2005</td>\n            <td>\n                <div>国立台湾芸術大学 彫刻学科 学士課程修了</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div>国立台湾芸術大学 造形芸術研究科 彫刻専攻 修士課程修了</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>ドイツ国立ドレスデン芸術大学 美術科 マイスターシューラー課程修了</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>主な展覧会歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>「禁山14号－劉千瑋個展」嘉義市立美術館、嘉義、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>「家物事」有章藝術博物館、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「全球湧聚－理論上の樂趣」einBuch.haus、ベルリン、ドイツ</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>「家園／変異」Galerina Steiner、ベルリン、ドイツ</div>\n                <div>「禁山14号－開屋文」禁山14号遺跡 現地発表、苗栗、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>「大台北現代美術ビエンナーレ」国立台湾芸術大学、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>「麻酔」Tête Art Space、ベルリン</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>「私たちの間」Studio Nikibi 現代美術空間、ベルリン、ドイツ</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>「劉千瑋個展」Garden Party 現代芸術文化空間、ベルリン、ドイツ</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>「台湾若手世代展」サヴィニー文化センター、シャンパーニュ＝アルデンヌ、フランス</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div>「台湾現代美術文献展」パリ国立高等美術学校、パリ、フランス</div>\n                <div>「Cold Q」関渡美術館、台北、台湾</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>レジデンス</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>韓国‧釜山 自然芸術家協会（YATOO）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>フランス‧カマック芸術センター（CAMAC）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>フランス‧ラ‧メゾン‧ロランティーヌ（La Maison Laurentine）</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', '劉千瑋 LIU Chien-Wei', '', 'publish', 'closed', 'closed', '', '%e5%8a%89%e5%8d%83%e7%91%8b-liu-chien-wei', '', '', '2025-07-20 11:02:03', '2025-07-20 03:02:03', '', 0, 'http://scp.ntua.edu.tw/?p=229332', 0, 'post', '', 0),
(229333, 1, '2025-07-03 13:14:30', '2025-07-03 05:14:30', '<!-- wp:html -->\n<h3>学歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>ロンドン大学バークベック校 人文学および文化研究 博士</div>\n                <div>（旧ロンドン‧コンソーシアム）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2003</td>\n            <td>\n                <div>国立台南芸術大学 美術史および芸術評論研究科 修士</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>経歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2023–現在</td>\n            <td>\n                <div>国立台湾芸術大学 彫刻学科 専任助理教授</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020–2023</td>\n            <td>\n                <div>台湾現代文化実験場（C-LAB） キュレーター</div>\n                <div>国立台北芸術大学 美術学科 兼任助理教授</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019–2020</td>\n            <td>\n                <div>台湾現代文化実験場（C-LAB） 研究部ディレクター</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018–2019</td>\n            <td>\n                <div>台湾現代文化実験場（C-LAB） 研究部シニアスペシャリスト</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2006–2007</td>\n            <td>\n                <div>『典藏‧今藝術』雑誌 編集長</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2005–2006</td>\n            <td>\n                <div>『典藏‧今藝術』雑誌 インタビュ－編集者</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>展覧会‧演出企画（抜粋）</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>「荘普：摺景」 羅東文化工場 空中ギャラリー</div>\n                <div>「濱線測繪：フォルモサ北海岸芸術祭」 北海岸‧観音山国家風景区（共同企画）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>「崩壊記憶の宮殿」 台湾現代文化実験場</div>\n                <div>「C-LAB 年次フォーラム：ゆるやかに未来をキャンセルする」 台湾現代文化実験場</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>「極微入力：アルゴリズム映像音響集」 台湾現代文化実験場</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>「映像饗宴──劉時棟個展」 高雄市立美術館</div>\n                <div>「実験通信：CREATORS 2020–21」 台湾現代文化実験場</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「第七回台湾国際ビデオアート展：ANIMA 阿尼瑪」 鳳甲美術館、台湾現代文化実験場（共同企画）</div>\n                <div>「姚瑞中：シニカル‧リパブリック」 台湾現代文化実験場</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>「都市の震動──汚痕」 台湾現代文化実験場（共同企画）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>「もうひとつの時間案内」 台湾現代文化実験場（共同企画）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>「破身影」 台北市立美術館（共同企画／第16回台新芸術賞入選）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>「ミッドナイトショー：蘇匯宇個展」 双方画廊、台北（第15回台新芸術賞入選）</div>\n                <div>「王福瑞＋林其蔚＋Dino（廖銘和）音響アートライブ」 グラスゴー現代芸術センター（CCA Glasgow）、逆流芸術祭（Counterflows Festival）</div>\n                <div>「Shoot the Pianist: the Noise Scene in Taipei 1990–1995」 Peltz Gallery、Café OTO、ロンドン</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>学会発表</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>「崩れた身体性：台湾の戒厳解除前後における破壊芸術とその再現」</div>\n                <div>「2022台湾美術史再構築学術シンポジウム―水平の美術史」国立台湾美術館</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>「David Medalla、李元佳、Rasheed Araeenによる1960年代半ば～70年代半ばのコンセプチュアル‧プロジェクト」</div>\n                <div>「Conceptualism – Intersectional Readings, International Framings: Black Artists And Modernism In Europe After 1968」Van Abbemuseum（オランダ‧アイントホーフェン）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>「越境する身体：1980年代台北のアヴァンギャルドアートの歴史的断片」M+ Mattersシリーズ「拡張する1980年代：中華圏と東アジアの芸術地図」香港西九文化地区</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>単行本収録論文（選集）</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>「展示空間は撮影現場である：蘇匯宇《三廳電影》論」、『三廳電影：蘇匯宇個展』、台北：財団法人台北市文化基金会‧台北当代芸術館、28–35頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>「崩壊する記憶の宮殿」（キュレーション論述）、『崩壊する記憶の宮殿』、台北：台湾生活美学基金会、10–15頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>「台北盆地辺縁1993–1995：ゴミ、ノイズ、地方美術展の実験」、『流動する展覧会：新北市美術展とアヴァンギャルドの実験』、新北：新北市政府文化局、114–159頁。</div>\n                <div>「身体が情報になるとき：「現代エクソシスト」におけるヴァーチャル化された分身について」、『現代エクソシスト』、台北：台北市立美術館、36–48頁。</div>\n                <div>「序文：スタジオから創造的実験の集落へ」、『文化実験三年インデックス CREATORS 2018–2020』、台北：台湾当代文化実験場、8–19頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>「芸術におけるプロジェクト、章立て、そして一度きりではない段階的発表について──2021台北美術賞の観察」、『台北美術賞2021』、台北：台北市立美術館、12–20頁。</div>\n                <div>「映像ブレンド──劉時棟個展」（キュレーション論述）、『映像ブレンド──劉時棟個展』、高雄：高雄市立美術館、6–15頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「姚瑞中：犬儒共和国」（キュレーション論述）、『姚瑞中：犬儒共和国』、台北：台湾当代文化実験場、6–11頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>「壊れた身体の影」（キュレーション論述）、『壊れた身体の影 Broken Spectre』、台北：台北市立美術館、18–22頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>「入場ガイド」（キュレーション論述）、『深夜上映───蘇匯宇個展』、台北：双方藝廊、14–25頁。</div>\n                <div>「吳中煒と1990年代の粗野な視聴覚」、『音を耕す：戦後台湾音響文化の探究』、台北：立方文化、遠足文化、176–183頁。</div>\n                <div>「李元佳：創造物」、『観‧点──李元佳回顧展』、台北：台北市立美術館、78–113頁。</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>学術雑誌掲載論文（選集）</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>「エアプランツ、バガスミサイル、そして記号を持つ大理石──『方物：アジア現代彫刻展』観察」、『彫刻研究』第32期（2024年11月）、91–106頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>「工場、フェイクニュース、そして観客を演じる私たち：チャン‧シュオイン新作《石鹸》プロジェクトの現場」、ARTFORUM Asia、2021年11月3日。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「落ちこぼれ生徒が編集を始めるとき──1990年代のキャンパス地下刊行物の笑いと反抗」、ARTouch、2020年3月19日。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>「1990年代、台北盆地の縁辺における文化実験」、『新北美誌』、新北市：新北市立美術館、2019年冬季号。</div>\n                <div>“Waste, Noise, and Local Art Exhibitions.” 『Yishu』第18巻、2019年2月号、68–91頁。</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>“Kao Chung-li: Cinema Lucida,” 『ArtReview Asia』、2014年秋冬号、68–71頁。</div>\n                <div>「李元佳をたどる」、『今藝術』第259期（2014年4月）、166–169頁。</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', '游崴 YU Wei', '', 'publish', 'closed', 'closed', '', '%e6%b8%b8%e5%b4%b4-yu-wei', '', '', '2025-07-20 11:01:58', '2025-07-20 03:01:58', '', 0, 'http://scp.ntua.edu.tw/?p=229333', 0, 'post', '', 0);
INSERT INTO `xyedl_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES
(229334, 1, '2025-07-02 13:16:42', '2025-07-02 05:16:42', '<!-- wp:html -->\n<h3>学歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>イタリア国立カッラーラ美術学院 視覚芸術彫刻専攻 高等ディプロマ取得</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2003</td>\n            <td>\n                <div>国立台南芸術大学 造形芸術研究科 修士課程修了</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1994</td>\n            <td>\n                <div>国立台湾芸術専門学校 彫刻科 卒業</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>個展</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>「拙磨」Just Projectful Art Space（就在藝術空間）、台北</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>「石子」Just Projectful Art Space（就在藝術空間）、台北</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「もしこうだったらよかったのに」WAZAI（外子）、台北</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>「想像の遮蔽アレイ」伊通公園（IT Park Gallery）、台北</div>\n                <div>「遮蔽のアレイ」国立雲林科技大学アートセンター、雲林</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>「そして彼は私から去った」Absolute Space for the Arts（絶対空間）、台南</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>「境界線に立つ」No.33 Art Window（33號藝術櫥窗）、台北</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>「方と円」Taiyu Beaux Arts Salon（泰郁美学堂）、新竹</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>「私は旋盤ではない」mt.black、台北</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>グループ展</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>「方物－アジア現代彫刻展」朱銘美術館（Juming Museum）、新北</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>「心形の爆発」花蓮県石彫博物館、花蓮</div>\n                <div>「幻微」Taiyu Beaux Arts Salon（泰郁美学堂）、嘉義</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>「台北當代芸術博覧会」台北世界貿易センター、台北</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>「所在－境と物のアヴァンギャルド芸術1980–2021」国立台湾美術館、台中</div>\n                <div>「超強自発功－南119県の住民展」大新美術館、台南</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「ゴロゴロ / かなりいい_エンパワメント研究所」国立台南生活美学館、台南</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>「独自の道－台湾境派芸術」伊通公園（IT Park Gallery）、台北</div>\n                <div>「ソウル国際彫刻展」ソウル芸術センター（Seoul Arts Center）、ソウル、韓国</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>「前進の意志－現代美術展」人文遠雄博物館、 新北</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>「日々のトマソン」双方芸廊（Double Square Gallery）、台北</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>「自然の島 OUR ISLAND」未藝術（WinWin Art）、高雄</div>\n                <div>「空中橋－台南‧ロサンゼルス創作交流プロジェクト」蕭壠文化園区（Soulangh Cultural Park）、台南</div>\n                <div>「大景：現代芸術グループ展」Absolute Space for the Arts（絶対空間）、台南</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>彫刻制作キャンプ‧受賞歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>「Caldas da Rainha 第15回 Simppetra 国際彫刻制作キャンプ」ポルトガル</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>「藝術向東－花蓮国際石彫芸術祭制作キャンプ」花蓮</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2008</td>\n            <td>\n                <div>「Volterra 第5回 Alabastro 国際彫刻制作キャンプ」イタリア</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2007</td>\n            <td>\n                <div>「夢のその上－国際彫刻制作キャンプ」台南</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2006</td>\n            <td>\n                <div>「L’ACQUA Castelraimondo 国際彫刻制作キャンプ」イタリア</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2005</td>\n            <td>\n                <div>「点石成金－花蓮国際石彫芸術祭制作キャンプ」花蓮</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2001</td>\n            <td>\n                <div>「Sedile Scultura Rapolano Terme 国際若手彫刻家キャンプ」イタリア</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1999</td>\n            <td>\n                <div>「Fiore di Pietra Rapolano Terme 国際若手彫刻家キャンプ」イタリア</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', '詹士泰 CHAN Shih-Tai', '', 'publish', 'closed', 'closed', '', '%e8%a9%b9%e5%a3%ab%e6%b3%b0-chan-shih-tai', '', '', '2025-07-20 11:01:53', '2025-07-20 03:01:53', '', 0, 'http://scp.ntua.edu.tw/?p=229334', 0, 'post', '', 0),
(229335, 1, '2025-07-01 13:20:30', '2025-07-01 05:20:30', '<!-- wp:paragraph -->\n<p>1983　台湾‧花蓮生まれ<br>2008　国立台湾芸術大学 造形芸術研究科 彫刻専攻 修了</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>個展</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>「刺繍された燕と原始の森」TKG+ Projects、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>「光を追って」ベタニン‧アートセンター、ベルリン、ドイツ</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>「時間の灰」伊日芸術、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>「河の砂」台北国際芸術村、台北、台湾</div>\n                <div>「大理石シリーズ」光隆美術館、花蓮、台湾</div>\n                <div>「ムーランティ」福利社、台北、台湾</div>\n                <div>「シャンバラ」弔詭画廊、高雄、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>「九色の鹿」関渡美術館、台北、台湾</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>グループ展</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2025</td>\n            <td>\n                <div>「静‧物」、台北市立美術館、台北、台湾</div>\n                <div>アート‧バーゼル香港展、香港コンベンション＆エキシビションセンター、香港</div>\n                <div>台北コンテンポラリー‧アートフェア、台北世界貿易センター第一展示ホール、台北、台湾</div>\n                <div>「画家のモデル」、TKG+ Projects、台北、台湾</div>\n                <div>「未央‧夜」、TKG+ Projects、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>「雷前 – 台湾アーティストグループ展」、台北南港展示ホール、台北、台湾</div>\n                <div>「A Few Yards」、TKG+ Projects、台北、台湾</div>\n                <div>ソブリン‧アート財団 20周年記念展、Art Central、香港</div>\n                <div>シンガポール‧アートフェア、マリーナベイ‧サンズ‧エキスポ＆コンベンションセンター、シンガポール</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>京都アートフェア、国立京都国際会館、京都、日本</div>\n                <div>フリーズ‧ソウル、COEX国際展示コンベンションセンター、ソウル、韓国</div>\n                <div>アート‧バーゼル香港展、香港コンベンション＆エキシビションセンター、香港</div>\n                <div>シンガポール‧アートフェア、マリーナベイ‧サンズ‧エキスポ＆コンベンションセンター、シンガポール</div>\n                <div>「前半のスコア 10:10」、台湾コンテンポラリーカルチャーラボ（C-LAB）、台北、台湾</div>\n                <div>フォルモサ北海岸芸術祭、法鼓山世界仏教教育園区、台北、台湾</div>\n                <div>新北シティアートフェスティバル、新北市美術館園区、新北市、台湾</div>\n                <div>「ここで、出会う」、嘉義市立美術館、嘉義、台湾</div>\n                <div>「この瞬間に起こったこと」、花蓮文化創意産業園区、花蓮、台湾</div>\n                <div>「植物観」、朱銘美術館、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>ソブリン‧アジア‧アートプライズ、香港コンベンション＆エキシビションセンター、香港</div>\n                <div>「見えるものと見えないもの」、Lightwell、台北、台湾</div>\n                <div>台北コンテンポラリー‧アートフェア、台北世界貿易センター第一展示ホール、台北、台湾</div>\n                <div>台北ナイトミュージアム（白晝之夜）、士林官邸、台北、台湾</div>\n                <div>「都市の隠れ場所」、嘉義市立美術館、嘉義、台湾</div>\n                <div>「私たちと自然との距離」、淡水古跡博物館、台北、台湾</div>\n                <div>馬祖国際アートアイランド — 地下工事、北竿后澳の民家、馬祖、台湾</div>\n                <div>「本事藝術2周年記念特別展」、本事藝術、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>ヴァイマル芸術祭、ホルツドルフ荘園、ヴァイマル、ドイツ</div>\n                <div>「ポリフォニック‧ミソロジー」、国立台湾芸術大学、台北、台湾</div>\n                <div>台北インターナショナル‧アートフェア、台北世界貿易センター第一展示ホール、台北、台湾</div>\n                <div>「後花蓮八景」、花蓮石彫美術館、花蓮、台湾</div>\n                <div>「林より成る」、嘉義市立美術館、嘉義、台湾</div>\n                <div>「波を見たとき」、北浜公園、花蓮、台湾</div>\n                <div>「森‧川‧里‧海 — 野生の人々」、猫公部落、花蓮、台湾</div>\n                <div>「詩的な次元」、毓繡美術館、南投、台湾</div>\n                <div>「ル‧ファリ計画」、台湾コンテンポラリーカルチャーラボ（C-LAB）、台北、台湾</div>\n                <div>「歴史とコンテンポラリー」、台北当代芸術館、台北、台湾</div>\n                <div>「特別な容器—融合と分離の境界」、国立台湾芸術大学、台北、台湾</div>\n                <div>「安らぎの地」、漁光島、台南、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「秘密の南方 — コレクション作品から見る冷戦の視点とグローバルサウス」、台北市立美術館、台北、台湾</div>\n                <div>「逆風の旅」、車城海口港、屏東、台湾</div>\n                <div>「相互依存の総和」、宝蔵巖国際芸術村、台北、台湾</div>\n                <div>台北インターナショナル‧アートフェア、台北世界貿易センター第一展示ホール、台北、台湾</div>\n                <div>「住まいが観光地になるとき」、花蓮文化創意園区、花蓮、台湾</div>\n                <div>「光を超える境界」、本事藝術、桃園、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>アジアアートビエンナーレ—「山と海から来た異人」、国立台湾美術館、台中、台湾</div>\n                <div>「小説：双都市計画」、台北市立美術館、台北、台湾</div>\n                <div>「記憶の構築」、板橋放送所、台北、台湾</div>\n                <div>台北インターナショナル‧アートフェア、台北世界貿易センター第一展示ホール、台北、台湾</div>\n                <div>「川を憶う」、上塔悠公園、台北、台湾</div>\n                <div>「彫刻‧遊び‧場」、国立台湾芸術大学、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>「アーティストの家具」、看到藝術、台北、台湾</div>\n                <div>「静かな騒ぎ」、TKG+ Projects、台北、台湾</div>\n                <div>「南方よりさらに南へ」、大武海浜公園、台東、台湾</div>\n                <div>台北インターナショナル‧アートフェア、台北世界貿易センター第一展示ホール、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>フォルモサ彫刻ビエンナーレ、駁二芸術特区、高雄、台湾</div>\n                <div>「破壊コントロール」、中興文化創意園区、宜蘭、台湾</div>\n                <div>「解‧厳」、尊彩藝術中心、台北、台湾</div>\n                <div>台北インターナショナル‧アートフェア、台北世界貿易センター第一展示ホール、台北、台湾</div>\n                <div>I SEE 国際映像アート展、RAMギャラリー、オスロ、ノルウェー</div>\n                <div>「壊れた神聖」、台北当代芸術館、台北、台湾</div>\n                <div>I SEE 国際映像アート展、ベルリン当代画廊、ベルリン、ドイツ</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>I SEE 国際映像アート展、北京ゲーテ‧インスティトゥート、北京、中国</div>\n                <div>大台北コンテンポラリーアートビエンナーレ「非調和へ」、国立台湾芸術大学、台北、台湾</div>\n                <div>台湾美術ビエンナーレ — 島の可能性、国立台湾美術館、台中、台湾</div>\n                <div>台北インターナショナル‧アートフェア、台北世界貿易センター第一展示ホール、台北、台湾</div>\n                <div>I SEE 国際映像アート展、上海MADHAUS、上海、中国</div>\n                <div>I SEE 国際映像アート展、四川美術学院、重慶、中国</div>\n                <div>「モノの寓話」、看到藝術、台北、台湾</div>\n                <div>「Open Contemporary 2016」、TKG+（耿畫廊）、台北、台湾</div>\n                <div>「共生」、陸府美学館、台中、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>「喧騒とざわめき」、伊日藝術、台北、台湾</div>\n                <div>「ヴィジュアル‧ハイブリッド」、中山創意基地、台北、台湾</div>\n                <div>台北インターナショナル‧アートフェア、台北世界貿易センター第一展示ホール、台北、台湾</div>\n                <div>Paris/Berlin/Madrid国際映像アートフェスティバル、ソフィア王妃芸術センター、マドリード、スペイン</div>\n                <div>Paris/Berlin/Madrid国際映像アートフェスティバル、ベルリン‧ハウス‧デア‧クルトゥーレン‧デア‧ヴェルト、ベルリン、ドイツ</div>\n                <div>Paris/Berlin/Madrid国際映像アートフェスティバル、ラ‧ゲテ‧リリック、パリ、フランス</div>\n                <div>「旅人、虹、空白」、国立台湾芸術大学、台北、台湾</div>\n                <div>「TAVテレビスタジオ計画」、台北国際芸術村、台北、台湾</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>レジデンスおよび受賞歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>ソブリン優秀アジア芸術賞、ソブリン‧アート財団、香港</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>ベタニエン芸術センター、ベルリン、ドイツ（アーティスト‧イン‧レジデンス）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>宝蔵巖国際芸術村、台北、台湾（アーティスト‧イン‧レジデンス）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>Open Contemporary – バンコク、バンコク、タイ（アーティスト‧イン‧レジデンス）</div>\n                <div>シテ‧アンテルナショナル‧デ‧ザール、パリ、フランス（アーティスト‧イン‧レジデンス）</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', '邱承宏 Chen-Hung CHIU', '', 'publish', 'closed', 'closed', '', '%e9%82%b1%e6%89%bf%e5%ae%8f-chen-hung-chiu', '', '', '2025-07-20 11:01:46', '2025-07-20 03:01:46', '', 0, 'http://scp.ntua.edu.tw/?p=229335', 0, 'post', '', 0),
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(229347, 1, '2025-06-13 13:34:48', '2025-06-13 05:34:48', '<!-- wp:paragraph -->\n<p>Highest Education｜Ceramics Department, “LLOTJA” Art School, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>Education and Experience</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>1983</td>\n            <td>\n                <div>Graduated from Sculpture Department, National Taiwan Art Academy</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1990</td>\n            <td>\n                <div>Graduated from Ceramics Department, “LLOTJA” Art School, Barcelona, Spain</div>\n                <div>Studied at “FUNDACIO” Glass Art Center, Barcelona, Spain</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2002</td>\n            <td>\n                <div>Teaching Assistant, Sculpture Department, National Taiwan Junior College of the Arts</div>\n                <div>Sculpture Instructor, Technology Division, National Palace Museum</div>\n                <div>Art Designer, Comprehensive Planning Office, Roma Tile Co., Ltd.</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1991–Present</td>\n            <td>\n                <div>Associate Professor, National Taiwan University of Arts</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Publications and Papers</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>“Reading Lin Han-ting’s ‘Regeneration, Proliferation, Evolution — Plant Series Works’”</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div>“Human Body Art (VI)” — Art Appreciation (Vol. 5, No. 3), pp. 116–118, National Taiwan University of Arts</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2008</td>\n            <td>\n                <div>“Human Body Art (V)” — Art Appreciation (Vol. 4, No. 3), pp. 68–73, National Taiwan University of Arts</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2007</td>\n            <td>\n                <div>“Human Body Art (IV)” — Art Appreciation (Vol. 3, No. 5), National Taiwan University of Arts</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2006</td>\n            <td>\n                <div>“She-Wolf” — Art Appreciation (Vol. 2, No. 9), National Taiwan University of Arts</div>\n                <div>“Samosa Thessaly Victory Goddess Statue” — Art Appreciation (Vol. 2, No. 5)</div>\n                <div>“Human Body Art (III)” — Art Appreciation (Vol. 2, No. 11)</div>\n                <div>“Human Body Art (II)” — Art Appreciation (Vol. 2, No. 2)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2005</td>\n            <td>\n                <div>“Human Body Art (I)” — Art Appreciation (Vol. 1, No. 6)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1999</td>\n            <td>\n                <div>“The World Has Boundaries, Imagination is Boundless — Dialogue with Chang Ching-yuan on ‘Linear Continuity’,” Ceramics Magazine (Spring Issue)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1997</td>\n            <td>\n                <div>Interpretation of Ming Chen’s Works, Dayang Publishing House</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Solo Exhibitions</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>“Ming Chen Ceramic Sculpture Solo Exhibition,” Huangkong University of Science and Technology Art Center</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2010</td>\n            <td>\n                <div>“Ming Chen Ceramic Sculpture Solo Exhibition,” Yingge Ceramics Museum B1 Ceramics Gallery</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Group Exhibitions</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>“New Taipei City Masters of Fine Arts Joint Exhibition — Sculpture Category,” New Taipei City Arts Center</div>\n                <div>“Art Festival Sculpture Department Faculty and Students Exhibition,” National Taiwan University of Arts Exhibition Hall</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>“100th Year Miniature Sculpture Exhibition and Competition,” Jury Member and Exhibitor</div>\n                <div>“Centennial Sculpture Paradigm Crossing — Inheritance and Opening,” International Academic Conference Exhibition</div>\n                <div>“Living Forest Sculpture Special Exhibition,” Lihpao Cultural and Arts Foundation Tamsui Art Workshop</div>\n                <div>“2nd Miniature Sculpture Exhibition,” National Taiwan University of Arts Art Museum</div>\n                <div>“Miniature Sculpture Special Exhibition (Sculpture),” National Tsing Hua University Art Center</div>\n                <div>“4th ‘Carving 5·7·5’ International Art University Exchange Exhibition,” Taipei National University of the Arts</div>\n                <div>“100th Year New Taipei City Artists Joint Exhibition,” Taipei County Arts Center</div>\n                <div>“Art Festival Sculpture Department Faculty and Students Exhibition,” National Taiwan University of Arts Exhibition Hall</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2010</td>\n            <td>\n                <div>“99 Academic Year Sculpture Department 1st Miniature Sculpture Exhibition,” National Taiwan University of Arts</div>\n                <div>“2010 International Exchange Exhibition (NTUA, Daegu University Korea, Tokyo University of the Arts Japan, Murray State University USA),” Chung Cheng Gallery, National Taiwan University of Arts, Xinzhuang Cultural Center</div>\n                <div>“Art Festival Sculpture Department Faculty and Students Exhibition,” National Taiwan University of Arts Exhibition Hall</div>\n                <div>“NTUA Cross-century Inheritance — Professors’ Creation Exhibition,” Sun Yat-sen Memorial Hall Zhongshan Gallery</div>\n                <div>“Taipei County Masters of Fine Arts Joint Exhibition — Sculpture Category,” Taipei County Arts Center</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Awards and Other Activities</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>Co-organizer and Opening Speaker, “Centennial Sculpture Paradigm Crossing — Inheritance and Opening” International Academic Conference</div>\n                <div>Assisted Taiwan Soka Association and NTUA Art Museum in Planning the Qiu Yun Sculpture Exhibition; Responsible for Data Organization and Artwork Maintenance</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div>Served twice as a member of NTUA’s Campus Sexual Harassment Investigation Committee; Completed Investigations Successfully and Received Two Commendations</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2005</td>\n            <td>\n                <div>Invited to Design and Create Relief Sculpture for “Taipei Zoo Quarantine and Isolation Building New Construction Project”</div>\n                <div>Participated in “Taiwan Contemporary Sculpture Situation Academic Symposium: Sculptors’ Self-Testimony I”</div>\n                <div>Participated in “Modern Sculpture International Academic Symposium: Historical Sediment and Situation Orientation”</div>\n                <div>Participated in “Student Sculpture Exhibition”</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2004</td>\n            <td>\n                <div>Participated in “International Academic Symposium: Genealogy of French Contemporary Art Creation and Aesthetic Paradigms vs. Taiwan’s Complex Situations”</div>\n                <div>Participated in “International Academic Symposium: 1960–70 American Contemporary Art Creation and Aesthetic Paradigms”</div>\n                <div>Participated in Faculty and Students Exhibition</div>\n                <div>Solo Exhibition at “Taipei County Sanchong City Office Art Corridor”</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2000</td>\n            <td>\n                <div>Participated in “Taiwan-Japan Professors Sculpture Joint Exhibition” | Taiwan Academy of Arts Exhibition Room</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Review and Service</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>Member of Interview and Original Work Review Committee for Sculpture Department Master’s Program Entrance Exam, NTUA Graduate Admissions</div>\n                <div>Member of Document Review Committee for Sculpture Department Master’s Program Entrance Exam, NTUA Graduate Admissions</div>\n                <div>Member of Drawing Section, University Fine Arts Admission Examination Committee</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>Member of Interview and Original Work Review Committee for Sculpture Department Master’s Program Entrance Exam</div>\n                <div>Member of Document Review Committee for Sculpture Department Master’s Program Entrance Exam</div>\n                <div>Reviewer for “2011 Taiwan Craft Competition” Innovation Design Category and Valuation Meeting</div>\n                <div>Member of Sculpture Faculty Review Committee, NTUA</div>\n                <div>Co-organizer and Opening Speaker, “Centennial Sculpture Paradigm Crossing — Inheritance and Opening” International Academic Conference</div>\n                <div>Jury Member for 2nd Miniature Sculpture Exhibition and Competition</div>\n                <div>Reviewer for 99 Academic Year 5th Resource Classroom Student Joint Exhibition</div>\n                <div>Member of 100 Academic Year Sculpture Department Undergraduate Admission “Modeling” Review Committee</div>\n                <div>Member of Document Review Committee for 100 Academic Year Sculpture Department Master’s Entrance Exam</div>\n                <div>Member of Interview and Original Work Review Committee for 100 Academic Year Sculpture Department Master’s Entrance Exam</div>\n                <div>Member of Sculpture Faculty Performance Evaluation Committee</div>\n                <div>Member of 100 Academic Year University Fine Arts Admission Drawing Exam Review Committee</div>\n                <div>Reviewer for Tung Hai University Faculty Promotion Committee</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2010</td>\n            <td>\n                <div>Jury Member for 99 Academic Year 1st Miniature Sculpture Exhibition and Competition</div>\n                <div>Reviewer of Faculty Works for Changhua Normal University Art Department</div>\n                <div>Moderator and Opening Speaker, “Contemporary Sculpture International Academic Symposium — Origin and Quality”</div>\n                <div>Preliminary Reviewer for “2010 Taiwan Craft Competition” Innovation Design Category</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Collections</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2005</td>\n            <td>\n                <div>Invited to Design and Produce Relief Sculpture for “Taipei Zoo Quarantine and Isolation Building New Construction Project”</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1994</td>\n            <td>\n                <div>Work “1990–Phenomenon I” Collected by Kaohsiung Museum of Fine Arts</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1990</td>\n            <td>\n                <div>Work “Flow” Collected by “LLOTJA” Art School, Barcelona, Spain</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', 'CHEN Ming', '', 'publish', 'closed', 'closed', '', 'chen-ming', '', '', '2025-07-20 10:59:45', '2025-07-20 02:59:45', '', 0, 'http://scp.ntua.edu.tw/?p=229347', 0, 'post', '', 0),
(229348, 1, '2025-06-12 13:36:20', '2025-06-12 05:36:20', '<!-- wp:paragraph -->\n<p>Highest Education｜Ph.D. in Contemporary Sculpture Art, University of Valencia, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>Education & Experience</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>1999</td>\n            <td>\n                <div>B.F.A., Department of Fine Arts, Taipei National University of the Arts, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2001</td>\n            <td>\n                <div>M.F.A., Department of Artistic Creation, University of Salamanca, Spain</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>Ph.D., Institute of Contemporary Sculpture Art, University of Valencia, Spain</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015–Present</td>\n            <td>\n                <div>Adjunct Assistant Professor, Department of Sculpture, National Taiwan University of Arts</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2004–2018</td>\n            <td>\n                <div>Lecturer, Department of Fine Arts, Chang Jung Christian University, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018–Present</td>\n            <td>\n                <div>Associate Professor, Department of Sculpture, Sichuan Fine Arts Institute, Chongqing, China</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Solo Exhibitions</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>“The Truth of the Image,” Caimi Art Gallery, Taipei, Taiwan</div>\n                <div>“Resemblance of Dawn,” Art Museum of Sichuan Fine Arts Institute, Chongqing, China</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>“Encountering Her – Pei-Chen Yang Ten-Day Exhibition,” Caimi Art Gallery, Taipei, Taiwan</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Group Exhibitions</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2025</td>\n            <td>\n                <div>“Snakes on Wood – Year of the Snake Miniature Wood Sculpture Exhibition,” Sanyi Wood Sculpture Museum, Miaoli, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>“ART021 Shanghai Contemporary Art Fair,” West Bund Art Center, Shanghai, China</div>\n                <div>“New Patterns of the Dragon – Year of the Dragon Miniature Wood Sculpture Exhibition,” Sanyi Wood Sculpture Museum, Miaoli, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>“Bunny Fiesta – Year of the Rabbit Miniature Wood Sculpture Exhibition,” Sanyi Wood Sculpture Museum, Miaoli, Taiwan</div>\n                <div>“Taiwan International Miniature Sculpture Exhibition,” National Taiwan University of Arts, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>“Taipei Dangdai – Contemporary Art Fair,” Taipei World Trade Center, Taipei, Taiwan</div>\n                <div>“Art Taipei – Taipei International Art Fair,” Taipei World Trade Center, Taipei, Taiwan</div>\n                <div>“Taiwan International Miniature Sculpture Exhibition,” National Taiwan University of Arts, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>“Dimensions of Existence – A Poetic Ode to Time and Objects,” Caimi Art Gallery, Taipei, Taiwan</div>\n                <div>“Art Taipei – Taipei International Art Fair,” Taipei World Trade Center, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>“Art Taipei,” Taipei World Trade Center, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>“Let There Be Books,” Art Museum of Sichuan Fine Arts Institute, Chongqing, China</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>“Shapes of Love,” Hsinchu Art Gallery, Hsinchu, Taiwan</div>\n                <div>“Differences – 2018 Datong Sculpture Biennale,” China Sculpture Museum, Datong, Shanxi, China</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', 'YANG Pei-Chen', '', 'publish', 'closed', 'closed', '', 'yang-pei-chen', '', '', '2025-07-20 10:59:37', '2025-07-20 02:59:37', '', 0, 'http://scp.ntua.edu.tw/?p=229348', 0, 'post', '', 0),
(229349, 1, '2025-06-11 13:37:46', '2025-06-11 05:37:46', '<!-- wp:paragraph -->\n<p>Highest Education | Ph.D. in Fine Arts, National Taiwan Normal University</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>Education</h3>\n<div>Ph.D. in Western Art History, Graduate Institute of Fine Arts, National Taiwan Normal University</div>\n<div>M.A. in Western Art History, Institute of History, Saint Petersburg State University, Russia</div>\n\n\n<h3>Career</h3>\n<div>Adjunct Assistant Professor, Department of Sculpture, National Taiwan University of Arts</div>\n<div>Lecturer, Humanities and Arts Program, Songshan Community College, Taipei</div>\n<div>Lecturer, Art History, VU Photography School</div>\n<div>Lecturer, Museum Studies, Ch’ien Mu House Senior Learning Program</div>\n\n\n<p>Yunnia Yang is a curator, art historian, and art critic based in Taipei, Taiwan. She received her M.A. in Art History from St. Petersburg State University in Russia in 1997, and a Ph.D. in Arts from National Taiwan Normal University in 2009 with the thesis \"Study on \'the Paranoiac-Criticism\' of Salvador Dalí,\" for which she was awarded the S-An Aesthetics Award in 2010.\nSince 2011, she has launched a long-term curatorial research project titled \"The Postmodern Condition in the Contemporary Art of Russia and Eastern Europe.\" Her representative curatorial projects include:</p>\n\n<table>\n    <tbody>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>The Apocalyptic Sensibility: The New Media Art from Taiwan (WRO Media Art Biennale, Poland)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014–2015</td>\n            <td>\n                <div>Imagining Crisis (MOCA Taipei, 2014; contemporary art centers in Poland, Serbia, Bulgaria, Colombia; and the 34th Art Film Festival in Italy, 2014–2015; Loop Barcelona, 2018)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>Taiwan VIDEA: The Taiwanese Avant-Garde Video Exhibition (2015 Asolo Art Film Festival; Loop Barcelona, 2018)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>Eco as a Verb (35th Asolo Art Film Festival, Focal Theme Video Exhibition)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>TAIWAN VIDEA: 2017 Selection (North Macedonia, Croatia, Slovenia, Germany)</div>\n                <div>Fibering – Eco as a Verb (OUR Museum at NTUA, New Taipei City)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>Taiwan Animation for Kids (WRO Art Center, Poland)</div>\n                <div>The In-Between State of Mind: Eastern Europe/Russia Video Research Project (36th Asolo Art Film Festival, 2018; Germany, Latvia, Slovenia, Hungary, 2019)</div>\n                <div>Fibering – Eco as a Verb (Poland and Germany)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>Behind the Mask: Rose of Modernity (Photography collection from the National Taiwan Museum of Fine Arts; exhibited at the Krasnoyarsk Museum as part of the Krasnoyarsk Museum Biennale, Russia)</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<p>In addition, Yunnia Yang was invited to serve as an international jury member for the 34th and 35th Asolo Art Film Festivals. She was ultimately selected by the international jury board as President of the 34th Asolo Art Film Festival’s International Jury Board.</p>\n<!-- /wp:html -->', 'YANG Yunnia', '', 'publish', 'closed', 'closed', '', 'yang-yunnia', '', '', '2025-07-20 10:59:30', '2025-07-20 02:59:30', '', 0, 'http://scp.ntua.edu.tw/?p=229349', 0, 'post', '', 0),
(229350, 1, '2025-06-10 13:39:41', '2025-06-10 05:39:41', '<!-- wp:paragraph -->\n<p>Highest Education｜Ph.D. in Fine Arts, National Taiwan Normal University</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>Teaching Experience</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2022–Present</td>\n            <td>\n                <div>Adjunct Assistant Professor, Department of Sculpture, NTUA</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014–2015</td>\n            <td>\n                <div>Adjunct Lecturer, Department of Fine Arts & Department of Sculpture, NTUA</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011–2012</td>\n            <td>\n                <div>Substitute Teacher, Fine Arts Division, Affiliated Senior High School, NCCU</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Exhibition Curation and Execution</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2025</td>\n            <td>\n                <div>\"Resonance of Space: Digital Art and NFT Open Call Exhibition\", NCCU Computer Center</div>\n                <div>\" Encountering a Century of Yuyu Yang at NCCU\", Special Exhibition on Yang Ying-Feng, installation project at NCCU Arts and Culture Center</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>\"Universes n \", 24th Artist-in-Residence Project of NCCU</div>\n                <div>\"He, She, It ∈ Multiverse: Digital Art and NFT Open Call Exhibition\", NCCU Arts and Culture Center</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>\"Food/Object_Matrix\", James Ming-Hsueh LEE Solo Exhibition, NCCU Arts and Culture Center</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>\"Faces: Digital Art Open Call Exhibition\", NCCU Art and Culture Center</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>“Calculation in Cuboid” LIN Yu-Cheng Solo Exhibition, Free Arts Space</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019–2020</td>\n            <td>\n                <div>\"Shunichi Kuriyama × Constructing Memory\", Outdoor Installation and Archival Exhibition, Banqiao Transmission Station, New Taipei City Cultural Affairs Bureau</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014–2015</td>\n            <td>\n                <div>\" ISO Remix @ NTU\", National Taiwan University Public Art Project</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>Symposium on Taiwan Contemporary Aboriginal Art: A research for Representation of Primitivity. 2013 Sun Yat-sen Memorial Hall</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Exhibition Reviews and Critiques</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>\"Theatrical Objects Under the Calculation in Cuboid \", LIN Yu-Cheng Solo Exhibition, Free Arts Space</div>\n                <div>\"Unextinguished Nostalgia\", Notes Toward Shannie Hsu’s Solo Exhibition, ARTALKS, Taishin Arts Foundation</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>\"Flora of Consciousness, Core of Matter: Review of “Consciousness and Results” , Chuang Teng-Shiang Solo Exhibition, A Gallery</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>\"Stranding Moment\", YU CHUAN Solo Exhibition, FOMO Taipei</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>\"Multidirectional Measurement of Perception: Ou Yang Yen-Hsing’s ‘Open Shapes\"</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>Taipei Biennial Online Review: Peter Buggenhout</div>\n                <div>Taipei Biennial Online Review: Matheus Rocha Pitta</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Project Implementation</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>Research Assistant, Research and Development of Key Technologies for Fintech Security and Digital Currency (I), Department of Computer Science, NCCU</div>\n                <div>Coordinator, Wenshan USR (University Social Responsibility) Collaborative Forum</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>Executive Editor, Annual USR Report, NCCU</div>\n                <div>Editorial Assistant, The history of Christ\'s salvation and visual typology: \"The Poor. People\'s Bible\"</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2010</td>\n            <td>\n                <div>Research Assistant, \"Claude Effect and the Formation and Transformation of 18th-century British Landscape Gardens\" NSC Project</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2008</td>\n            <td>\n                <div>Part-time Research Assistant, \"Exploration of Achievements in Graphic Design by Modern Artists\" , NTNU Faculty Research Project</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Theses and Dissertations</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>Doctoral Dissertation The Right of Forgetting: Analyzing Denkmal für die Ermordeten Juden Europas Through the Memory-work of Anti-memorials and Counter-monuments</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>‘Unveiling Trauma and Self-Awareness – “Decent Project: Survivor Series”, Interview with Artist CHEN Chang-Chih’, Taiwan Digital Art Archive:</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>‘The Object and Objecthood of Sculpture: British Sculptor Phillip King\'s Outdoor Exhibition in London, 2014’ , The Sculpture Research Semiyearly, Ju Ming Museum</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>‘The Sonar of Contemporary Everyday Reality – Searching for A Needle in a Haystack: Liverpool Biennial 2014 ‘, Artist Magazine, September Issue 2014</div>\n                <div>‘ The Fossils of the Everyday: Rachel Whiteread’s Negative Casting’, Artist Magazine, March Issue 2014</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2010</td>\n            <td>\n                <div>‘Disorder in Space: The sculpture by Rachel Whiteread’ Conference Paper</div>\n                <div>International Contemporary Sculpture Conference, National Taiwan University of Arts:</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div>‘The Diversity of Repetition-Esthetical Value of Sculptural Duplicate’, The Sculpture Research Semiyearly, Ju Ming Museum</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2008</td>\n            <td>\n                <div>Master’s Thesis: Negative Space of Sculpture and Entropy: The Creations by Rachel Whiteread</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', 'HUANG Mu-Yi', '', 'publish', 'closed', 'closed', '', 'huang-mu-yi', '', '', '2025-07-20 10:59:08', '2025-07-20 02:59:08', '', 0, 'http://scp.ntua.edu.tw/?p=229350', 0, 'post', '', 0),
(229351, 1, '2025-06-09 13:41:16', '2025-06-09 05:41:16', '<!-- wp:html -->\n<h3>Education and Experience</h3>\n<div>M.F.A. in Plastic Arts, National Taiwan University of Arts</div>\n                <div>Part-time Lecturer, National Taiwan University of Arts</div>\n\n\n<h3>Awards</h3>\n<div>1st Prize, Sculpture Category, 15th National Art Exhibition (Golden Dragon Award)</div>\n                <div>1st Prize, 16th Kaohsiung Art Award (Kaohsiung Award)</div>\n                <div>1st Prize, Sculpture Category, 2002 New Taipei Art Exhibition</div>\n                <div>Honorable Mention, Sculpture Category, 57th Provincial Fine Arts Exhibition</div>\n                <div>Honorable Mention, 2nd World Salt Sculpture Competition</div>\n                <div>Best Form Award, Mambo Iron Sculpture Workshop, Mambo Season in Hualien</div>\n<!-- /wp:html -->', 'LIOU Kuo-Sheng', '', 'publish', 'closed', 'closed', '', 'liou-kuo-sheng', '', '', '2025-07-20 10:58:59', '2025-07-20 02:58:59', '', 0, 'http://scp.ntua.edu.tw/?p=229351', 0, 'post', '', 0),
(229352, 1, '2025-06-08 13:43:30', '2025-06-08 05:43:30', '<!-- wp:paragraph -->\n<p>Highest Education｜M.F.A., Graduate Institute of Plastic Arts, Tainan National University of the Arts<br>Research Specialties｜Metal / Modeling / Mixed Media</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Born in 1975 in Tainan, Taiwan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>Education</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2001</td>\n            <td>M.F.A., Graduate Institute of Plastic Arts, Tainan National University of the Arts</td>\n        </tr>\n        <tr>\n            <td>1998</td>\n            <td>B.F.A., Department of Sculpture, National Taiwan University of Arts</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Exhibitions</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2025</td>\n            <td>“Subtle · Micro · Wild · Vast — 2025 Miniature Sculpture Exhibition,” Chi-Li Art</td>\n        </tr>\n        <tr>\n            <td>2024</td>\n            <td>“Tides and Fire on the North Coast,” Zhongshan Hot Spring Park</td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>“Poetry and Scenery in Sculptural Creation: ‘Sculpture in 5-7-5,’”</td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>“NTUA International Miniature Sculpture Exhibition,” National Taiwan University of Arts</div>\n                <div>“NTUA Annual Sculpture Exhibition,” National Taiwan University of Arts</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>“575 Sculpture Exhibition,” Okinawa Prefectural University of Arts</div>\n                <div>“NTUA International Miniature Sculpture Exhibition,” National Taiwan University of Arts</div>\n                <div>“NTUA Annual Sculpture Exhibition,” National Taiwan University of Arts</div>\n                <div>“Constructing Memories,” Banqiao Broadcast Station</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>“Kaohsiung Modern Percussion Festival – Dual Impressions of Percussion and Steel Sculpture”</div>\n                <div>“The 2nd NTUA Sculpture Festival,” National Taiwan University of Arts</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>“Exchange Exhibition: Okinawa & NTUA,” Okinawa Prefectural University of Arts</div>\n                <div>“Aesthetic Movement for All,” Taiwan Power Company Building</div>\n                <div>“Dreaming · Daily,” International Miniature Sculpture Exhibition, Taiwan Contemporary Craft and Design Branch</div>\n                <div>“Small World – The Strange Imagination of Miniature Sculpture,” Juming Museum</div>\n                <div>“The 1st NTUA Sculpture Festival,” National Taiwan University of Arts</div>\n                <div>“To Tiny Thing. By Masters,” International Miniature Sculpture Exhibition, Yun Ching Art</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>“The 7th International Miniature Sculpture Exhibition,” National Taiwan University of Arts</td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>“Sculpture Exhibition by the College of Fine Arts,” National Taiwan University of Arts</div>\n                <div>“The 6th International Miniature Sculpture Exhibition,” National Taiwan University of Arts</div>\n                <div>“Beyond the Inch – Unbounded Imagination,” Chi-Li Art</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', 'CHEN Yu-Sheng', '', 'publish', 'closed', 'closed', '', 'chen-yu-sheng', '', '', '2025-07-20 10:58:53', '2025-07-20 02:58:53', '', 0, 'http://scp.ntua.edu.tw/?p=229352', 0, 'post', '', 0);
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(229353, 1, '2025-06-07 13:45:00', '2025-06-07 05:45:00', '<!-- wp:paragraph -->\n<p>Highest Education｜M.F.A., Department of Oil Painting, Imperial Academy of Arts, St. Petersburg, Russia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>Education & Experience</h3>\n<div>M.F.A., Department of Oil Painting, Imperial Academy of Arts, St. Petersburg, Russia</div>\n<div>Adjunct Lecturer, Department of Sculpture, National Taiwan University of Arts</div>\n\n\n<h3>Lectures</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2025</td>\n            <td>\n                <div>“Digital Sculpture and Virtual Space” (National Changhua University of Education)</div>\n                <div>“AI and Digital Form Art” (Public Lecture, Jinhua Junior High School)</div>\n                <div>“AI & VR Workshop” (Magong Junior High School)</div>\n                <div>“AI & VR Experience Camp” (Xiangshang Junior High School)</div>\n                <div>“AI & VR Art Creation and Application” (Nankan Senior High School)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022–2025</td>\n            <td>\n                <div>“AI & VR Experience Camp” (Fuxing Senior High School)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2024–2025</td>\n            <td>\n                <div>“5G - VR Workshop” (Yongping High School)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>“3D Printing and Environmental Applications” (National Central University)</div>\n                <div>“Annual Conference on Talent-Focused Arts Education” (Public Lecture, National Taiwan Normal University)</div>\n                <div>“Body Language in Art” (Graduate Institute of Anatomy, National Defense Medical Center)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>“Crossing Dimensions: Mixed Reality Art Creation – VR & AR Art” (New Taipei Youth Department, NTUA Department of Sculpture)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>“Discovering Art Together” Teacher Training Program (Yilan Cultural Affairs Bureau)</div>\n                <div>“Appreciation of Drawing and Sculpture” (Yilan Museum of Art)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>“Belated Laurels” Lecture Series (K. T. Li Foundation Residence)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>“Art and Technology Interdisciplinary Lecture Series” (Advantech)</div>\n                <div>“Technology Art and the Renaissance” Lecture Series (K. T. Li Foundation Residence)</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Academic Conference Papers</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2025</td>\n            <td>\n                <div>“Cultural Reconstruction in the Age of AI: Rebuilding and Self-Expression” Presented at Digital Learning and Quality Education in the Age of AI & Taiwan Association for the Sociology of Education Forum (Kaohsiung: College of Education, National Kaohsiung Normal University, May 23, 2025)</div>\n                <div>“Simulation and Reality: A Comparative Study on Human Cognitive Judgement and AI Recognition” Presented at Taiwan Art Education Conference: Deepening and Practicing Aesthetic Literacy in the Intelligent Era (Taipei: Graduate Institute of Arts and Humanities Education, National Taiwan University of Arts, May 16, 2025)</div>\n                <div>“Reality and Virtual Space: A Study on Sensory Experience in Sculpture Creation” Presented at 2025 Taipei Digital Imaging International Conference – Smart Vision Symposium (Taipei: Department of Multimedia and Animation Arts, National Taiwan University of Arts, April 25, 2025)</div>\n                <div>“The Evolution of Generative AI in Art: Artist – Data – Model” Presented at Intelligent Media and Creative Futures: A Cross-Boundary Exploration Symposium (Taipei: Department of Digital Multimedia Design, Shih Hsin University, April 23, 2025)</div>\n                <div>“Immersive Teaching with AI and VR: Exploring Human Creativity in the Digital Art Era” Presented at The 20th Taiwan e-Learning Forum (TWELF) (Chiayi: Lantan Campus, National Chiayi University, March 6, 2025)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>“Exploring Personalized Style through Palette Vision: A Study on Individual Color-Mixing Behavior” Presented at The 7th International Conference on Tech-Art (Taipei: Center for Tech-Art, Taipei National University of the Arts, Nov. 2–3, 2024)</div>\n                <div>Patent filed: “System and Method for Analyzing Individual Color-Mixing Behavior,” ROC Patent Application No. 113147461</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>“Promotion and Practice of Artistic Creation in Virtual Reality” Poster presented at The 6th International Conference on Tech-Art (Taipei: National Taiwan Science Education Center, July 24–25, 2023)</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Exhibition</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2015–2025</td>\n            <td>\n                <div>Group Exhibitor and Jury Member, “International Miniature Sculpture Exhibition”</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015–2025</td>\n            <td>\n                <div>Annual Sculpture Exhibition, Department of Sculpture, National Taiwan University of Arts</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', 'WU Chun-Hsueh', '', 'publish', 'closed', 'closed', '', 'wu-chun-hsueh', '', '', '2025-07-20 10:58:35', '2025-07-20 02:58:35', '', 0, 'http://scp.ntua.edu.tw/?p=229353', 0, 'post', '', 0),
(229354, 1, '2025-06-05 14:01:14', '2025-06-05 06:01:14', '<!-- wp:paragraph -->\n<p>Education｜M.F.A., Graduate Institute of Sculpture, National Taiwan University of Arts<br></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>Experience</h3>\n<div>Lecturer, National Taiwan University of Arts</div>\n\n\n<h3>Group Exhibitions</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>“The 110th National Art Exhibition”, National Taiwan Museum of Fine Arts, Taichung, Taiwan</div>\n                <div>“NTUA International Miniature Sculpture Exhibition”, NTUA International Exhibition Hall, Taipei, Taiwan</div>\n                <div>“NTUA Annual Sculpture Exhibition”, NTUA International Exhibition Hall, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>“NTUA International Miniature Sculpture Exhibition”, NTUA International Exhibition Hall, Taipei, Taiwan</div>\n                <div>“NTUA Annual Sculpture Exhibition”, NTUA International Exhibition Hall, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>“NTUA International Miniature Sculpture Exhibition”, NTUA International Exhibition Hall, Taipei, Taiwan</div>\n                <div>“NTUA Annual Sculpture Exhibition”, NTUA International Exhibition Hall, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>“19th Huangxi Art Exhibition”, Changhua County Art Museum, Changhua, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>“The Way of Stone – NTUA × Tokyo University of the Arts Stone Sculpture Joint Exhibition”, Chihli Gallery, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>“Essence‧Energy – Sculpture Trio Exhibition”, NTUA International Exhibition Hall, Taipei, Taiwan</div>\n                <div>“26th Chimei Arts Award Joint Exhibition”, Second Gallery of Zhushi Art Space, Hsinchu, Taiwan</div>\n                <div>“Classic Enchantments – Dalí and NTUA Department of Sculpture Faculty and Students Joint Exhibition”, Chong-Yue Construction, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>“24th Chimei Arts Award Joint Exhibition”, Yu-Hsiu Art Space, Changhua, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>“Flourishing Talents – NTUA Emerging Artists Special Exhibition”, NTUA Gallery, Taipei, Taiwan</div>\n                <div>“This Is All There Is to Thinking”, Four Four South Village, Taipei, Taiwan</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Awards</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>Gold Medal, Sculpture Category, “The Hidden Body – Sexy Bodysuit”, The National Art Exhibition, Taichung, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>Honorable Mention, 19th Huangxi Art Exhibition, Changhua, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>Selected Award, 17th Huangxi Art Exhibition, Changhua, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>26th Chimei Arts Award, Figurative Sculpture Category, Tainan, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>Special Award, “The Last Moment Before Leaving”, NTUA Sculpture Student-Faculty Exhibition, New Taipei City, Taiwan</div>\n                <div>Winner, 5th “Great Art Award”, NTUA College of Fine Arts, New Taipei City, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>24th Chimei Arts Award, Figurative Sculpture Category, Tainan, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>Selected, “Floating Dancer”, 1st Lihpao Sculpture New Talent Award, New Taipei City, Taiwan</div>\n                <div>Selected, “Synthesis”, NTUA Sculpture Student-Faculty Exhibition (Modeling), New Taipei City, Taiwan</div>\n                <div>Realism Modeling Special Award, “Stretching”, NTUA Sculpture Student-Faculty Exhibition (Modeling), New Taipei City, Taiwan</div>\n                <div>Selected, “Poles”, 3D Category, National Art Exhibition, Taichung, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2010</td>\n            <td>\n                <div>Selected, “Wuzhi Mountain”, NTUA 1st Miniature Sculpture Exhibition (3D), New Taipei City, Taiwan</div>\n                <div>Realism Modeling Special Award, “Looking Up”, NTUA Sculpture Student-Faculty Exhibition (Modeling), New Taipei City, Taiwan</div>\n                <div>Selected, “Echoes of Mountains and Seas”, NTUA Sculpture Student-Faculty Exhibition (Stone Carving), New Taipei City, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div>Realism Modeling Special Award, “Female Body”, NTUA Sculpture Student-Faculty Exhibition (Modeling), New Taipei City, Taiwan</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Residencies</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>Selected Artist, Hualien International Stone Sculpture Festival Creative Camp, Hualien City, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div>Selected Work “Melody”, Youth Stone Sculpture Creative Camp, Hualien International Stone Sculpture Festival (3D Category), Hualien County, Taiwan</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', 'LIN Tsung-Lung', '', 'publish', 'closed', 'closed', '', 'lin-tsung-lung', '', '', '2025-07-20 10:58:27', '2025-07-20 02:58:27', '', 0, 'http://scp.ntua.edu.tw/?p=229354', 0, 'post', '', 0),
(229355, 1, '2025-06-04 14:02:49', '2025-06-04 06:02:49', '<!-- wp:paragraph -->\n<p>Highest Education｜Master of Fine Arts in Jewelry and Metal Arts, Academy of Art University, San Francisco, California, USA<br>Research Specialties｜Metal Sculpture / Metal Craft</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>Education & Experience</h3>\n<div>M.F.A. in Jewelry and Metal Arts, Academy of Art University, San Francisco, California, USA</div>\n<div>B.F.A. in Sculpture (Metal Art Specialization), College of Fine Arts, National Taiwan University of Arts</div>\n\n\n<h3>Curating</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>“Art for Art’s Sake – Unconditional Hunger”, Group Exhibition of Sculpture, Capital Center, Taipei, Taiwan</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Exhibitions</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>“Trend: Reverberations”, The Grand Exhibition of New Taipei</div>\n                <div>“Thought Resonance”, The Grand Exhibition of New Taipei City Artists, Yingge Ceramics Museum, New Taipei City, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>“Ingenious Anthology”, International Sculpture Exhibition, Donna Art, Huashan Art Park, Taipei, Taiwan</div>\n                <div>“The Realm of Interplays”, Metal Sculpture Group Exhibition, Fish Art Center, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>“ART TAICHUNG”, The Lin Hotel, Capital Center, Taichung, Taiwan</div>\n                <div>“Art for Art’s Sake – Unconditional Hunger”, Group Exhibition of Sculpture, Capital Center, Taipei, Taiwan</div>\n                <div>“One Art Taipei”, Capital Center, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>“Art Taichung | Capital Art Center Preview”, Capital Art Center, Taipei, Taiwan</div>\n                <div>“HAIKU – Sculpture – International Exchange Exhibition for Asian Art Universities in Taiwan”</div>\n                <div>“Break the Rules – Group Exhibition of Female Artists”, The Capital Center, Taipei, Taiwan</div>\n                <div>“Taiwan’s Memory Sculpture Exhibition”, Gallery IRIYA, Tokyo, Japan</div>\n                <div>“Art Tainan”, Capital Center, Shangri-La’s Far Eastern Plaza Hotel, Tainan, Taiwan</div>\n                <div>“One Art Taipei”, Capital Center, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>“ART KAOSHIUNG”, Capital Center, Kaohsiung, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>“Art Taichung”, Half Century of Sculpture, Taichung, Taiwan</div>\n                <div>“Time Journal” Collected Exhibition, the Our Museum, Taipei, Taiwan</div>\n                <div>“Annual Sculpture Exhibition”, Department of Sculpture, National Taiwan University of Arts, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>“Spring Show”, Academy of Art University, San Francisco, CA, USA</div>\n                <div>“Triptych – Jewelry and Metal Art Exhibition”, Academy of Art University Galleries at The Cannery, San Francisco, CA, USA</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>“Spring Show”, Academy of Art University, San Francisco, CA, USA</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>“Past, Present, Future”, Jewelry and Metal Art Exhibition, Academy of Art University Galleries at The Cannery, San Francisco, CA, USA</div>\n                <div>“Spring Show”, Academy of Art University, San Francisco, CA, USA</div>\n                <div>“Influx: Future Directions in Jewelry and Metal Art”, Academy of Art University Galleries at The Cannery, San Francisco, CA, USA</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>“Spring Show”, Academy of Art University, San Francisco, CA, USA</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', 'HSING Li-Yun', '', 'publish', 'closed', 'closed', '', 'hsing-li-yun', '', '', '2025-07-20 10:58:19', '2025-07-20 02:58:19', '', 0, 'http://scp.ntua.edu.tw/?p=229355', 0, 'post', '', 0),
(229356, 1, '2025-06-03 14:04:02', '2025-06-03 06:04:02', '<!-- wp:paragraph -->\n<p>Highest Education｜MFA Candidate, Department of Fine Arts, Taipei National University of the Arts</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>Education</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2019</td>\n            <td>MFA Candidate, Department of Fine Arts, Taipei National University of the Arts, Taipei, Taiwan</td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>BFA, Department of Sculpture, National Taiwan University of Arts, New Taipei, Taiwan</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Certifications</h3>\n<div>Class B CNC Milling Technician</div>\n<div>Entry-Level GTAW (TIG) Welding Technician</div>\n<div>Entry-Level Semi-Automatic Welding Technician</div>\n<div>Entry-Level Manual Arc Welding Technician</div>\n\n\n<h3>Professional Experience</h3>\n<table>\n    <tbody>\n        <tr>\n            <td></td>\n            <td>Guest Lecturer, CNC Computer Numerical Control, Taishan Training Center, Ministry of Labor</td>\n        </tr>\n        <tr>\n            <td>Since 2021/01</td>\n            <td>Assistant Instructor, Taishan Training Center, Workforce Development Agency, Executive Yuan</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Awards</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2019</td>\n            <td>“2019 Yilan Award” Bronze Prize, Yilan, Taiwan</td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>“35th Taoyuan Fine Arts Exhibition – Sculpture Category” Honorable Mention, Taoyuan, Taiwan</div>\n                <div>Selected, “New Taipei City Arts Exhibition,” New Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>Selected, “New Taipei City Arts Exhibition,” New Taipei, Taiwan</div>\n                <div>Selected, “13th Taoyuan Contemporary Art Award,” Taoyuan, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>“4th Shoebox Sculpture Exhibition and Competition,” NTUA Zhenshanmei Gallery, New Taipei, Taiwan</td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>“3rd Shoebox Sculpture Exhibition and Competition,” NTUA Zhenshanmei Gallery, New Taipei, Taiwan</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Exhibitions</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>“Ingenious Anthology: International Sculpture Exhibition,” Donna Art Huashan, Taipei, Taiwan</td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>“The Realm of Interplays” Metal Sculpture Group Exhibition, Pacific Saury Art Center, Taipei, Taiwan</td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>“OneOffs NFT” International Art Fair, Taipei, Taiwan</td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>“Field of View” Artists Call Exhibition, Taipei, Taiwan</td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>“Granary of All Things: Earth Festival” Floral Sea Online Installation, Taitung, Taiwan</td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>“Fracture and Rebirth” Guan-Wei Huang Metal Sculpture Exhibition, Fangyuan Sculpture, Taichung, Taiwan</div>\n                <div>“Guan-Wei Huang Metal Works Exhibition,” King Car Cultural and Art Center, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>“Haiku Sculpture – Composing Spring, Summer, Autumn, and Winter in Form,” Joshibi University Art Museum, Kanagawa Prefecture, Japan</div>\n                <div>“Transition” MFA 104th Class Graduation Exhibition, Underground Art Museum, Taipei National University of the Arts, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>“We Are Here!” Group Exhibition, 435 Artist Studio, 435 Art District, New Taipei, Taiwan</td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>“MOCA Street Art Season,” Contemporary New Media New Year’s Art Festival Series, Museum of Contemporary Art Taipei, Taipei, Taiwan</div>\n                <div>“Freshman Exhibition,” Underground Art Museum, Taipei National University of the Arts, Taipei, Taiwan</div>\n                <div>“Taipei Art Free Day,” Huashan 1914 Creative Park, Taipei, Taiwan</div>\n                <div>“Outsider” Sculpture Department Graduation Exhibition, National Taiwan University of Arts, Huashan Art Center, Taipei, Taiwan</div>\n                <div>“Perception of Heat 1535℃” New Generation Metal Sculpture Group Exhibition, Moon Gallery, Taichung, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>“Faculty and Students Exhibition,” Department of Sculpture, National Taiwan University of Arts, NTUA Zhenshanmei Gallery, New Taipei, Taiwan</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Collections</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>Collection of FU RONG DEVELOPMENT CO., LTD., “Virtual Liquid Motion – Body”</div>\n                <div>Collection of Pan Wenyuan Cultural and Educational Foundation, “Virtual Liquid Motion – Thought”</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Public Art</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2025</td>\n            <td>Public Art Installation Project Phase II, 53rd Engineer Group, 6th Army Corps, Republic of China Army, “Fearless and Forward,” Taiwan</td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>Public Art Installation Project, Guangfu Township Office & Mafuo Tribal Cultural Center, “Chair of Mountain Clouds and Indigenous Affection,” Taiwan</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Artist Residency</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2013</td>\n            <td>“Ties,” Xiluo Steel Sculpture Residency Camp, Yunlin, Taiwan</td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', 'HUANG Guan-Wei', '', 'publish', 'closed', 'closed', '', 'huang-guan-wei', '', '', '2025-07-20 10:57:33', '2025-07-20 02:57:33', '', 0, 'http://scp.ntua.edu.tw/?p=229356', 0, 'post', '', 0),
(229377, 1, '2025-06-12 16:27:12', '2025-06-12 08:27:12', '<!-- wp:paragraph -->\n<p>最終学歴｜スペイン バルセロナ「LLOTJA」芸術学院 陶芸科</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>学歴‧経歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>1983</td>\n            <td>\n                <div>国立芸術専門学校（現：国立台湾芸術大学）彫刻科 卒業</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1990</td>\n            <td>\n                <div>スペイン バルセロナ「LLOTJA」芸術学院 陶芸科 卒業</div>\n                <div>スペイン バルセロナ「FUNDACIO」ガラス芸術センター 研修</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2002</td>\n            <td>\n                <div>国立台湾芸術専科学校彫刻科 助教</div>\n                <div>国立故宮博物院 技術室 彫刻指導教員</div>\n                <div>ローマタイル株式会社 総合企画室 アートデザイナー</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1991-現在</td>\n            <td>\n                <div>国立台湾芸術大学 副教授</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>著作‧論文</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>林漢鼎著『再生‧繁殖‧進化 — 植物シリーズ作品』を読む</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div>「人体芸術（6）」 — 『芸術欣賞』第5巻第3号、116–118頁、国立台湾芸術大学</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2008</td>\n            <td>\n                <div>「人体芸術（5）」 — 『芸術欣賞』第4巻第3号、68–73頁、国立台湾芸術大学</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2007</td>\n            <td>\n                <div>「人体芸術（4）」 — 『芸術欣賞』第3巻第5号、国立台湾芸術大学</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2006</td>\n            <td>\n                <div>「母狼」 — 『芸術欣賞』第2巻第9号、国立台湾芸術大学</div>\n                <div>「サモス‧テサリアの勝利の女神像」 — 『芸術欣賞』第2巻第5号</div>\n                <div>「人体芸術（3）」 — 『芸術欣賞』第2巻第11号、国立台湾芸術大学</div>\n                <div>「人体芸術（2）」 — 『芸術欣賞』第2巻第2号</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2005</td>\n            <td>\n                <div>「人体芸術（1）」 — 『芸術欣賞』第1巻第6号</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1999</td>\n            <td>\n                <div>「塵世には境界あり、想像は無限なり — 張清淵氏との対談『線的継続』」、『陶芸雑誌』（春号）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1997</td>\n            <td>\n                <div>『陳銘作品解読』 大揚出版社</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>個展</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>「陳銘 陶塑個展」 弘光科技大学芸術センター</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2010</td>\n            <td>\n                <div>「陳銘 陶塑個展」 鶯歌陶磁博物館 B1 陶芸長廊</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>グループ展</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>「新北市美術大家連展－彫刻部門」 新北市芸文センター</div>\n                <div>「美術祭 彫刻学科教員‧学生美展」 国立台湾芸術大学 展覧ホール</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>「100年 第二回ミニチュア彫刻展および競技会」 審査委員‧出展者</div>\n                <div>「【建国百年】彫刻パラダイムの越境－継承と開啓」 国際学術シンポジウム展</div>\n                <div>「Living Forest 彫刻の森 特別展」 麗宝文化芸術基金会 淡水芸術工房</div>\n                <div>「第二回 ミニチュア彫刻展」 国立台湾芸術大学 芸術博物館</div>\n                <div>「ミニチュア彫刻特別展（彫刻）」 清華大学 芸術センター</div>\n                <div>「第四回『彫刻五‧七‧五』国際芸術大学交流展」 国立台北芸術大学</div>\n                <div>「100年 新北市美術家連展」 台北県芸文センター</div>\n                <div>「美術祭 彫刻学科教員‧学生美展」 国立台湾芸術大学 展覧ホール</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2010</td>\n            <td>\n                <div>「99学年度 彫刻学科第一回ミニチュア彫刻展」 国立台湾芸術大学</div>\n                <div>「2010国際交流展（台湾芸大、韓国大邱大学、日本東京芸術大学、アメリカケンタッキー州立マレー大学）」 中正ギャラリー、国立台湾芸術大学、新荘文化センター</div>\n                <div>「美術祭 彫刻学科教員‧学生美展」 国立台湾芸術大学 展覧ホール</div>\n                <div>「台湾芸大‧跨世紀継承－教授創作展」 国父記念館 中山画廊</div>\n                <div>「台北県美術大家連展－彫刻部門」 台北県芸文センター</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>受賞およびその他の活動</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>【建国百年】彫刻パラダイムの越境－継承と開啓 国際学術シンポジウムの共催および開会挨拶</div>\n                <div>台湾創価学会および本学芸術博物館による丘雲先生彫刻作品展の企画補助、資料整理および作品メンテナンス担当</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>\n                <div>本学にてセクシャルハラスメント調査委員を担当、調査完了後2回校内表彰を受ける</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2005</td>\n            <td>\n                <div>「台北市立動物園隔離検疫舎新築工事 浮彫」設計‧制作依頼</div>\n                <div>「台湾現代彫刻の現状に関する学術シンポジウム：彫刻家自ら語る I」参加</div>\n                <div>「現代彫刻国際学術シンポジウム：歴史的堆積と状況の方向」参加</div>\n                <div>学生彫刻展 参加</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2004</td>\n            <td>\n                <div>「国際学術シンポジウム：フランス現代芸術の制作と美学の系譜考 v.s 台湾の複合的状況」参加</div>\n                <div>「国際学術シンポジウム：1960～70年代アメリカ現代芸術の制作と美学の系譜」参加</div>\n                <div>教員‧学生美展 参加</div>\n                <div>「台北県三重市役所芸文回廊」特別展開催</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2000</td>\n            <td>\n                <div>「日台教授彫刻合同展」｜台湾芸術学院 展覧室</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>審査‧サービス経歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>101学年度 本学大学院彫刻学科修士課程入試【面接および原作審査】委員</div>\n                <div>101学年度 本学大学院彫刻学科修士課程入試【書類審査】委員</div>\n                <div>101学年度 大学美術術科試験委員会 素描部門委員</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>101学年度 彫刻学科修士課程選抜試験【面接および原作審査】委員</div>\n                <div>101学年度 彫刻学科修士課程選抜試験【書類審査】委員</div>\n                <div>「2011台湾工芸競技」革新デザイン部門 再審査および評価委員</div>\n                <div>本学彫刻学科教員審査委員会委員</div>\n                <div>【建国百年】彫刻パラダイム越境シンポジウム共催および開会挨拶</div>\n                <div>第二回ミニチュア彫刻展‧競技会審査委員</div>\n                <div>台湾創価学会および本学芸術博物館による丘雲先生彫刻作品展の資料整理‧作品清掃協力</div>\n                <div>99学年度 第五回資源教室学生合同展審査委員</div>\n                <div>100学年度 大学入試 彫刻学科塑造部門審査委員</div>\n                <div>100学年度 大学院彫刻学科修士課程入試【書類審査】委員</div>\n                <div>100学年度 大学院彫刻学科修士課程入試【面接および原作審査】委員</div>\n                <div>彫刻学科教員業績評価委員</div>\n                <div>100学年度 大学美術術科試験素描採点委員</div>\n                <div>東海大学 教員昇進審査委員</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2010</td>\n            <td>\n                <div>99年度 第一回ミニチュア彫刻展‧競技会審査委員</div>\n                <div>彰化師範大学 美術学科 専門技術教員作品審査</div>\n                <div>「現代彫刻国際学術シンポジウム―起源と質性」司会‧開会挨拶</div>\n                <div>「2010台湾工芸競技」革新デザイン部門 一次審査委員</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>収蔵</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2005</td>\n            <td>\n                <div>「台北市立動物園隔離検疫舎新築工事 浮彫」設計‧制作</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1994</td>\n            <td>\n                <div>作品《1990－現象 I》高雄市立美術館収蔵</div>\n            </td>\n        </tr>\n        <tr>\n            <td>1990</td>\n            <td>\n                <div>作品《流》スペイン バルセロナ「LLOTJA」芸術学院収蔵</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', '陳銘 CHEN Ming', '', 'publish', 'closed', 'closed', '', '%e9%99%b3%e9%8a%98-chen-ming-2', '', '', '2025-07-20 11:04:33', '2025-07-20 03:04:33', '', 0, 'http://scp.ntua.edu.tw/?p=229377', 0, 'post', '', 0),
(229378, 1, '2025-06-11 16:48:17', '2025-06-11 08:48:17', '<!-- wp:paragraph -->\n<p>最終学歴｜スペイン‧バレンシア大学 現代彫刻芸術研究所 博士課程修了</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>学歴‧経歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>1999</td>\n            <td>\n                <div>台北芸術大学 美術学科 学士（台湾）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2001</td>\n            <td>\n                <div>スペイン‧サラマンカ大学 美術創作研究所 修士</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>スペイン‧バレンシア大学 現代彫刻芸術研究所 博士</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015～現在</td>\n            <td>\n                <div>国立台湾芸術大学 彫刻学科 兼任助理教授</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2004～2018</td>\n            <td>\n                <div>長栄大学 美術学科 講師（台湾）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018～現在</td>\n            <td>\n                <div>四川美術学院 彫刻学科 副教授（中国‧重慶）</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>個展</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>「真像の真相」采泥芸術（Cai Mi Art Gallery）、台北、台湾</div>\n                <div>「暁非像」四川美術学院美術館、重慶、中国</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「彼女との出会い―楊北辰 十日間展」采泥芸術（Cai Mi Art Gallery）、台北、台湾</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>グループ展</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2025</td>\n            <td>\n                <div>「蛇髪蛇Good―巳年テーマのミニチュア木彫展」三義木彫博物館、苗栗、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>「上海西岸芸術博覧会」西岸芸術センター、上海、中国</div>\n                <div>「紋新彫龍―辰年テーマのミニチュア木彫展」三義木彫博物館、苗栗、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>「夯兔大展―卯年テーマのミニチュア木彫展」三義木彫博物館、苗栗、台湾</div>\n                <div>「台湾国際ミニチュア彫刻展」国立台湾芸術大学、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>「Taipei Dangdai 台北当代芸術博覧会」台北世界貿易センター、台北、台湾</div>\n                <div>「Art Taipei 台北国際芸術博覧会」台北世界貿易センター、台北、台湾</div>\n                <div>「台湾国際ミニチュア彫刻展」国立台湾芸術大学、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>「存在の次元－時を詠む物詩」采泥芸術（Cai Mi Art Gallery）、台北、台湾</div>\n                <div>「Art Taipei 台北国際芸術博覧会」台北世界貿易センター、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「台北アートフェア」台北世界貿易センター、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>「書をあれ」四川美術学院美術館、重慶、中国</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>「愛のかたち」新竹美術館、新竹、台湾</div>\n                <div>「異なる―2018大同彫刻ビエンナーレ」中国彫刻美術館、大同、山西省、中国</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->', '楊北辰 YANG Pei-Chen', '', 'publish', 'closed', 'closed', '', '%e6%a5%8a%e5%8c%97%e8%be%b0-yang-pei-chen-2', '', '', '2025-07-20 11:04:26', '2025-07-20 03:04:26', '', 0, 'http://scp.ntua.edu.tw/?p=229378', 0, 'post', '', 0),
(229379, 1, '2025-06-03 16:55:02', '2025-06-03 08:55:02', '<!-- wp:html -->\n<h3>学歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2019年</td>\n            <td>国立台北芸術大学 美術学系 修士課程、台北、台湾</td>\n        </tr>\n        <tr>\n            <td>2014年</td>\n            <td>国立台湾芸術大学 彫刻学科 学士課程、新北、台湾</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>資格</h3>\n<div>乙種 フライス盤－CNCフライス盤技術士</div>\n<div>単一級 アルゴン‧タングステン極溶接技術士</div>\n<div>単一級 半自動溶接技術士</div>\n<div>単一級 一般手工溶接技術士</div>\n\n\n<h3>職歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td></td>\n            <td>労働部タイシャン職業訓練センター CNC数値制御 外部講師</td>\n        </tr>\n        <tr>\n            <td>2021年1月より</td>\n            <td>行政院労働委員会 職業訓練局 タイシャン訓練センター 兼任アシスタントインストラクター</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>受賞歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2019年</td>\n            <td>「2019宜蘭賞」銅賞、宜蘭、台湾</td>\n        </tr>\n        <tr>\n            <td>2017年</td>\n            <td>\n                <div>「第35回桃園美展 彫刻部門」佳作、桃園、台湾</div>\n                <div>「新北市美展」入選、新北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015年</td>\n            <td>\n                <div>「新北市美展」入選、新北、台湾</div>\n                <div>「第13回桃源創作賞」入選、桃園、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013年</td>\n            <td>「第4回袖珍彫刻展および競技会」、台芸大真善美ギャラリー、新北、台湾</td>\n        </tr>\n        <tr>\n            <td>2012年</td>\n            <td>「第3回袖珍彫刻展および競技会」、台芸大真善美ギャラリー、新北、台湾</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>展覧会</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024年</td>\n            <td>「玲瓏集：国際彫刻展」、ドナアート華山館、台北、台湾</td>\n        </tr>\n        <tr>\n            <td>2023年</td>\n            <td>「互映の境地」金属彫刻グループ展、秋刀魚アートセンター、台北、台湾</td>\n        </tr>\n        <tr>\n            <td>2022年</td>\n            <td>「OneOffs NFT」国際アートフェア、台北、台湾</td>\n        </tr>\n        <tr>\n            <td>2021年</td>\n            <td>「視界」アーティスト公募グループ展、台北、台湾</td>\n        </tr>\n        <tr>\n            <td>2019年</td>\n            <td>「万物の穀倉‧大地の祭典」花海オンラインインスタレーション、台東、台湾</td>\n        </tr>\n        <tr>\n            <td>2018年</td>\n            <td>\n                <div>「質裂‧転生」黄冠崴金属彫刻展、方円彫刻、台中、台湾</div>\n                <div>「黄冠崴金属創作展」、キンチャ文化芸術センター、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017年</td>\n            <td>\n                <div>「彫刻の五七五－かたちで詠む春夏秋冬」、女子美術大学美術館、神奈川県、日本</div>\n                <div>「過場」国立台北芸術大学 美術学系 修士課程104期 卒業展、台北芸術大学 地下美術館、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015年</td>\n            <td>「We Are Here!」435アーティストスタジオグループ展、435文化芸術区、新北、台湾</td>\n        </tr>\n        <tr>\n            <td>2014年</td>\n            <td>\n                <div>「MOCAストリートアートシーズン」、現代‧新メディア年越しアートフェスティバルシリーズ、台北現代美術館、台北、台湾</div>\n                <div>「(新)生展」、台北芸術大学 地下美術館、台北、台湾</div>\n                <div>「台北アートフリーデイ」、華山文創園区、台北、台湾</div>\n                <div>「置身事外」国立台湾芸術大学 彫刻学科 卒業展、華山芸術センター、台北、台湾</div>\n                <div>「温度感知 1535℃」新世代金属彫刻グループ展、月臨ギャラリー、台中、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013年</td>\n            <td>「国立台湾芸術大学 彫刻学科 教員‧学生展」、台芸大真善美ギャラリー、新北、台湾</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>収蔵</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2020年</td>\n            <td>\n                <div>フーロン開発株式会社、収蔵作品「虚拟的液動－軀」</div>\n                <div>潘文淵文化教育財団、収蔵作品「虚拟的液動－思」</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>公共芸術</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2025年</td>\n            <td>陸軍第6軍団第53工兵群育勤営区 第二段階新築工事公共芸術設置計画「無懼無畏、排難前行」作品設置</td>\n        </tr>\n        <tr>\n            <td>2023年</td>\n            <td>光復郷公所庁舎、マフォ部落文化集会所など2箇所新築工事公共芸術設置計画「坐椅山雲原郷情」作品設置</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>レジデンス経験</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2013年</td>\n            <td>「繋」西螺鋼彫刻レジデンスキャンプ、雲林、台湾</td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', '黃冠崴 HUANG Guan-Wei', '', 'publish', 'closed', 'closed', '', '%e9%bb%83%e5%86%a0%e5%b4%b4-huang-guan-wei-2', '', '', '2025-07-20 11:03:12', '2025-07-20 03:03:12', '', 0, 'http://scp.ntua.edu.tw/?p=229379', 0, 'post', '', 0),
(229380, 1, '2025-06-04 16:57:11', '2025-06-04 08:57:11', '<!-- wp:html -->\n<h3>学歴</h3>\n<div>アメリカ‧カリフォルニア州サンフランシスコ芸術大学 ジュエリーおよび金属工芸 修士</div>\n<div>国立台湾芸術大学 美術学部 彫刻学科（主に金属表現）</div>\n\n<h3>キュレーション記録</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2022</td>\n            <td>「Art for Art\'s Sake—無条件の飢餓」彫刻グループ展、キャピタルアートセンター（台北、台湾）</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>展示歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024–2025</td>\n            <td>「新潮：共鳴」新北市アーティスト合同展、新北アートセンター（新北、台湾）</td>\n        </tr>\n        <tr>\n            <td>2024</td>\n            <td>「思潮共振」新北市アーティスト合同展、鶯歌陶磁博物館（新北、台湾）</td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>「玲瓏集」国際ミニチュア彫刻展、ドナアート、華山アートセンター（台北、台湾）</div>\n                <div>「互映の境地」金属彫刻グループ展、サンマアートセンター（台北、台湾）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>「ART TAICHUNG 台中アートフェア」、キャピタルアートセンター、ザ‧リンホテル（台中、台湾）</div>\n                <div>「Art for Art\'s Sake—無条件の飢餓」彫刻グループ展、キャピタルアートセンター（台北、台湾）</div>\n                <div>「ONE ART Taipei 台北アートフェア」、キャピタルアートセンター、グランド‧シェラトンホテル（台北、台湾）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>「台中アートフェア｜キャピタルアートセンター プレビュー展」、キャピタルアートセンター（台北、台湾）</div>\n                <div>「彫刻の五‧七‧五——アジア国際芸術大学交流展」（台湾）</div>\n                <div>「不安にして」女性アーティストグループ展、キャピタルアートセンター（台北、台湾）</div>\n                <div>「台湾記憶 彫刻展」グループ展、イリヤギャラリー（東京、日本）</div>\n                <div>「ART TAINAN 台南アートフェア」、キャピタルアートセンター、シャングリラ‧ファーイースタンホテル（台南、台湾）</div>\n                <div>「ONE ART Taipei 台北アートフェア」、キャピタルアートセンター（台北、台湾）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>「高雄アートフェア」、キャピタルアートセンター（高雄、台湾）</td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>「ART TAICHUNG 台中アートフェア」：彫刻50周年記念展（台中、台湾）</div>\n                <div>「時間札記」コレクション展、オウジャン芸術博物館（台北、台湾）</div>\n                <div>「2019年 台芸大彫刻年度展」国立台湾芸術大学 彫刻学科展（台北、台湾）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>アカデミー‧オブ‧アート大学 春季ショー（アメリカ‧カリフォルニア州）</div>\n                <div>「三重奏：ジュエリーと金属アート三人展」、キャナリーギャラリー（サンフランシスコ、アメリカ）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>アカデミー‧オブ‧アート大学 春季ショー（アメリカ‧カリフォルニア州）</td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>「過去‧現在‧未来―ジュエリーと金属アート展」、キャナリーギャラリー（サンフランシスコ、アメリカ）</div>\n                <div>アカデミー‧オブ‧アート大学 春季ショー（アメリカ‧カリフォルニア州）</div>\n                <div>「湧入：ジュエリー金属アートの未来指向」、キャナリーギャラリー（サンフランシスコ、アメリカ）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>アカデミー‧オブ‧アート大学 春季ショー（アメリカ‧カリフォルニア州）</td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', '邢力云 HSING Li-Yun', '', 'publish', 'closed', 'closed', '', '%e9%82%a2%e5%8a%9b%e4%ba%91-hsing-li-yun-2', '', '', '2025-07-20 11:03:20', '2025-07-20 03:03:20', '', 0, 'http://scp.ntua.edu.tw/?p=229380', 0, 'post', '', 0),
(229381, 1, '2025-06-05 17:00:18', '2025-06-05 09:00:18', '<!-- wp:html -->\n<h3>学歴‧経歴</h3>\n<div>国立台湾芸術大学 彫刻研究科 修士</div>\n<div>国立台湾芸術大学 非常勤講師</div>\n\n<h3>グループ展</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>「第110回全国美術展」、国立台湾美術館、台中、台湾</div>\n                <div>「台藝大国際ミニチュア展」、台藝大国際展示ホール、台北、台湾</div>\n                <div>「台藝大彫刻年度展」、台藝大国際展示ホール、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「台藝大国際ミニチュア展」、台藝大国際展示ホール、台北、台湾</div>\n                <div>「台藝大彫刻年度展」、台藝大国際展示ホール、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>「台藝大国際ミニチュア展」、台藝大国際展示ホール、台北、台湾</div>\n                <div>「台藝大彫刻年度展」、台藝大国際展示ホール、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>「第19回磺溪美展 初展」、彰化県立美術館、彰化、台湾</td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>「石の道 台北－台藝大vs東京芸大石彫ジョイント展」、赤粒ギャラリー、台北、台湾</td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>「質‧能－彫刻三人展」、台藝大国際展示ホール、台北、台湾</div>\n                <div>「第26回奇美芸術賞連展」、竹師芸術空間第二館、新竹、台湾</div>\n                <div>「詠嘆クラシック－ダリと台藝大彫刻系師生合同展」、中悦建設、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>「第24回奇美芸術賞連展」、毓繡芸術空間、彰化、台湾</td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>「揚筢吐艶－台藝新秀特別展」、台藝大ギャラリー、台北、台湾</div>\n                <div>「思考とはただそれだけ」、四四南村、台北、台湾</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>受賞歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2021</td>\n            <td>「隠喩された身体－セクシーなボディスーツ」、全国美術展 彫刻部門 金賞、台中、台湾</td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>第19回磺溪美展 優秀賞、彰化、台湾</td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>第17回磺溪美展 入選、彰化、台湾</td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>第26回奇美芸術賞 具象美術創作 彫刻組、台南、台湾</td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>「離れる前の最後の一瞬」、台藝彫刻師生展 特別賞、新北市、台湾</div>\n                <div>第五回大藝賞（国立台湾芸術大学 美術学院）、新北市、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>第24回奇美芸術賞 具象美術創作 彫刻組、台南、台湾</td>\n        </tr>\n        <tr>\n            <td>2011</td>\n            <td>\n                <div>「浮かぶダンサー」、第一回麗寶彫刻新人賞 入選、新北市、台湾</div>\n                <div>「合成」、台藝彫刻系師生展 モデリング部門 入選、新北市、台湾</div>\n                <div>「伸びる」、台藝彫刻系師生展 モデリング部門 写実特別賞、新北市、台湾</div>\n                <div>「両極」、全国美術展 立体部門 入選、台中、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2010</td>\n            <td>\n                <div>「五指山」、第一回系ミニチュア彫刻展 立体部門 入選、新北市、台湾</div>\n                <div>「見上げる」、台藝彫刻系師生展 モデリング部門 写実特別賞、新北市、台湾</div>\n                <div>「山海相映」、台藝彫刻系師生展 石彫部門 入選、新北市、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>「女性の身体」、台藝彫刻系師生展 モデリング部門 写実特別賞、新北市、台湾</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>アーティスト‧イン‧レジデンス</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2011</td>\n            <td>花蓮国際石彫芸術祭 創作キャンプ 選出、花蓮市、台湾</td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>「曲」、花蓮国際石彫芸術祭「青年石彫創作キャンプ」 立体部門 入選、花蓮県、台湾</td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', '林宗龍 LIN Tsung-Lung', '', 'publish', 'closed', 'closed', '', '%e6%9e%97%e5%ae%97%e9%be%8d-lin-tsung-lung-2', '', '', '2025-07-20 11:03:26', '2025-07-20 03:03:26', '', 0, 'http://scp.ntua.edu.tw/?p=229381', 0, 'post', '', 0);
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(229382, 1, '2025-06-06 17:02:25', '2025-06-06 09:02:25', '<!-- wp:html -->\n<h3>学歴‧職歴</h3>\n<div>ロシア‧サンクトペテルブルク帝国美術アカデミー 油絵科 修士</div>\n<div>国立台湾芸術大学 彫刻学科 兼任講師</div>\n\n\n    <h3>講演歴</h3>\n    <table>\n        <tbody>\n            <tr>\n                <td>2025</td>\n                <td>\n                    <div>「デジタル彫刻とバーチャル空間」（彰化師範大学）</div>\n                    <div>「AIとデジタル造形芸術」（教育部 公開授業‧金華中学校）</div>\n                    <div>「AI‧VR ワークショップ」（馬公中学校）</div>\n                    <div>「AI‧VR 体験キャンプ」（向上中学校）</div>\n                    <div>「AI‧VR 芸術創作と応用」（南崁高等学校）</div>\n                </td>\n            </tr>\n            <tr>\n                <td>2022–2025</td>\n                <td>「AI‧VR 体験キャンプ」（復興高等学校）</td>\n            </tr>\n            <tr>\n                <td>2024–2025</td>\n                <td>「5G–VR ワークショップ」（永平高等学校）</td>\n            </tr>\n            <tr>\n                <td>2024</td>\n                <td>\n                    <div>「3Dプリンティングと環境応用」（中央大学）</div>\n                    <div>「芸術専門才能分野指導グループ 年次シンポジウム」（教育部 公開授業‧国立台湾師範大学）</div>\n                    <div>「芸術における身体言語」（国防医学院 解剖学研究所）</div>\n                </td>\n            </tr>\n            <tr>\n                <td>2023</td>\n                <td>「次元を越える：複合現実芸術創作‧VR‧AR芸術創作」（新北市青年局、台湾芸術大学 彫刻学科）</td>\n            </tr>\n            <tr>\n                <td>2021</td>\n                <td>\n                    <div>「一緒に美を探す」教師研修講座（宜蘭文化局）</div>\n                    <div>「素描と彫刻の鑑賞」（宜蘭美術館）</div>\n                </td>\n            </tr>\n            <tr>\n                <td>2020</td>\n                <td>「遅れてきた栄冠」講演シリーズ（李國鼎故居）</td>\n            </tr>\n            <tr>\n                <td>2019</td>\n                <td>\n                    <div>「芸術とテクノロジーの融合」講演シリーズ（研華科技）</div>\n                    <div>「テクノロジーアートとルネサンス」講演シリーズ（李國鼎故居）</div>\n                </td>\n            </tr>\n        </tbody>\n    </table>\n\n    <h3>学術論文発表（学会）</h3>\n    <table>\n        <tbody>\n            <tr>\n                <td>2025</td>\n                <td>\n                    <div>「AI時代における文化再構築：再創造と自己表現」<br>発表先：「AI時代のデジタル学習と質の高い教育シンポジウムおよび台湾教育社会学学会フォーラム」（高雄：国立高雄師範大学 教育学院、2025年5月23日）</div>\n                    <div>「シミュレーションと現実：人間の心理判断とAI識別の比較研究」<br>発表先：「台湾芸術教育：知能時代における芸術素養の深化‧革新‧実践シンポジウム」（台北：国立台湾芸術大学 芸術人文教育研究所、2025年5月16日）</div>\n                    <div>「リアルとバーチャル空間：彫刻創作における感覚体験の研究」<br>発表先：「2025台北デジタルイメージ国際学術シンポジウム–スマートビジョン」（台北：国立台湾芸術大学 マルチメディアアニメーション学科、2025年4月25日）</div>\n                    <div>「生成AIにおける芸術の進化：アーティスト‧データ‧モデル」<br>発表先：「インテリジェントメディアと創造的未来：境界を越える探求シンポジウム」（台北：世新大学 デジタルマルチメディアデザイン学科、2025年4月23日）</div>\n                    <div>「AIとVRによる没入型教育：デジタル芸術時代における人間的創造力の探求」<br>発表先：「第20回台湾デジタル学習発展シンポジウム TWELF」（嘉義：国立嘉義大学 蘭潭キャンパス、2025年3月6日）</div>\n                </td>\n            </tr>\n            <tr>\n                <td>2024</td>\n                <td>\n                    <div>「『Palette Vision』を用いた個性スタイルの探索：個人の配色行動分析研究」<br>発表先：「第7回テクノロジーアート国際学術シンポジウム」（台北：国立台北芸術大学 テクノロジーアートセンター、2024年11月2日～3日）</div>\n                    <div>※本研究は特許申請中：「個人の配色行動分析システムおよび方法」特許番号：113147461</div>\n                </td>\n            </tr>\n            <tr>\n                <td>2023</td>\n                <td>「バーチャルリアリティにおける芸術創作の普及と実践」<br>ポスター発表：「第6回テクノロジーアート国際学術シンポジウム」（台北：国立台湾科学教育館、2023年7月24日～25日）</td>\n            </tr>\n        </tbody>\n    </table>\n\n    <h3>展覧会歴</h3>\n    <table>\n        <tbody>\n            <tr>\n                <td>2015–2025</td>\n                <td>「国際ミニチュア彫刻展」グループ展‧審査員</td>\n            </tr>\n            <tr>\n                <td>2015–2025</td>\n                <td>「台湾芸術大学 彫刻学科 年次展覧会」</td>\n            </tr>\n        </tbody>\n    </table>\n<!-- /wp:html -->', '吳俊學 WU Chun-Hsueh', '', 'publish', 'closed', 'closed', '', '%e5%90%b3%e4%bf%8a%e5%ad%b8-wu-chun-hsueh-2', '', '', '2025-07-20 11:03:36', '2025-07-20 03:03:36', '', 0, 'http://scp.ntua.edu.tw/?p=229382', 0, 'post', '', 0),
(229383, 1, '2025-06-07 17:04:39', '2025-06-07 09:04:39', '<!-- wp:paragraph -->\n<p>1975年生於台灣台南</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>學歷</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2001</td>\n            <td>國立台南藝術大學造形藝術研究所畢業</td>\n        </tr>\n        <tr>\n            <td>1998</td>\n            <td>國立台灣藝術大學雕塑系畢業</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>展覽</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2025</td>\n            <td>「細．微．野．闊—2025袖珍雕塑展」赤粒藝術</td>\n        </tr>\n        <tr>\n            <td>2024</td>\n            <td>「北海岸潮與火」中山溫泉公園</td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>「雕塑創作中的詩意與造境：『雕刻的五．七．五．』」</td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「臺藝大國際袖珍展」</div>\n                <div>「臺藝大雕塑年度展」</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>「沖繩縣立藝術大學五七五雕塑展覽」</div>\n                <div>「臺藝大國際袖珍展」</div>\n                <div>「臺藝大雕塑年度展」</div>\n                <div>「記憶的構作」板橋放送所</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>「高雄現代擊樂節～擊樂與鋼雕的雙重印象」</div>\n                <div>「臺藝第二屆雕塑祭」</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>「沖繩．臺灣藝術大學交流展」沖繩縣立藝術大學</div>\n                <div>「全民美學再運動」臺電大樓</div>\n                <div>「造夢．日常」國際袖珍雕塑展，臺灣當代工藝設計分館</div>\n                <div>「小世界－袖珍雕塑的奇異想像」朱銘美術館</div>\n                <div>「臺藝第一屆雕塑祭」</div>\n                <div>「To tiny thing. By Masters」國際袖珍雕塑展，雲清藝術</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>「臺灣藝術大學第七屆國際袖珍雕塑展」</td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>「臺灣藝術大學美術學院雕塑展」臺灣藝術大學</div>\n                <div>「臺灣藝術大學第六屆國際袖珍雕塑展」</div>\n                <div>「方寸之間想像之外」赤粒藝術</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', '陳右昇 CHEN Yu-Sheng', '', 'publish', 'closed', 'closed', '', '%e9%99%b3%e5%8f%b3%e6%98%87-chen-yu-sheng-2', '', '', '2025-07-20 11:03:44', '2025-07-20 03:03:44', '', 0, 'http://scp.ntua.edu.tw/?p=229383', 0, 'post', '', 0),
(229384, 1, '2025-06-08 17:05:57', '2025-06-08 09:05:57', '<!-- wp:html -->\n<h3>学歴‧経歴</h3>\n<div>国立台湾芸術大学 造形芸術研究科 修士課程修了</div>\n<div>国立台湾芸術大学 非常勤講師</div>\n\n\n<h3>受賞歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td></td>\n            <td>第15回全国美術展 彫刻部門 第1位（金龍賞受賞）</td>\n        </tr>\n        <tr>\n            <td></td>\n            <td>第16回高雄美術展 第1位（高雄賞受賞）</td>\n        </tr>\n        <tr>\n            <td>2002年</td>\n            <td>「新北市美術展」彫刻部門 第1位</td>\n        </tr>\n        <tr>\n            <td></td>\n            <td>第57回全省美選展 彫刻部門 優選</td>\n        </tr>\n        <tr>\n            <td></td>\n            <td>第2回世界塩の彫刻大会 優選</td>\n        </tr>\n        <tr>\n            <td></td>\n            <td>花蓮マンボー‧フェスティバル 鉄の彫刻ワークショップ 最優秀造形賞受賞</td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', '劉國勝 LIOU Kuo-Sheng', '', 'publish', 'closed', 'closed', '', '%e5%8a%89%e5%9c%8b%e5%8b%9d-liou-kuo-sheng-2', '', '', '2025-07-20 11:03:54', '2025-07-20 03:03:54', '', 0, 'http://scp.ntua.edu.tw/?p=229384', 0, 'post', '', 0),
(229385, 1, '2025-06-09 17:09:06', '2025-06-09 09:09:06', '<!-- wp:html -->\n<h3>教育歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2022-現在</td>\n            <td>国立台湾芸術大学 彫刻学科 兼任助理教授</td>\n        </tr>\n        <tr>\n            <td>2014-2015</td>\n            <td>国立台湾芸術大学 美術学科‧彫刻学科 兼任講師</td>\n        </tr>\n        <tr>\n            <td>2011-2012</td>\n            <td>国立政治大学附属高級中学 美術科 代理教師</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>展覧会企画‧実行</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2025</td>\n            <td>\n                <div>「空間共振：デジタル創作とNFT公募展」国立政治大学コンピュータセンター</div>\n                <div>「英風百年 指南遇見」楊英風特別展 奇木茁生インスタレーションプロジェクト 国立政治大学芸術文化センター</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>「宇宙n次方」第24回国立政治大学アーティスト‧イン‧レジデンス計画</div>\n                <div>「彼‧彼女‧それ∈マルチバース：デジタル創作とNFT公募展」国立政治大学芸術文化センター</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>「食/物＿譜」李明学個展 国立政治大学芸術文化センター</td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>「Faces：デジタルアート公募展」国立政治大学芸術文化センター</td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>「方体演算」林育正個展 福利社 Free Arts Space</td>\n        </tr>\n        <tr>\n            <td>2019-2020</td>\n            <td>「栗山俊一×記憶の構築」屋外インスタレーションとドキュメント展 新北市文化局板橋放送所</td>\n        </tr>\n        <tr>\n            <td>2014-2015</td>\n            <td>「印拓台大 ISO Remix @ NTU」台湾大学全学公共アート計画</td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>台湾「原住民 原始」アート再現システムの探討 国際交流展および学術シンポジウム 国父記念館</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>資格‧証明書</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2012</td>\n            <td>中等学校教師資格証（芸術生活科 視覚応用芸術）証明番号：10100944</td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>中等学校教師資格証（高等学校美術科）証明番号：981040</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>展覧会レビュー</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>「方体演算下の物体劇」林育正個展 福利社 Free Arts Space</div>\n                <div>「未だ消えぬノスタルジーの炎」徐佳鈴の「予定された出会い」 ARTALKS 台新芸術基金会</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>「意識の花、物質の核」荘騰翔2020年個展 Contemporary One Gallery</td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>「逐一 Stranding moment」2019年 堉泉個展 FOMO 台北</td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>「知覚の多方向測量：欧陽彥興の『展開図』」</td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>台北ビエンナーレオンラインレビュー Peter Buggenhout（ピーター‧ブゲンホウト）</div>\n                <div>台北ビエンナーレオンラインレビュー Matheus Rocha Pitta（マテウス‧ロチャ‧ピッタ）</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>プロジェクト実行</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>国立政治大学情報科学系 科技部プロジェクト「金融セキュリティとデジタル通貨の重要技術開発」専任アシスタント</div>\n                <div>国立政治大学 大文山大学社会責任協力討論準備会</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>国立政治大学 大学社会責任年次報告 実行編集</div>\n                <div>「キリスト救済史と視覚的予表論：貧者の聖書古帙探幽」編集アシスタント</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2010</td>\n            <td>国家科学委員会研究プロジェクト「クロード効果と18世紀英国風景庭園の形成と変容」専任アシスタント</td>\n        </tr>\n        <tr>\n            <td>2008</td>\n            <td>国立台湾師範大学教員研究プロジェクト「現代芸術家の図文デザインにおける成果の探討」兼任アシスタント</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>研究著作</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2019</td>\n            <td>博士論文「忘却の権利：反記念碑の記憶工事から欧州ユダヤ人犠牲者記念碑を探討」</td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>台湾デジタルアートデータベース「トラウマと自己認識を解き明かす」体面計画サバイバーシリーズ 陳長志インタビュー</td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>朱銘美術館彫刻研究「彫刻における物と物性」英国彫刻家フィリップ‧キングのロンドン屋外展について</td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>『藝術家』9月号「現代日常現実のソナー 大海撈針：2014年リバプール‧ビエンナーレ」</div>\n                <div>『藝術家』3月号「日常の化石：レイチェル‧ホワイトリードのネガティブキャスティング」</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2010</td>\n            <td>国立台湾芸術大学現代彫刻国際学術シンポジウム「原初と質性」論文発表</td>\n        </tr>\n        <tr>\n            <td>2009</td>\n            <td>朱銘美術館彫刻研究半年刊「反復の多様性：彫刻複製品の美学的価値」</td>\n        </tr>\n        <tr>\n            <td>2008</td>\n            <td>修士論文「負空間の混乱状態：レイチェル‧ホワイトリードの彫刻作品」</td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', '黃慕怡 HUANG Mu-Yi', '', 'publish', 'closed', 'closed', '', '%e9%bb%83%e6%85%95%e6%80%a1-huang-mu-yi-2', '', '', '2025-07-20 11:04:05', '2025-07-20 03:04:05', '', 0, 'http://scp.ntua.edu.tw/?p=229385', 0, 'post', '', 0),
(229386, 1, '2025-06-10 17:12:01', '2025-06-10 09:12:01', '<!-- wp:html -->\n<h3>学歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>不明</td>\n            <td>国立台湾師範大学 美術研究所 博士（西洋美術史）</td>\n        </tr>\n        <tr>\n            <td>1997</td>\n            <td>ロシア‧サンクトペテルブルク大学 歴史研究所 修士（西洋美術史）</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>現職</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>現在</td>\n            <td>国立台湾芸術大学 彫刻学科 兼任助理教授</td>\n        </tr>\n        <tr>\n            <td>現在</td>\n            <td>台北市松山社区大学 人文芸術課程 講師</td>\n        </tr>\n        <tr>\n            <td>現在</td>\n            <td>視丘写真芸術学院 芸術史 講師</td>\n        </tr>\n        <tr>\n            <td>現在</td>\n            <td>銭穆故居 高齢者講座「博世界物館」課程 講師</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>キュレーション‧プロジェクト</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2013, 2015</td>\n            <td>「終末感性：台湾のニューメディアアート」（WROメディアアート‧ビエンナーレ、ポーランド、2013年；台北市立美術館、2015年）</td>\n        </tr>\n        <tr>\n            <td>2014–2015, 2018</td>\n            <td>「イマジニング‧クライシス」（台北当代芸術館、2014年；ポーランド、セルビア、ブルガリア、コロンビアの現代アートセンター；第34回アート‧フィルム‧フェスティバル、イタリア、2014–2015年；ループ‧バルセロナ、2018年）</td>\n        </tr>\n        <tr>\n            <td>2015, 2018</td>\n            <td>「Taiwan VIDEA：台湾アヴァンギャルド‧ビデオ展」（2015年アゾロ‧アート‧フィルム‧フェスティバル；ループ‧バルセロナ、2018年）</td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>「Eco as a Verb」（第35回アゾロ‧アート‧フィルム‧フェスティバル、フォーカル‧テーマ‧ビデオ展、2016年）</td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>「Taiwan VIDEA: 2017セレクション」（北マケドニア、クロアチア、スロベニア、ドイツ）</td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>「Taiwan Animation for Kids」（WROアートセンター、ポーランド、2018年）</td>\n        </tr>\n        <tr>\n            <td>2018, 2019</td>\n            <td>「The In-Between State of Mind：東欧／ロシア‧ビデオ‧リサーチ‧プロジェクト」（第36回アゾロ‧アート‧フィルム‧フェスティバル、2018年；ドイツ、ラトビア、スロベニア、ハンガリー、2019年）</td>\n        </tr>\n        <tr>\n            <td>2017, 2018</td>\n            <td>「Fibering – Eco as a Verb」（NTUA OUR美術館、新北市、2017年；ポーランドおよびドイツ、2018年）</td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>「Behind the Mask: Rose of Modernity」（国立台湾美術館所蔵の写真コレクション；ロシア‧クラスノヤルスク博物館ビエンナーレにて展示、2019年）</td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>その他</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2010</td>\n            <td>世安美学賞受賞（博士論文「サルバドール‧ダリの『偏執狂的批判』に関する研究」による）</td>\n        </tr>\n        <tr>\n            <td>22011年より</td>\n            <td>「ロシアおよび東欧の現代美術におけるポストモダンの状況（The Postmodern Condition in the Contemporary Art of Russia and Eastern Europe）」という長期的なキュラトリアル‧リサーチ‧プロジェクトを開始</td>\n        </tr>\n        <tr>\n            <td>不明</td>\n            <td>第34回および第35回アゾロ‧アート‧フィルム‧フェスティバルの国際審査員として招聘、第34回では国際審査委員長に選出</td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', '楊衍畇 YANG Yunnia', '', 'publish', 'closed', 'closed', '', '%e6%a5%8a%e8%a1%8d%e7%95%87-yang-yunnia-2', '', '', '2025-07-20 11:04:18', '2025-07-20 03:04:18', '', 0, 'http://scp.ntua.edu.tw/?p=229386', 0, 'post', '', 0),
(229409, 1, '2025-06-02 17:44:28', '2025-06-02 09:44:28', '<!-- wp:paragraph -->\n<p>Highest Education｜Master’s Degree, Graduate Institute of Sculpture, National Taiwan University of Arts<br>Born in 1992, Taipei, Taiwan.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>Education</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>M.F.A., Graduate Institute of Sculpture, National Taiwan University of Arts</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>B.F.A., Department of Sculpture, National Taiwan University of Arts</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Experience</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2023–Present</td>\n            <td>\n                <div>Part-time Lecturer, National Taiwan University of Arts</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019–2020</td>\n            <td>\n                <div>Part-time Teacher, Fu-Hsin Trade & Arts School</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019–2021</td>\n            <td>\n                <div>Resident Artist, Banqiao 435 Art Zone</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Exhibition</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>“WHEN YOU SEE IT” Solo Exhibition, C Square Gallery</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>“HAND IN HAND, DO NOT FOLLOW ME” Solo Exhibition, Apex Art</div>\n                <div>“Art for art’s sake—Unconditional Hunger” Group Exhibition, Capital Art Center</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>“Rebooting the Mind: Twist in Time and Space” Group Exhibition, Pro-Art Gallery</div>\n                <div>“Fresh Generation II—Situations of Life” Group Exhibition, Ching-Feng Gallery</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>“No Clichés in Old-fashioned Tropes” Dual Exhibition (with Chi Chiang), Serene Gallery</div>\n                <div>“Genius, Lucky One, and Outcast” Solo Exhibition, Lihpao Cultural Art Foundation – Color Gallery</div>\n                <div>“My Horse Was Never Tied” Solo Exhibition, YIRI Arts</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>“Art Future,” YIRI Arts & The Sherwood Taipei</div>\n                <div>“Juming Museum Collection Special Exhibition – Human and Mirror,” Juming Museum</div>\n                <div>“Cognition in Transit: Desire and Life,” 241 Art Space, Hsinchu</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>“Eternal Silence” Sculpture Group Exhibition (with Wen Lu & Ming-Chung Huang), DaMei WuYan Art Space</div>\n                <div>“To That Cozy Era That Let Me Sleep” Solo Exhibition, Beitou Jiuhao (Chia Tai Group)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>“Scenery Where Footprints Temporarily Stay” Solo Exhibition, King Car Cultural & Educational Foundation</div>\n                <div>“Posing” Solo Exhibition, Zhongshan Road, Taipei</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>“Colorful Cloud – 2016 Sculpture Project Group Exhibition,” Dynasty Gallery</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>“Danei Art Festival – Sleepless Dwelling,” Ching Yun Gallery</div>\n                <div>“Prajñā” Sculpture Group Exhibition (with Ting-Yu Wang & Po-Feng Sun), DaMei WuYan Art Space</div>\n                <div>“You, Me, and Them” Solo Exhibition, Color Gallery, Lihpao Cultural Art Foundation</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Awards</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>1st Prize, Sculpture Category, 26th Dadun Fine Arts Exhibition, Taichung</div>\n                <div>Honorable Mention, 5th Lihpao International Sculpture Biennial</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>1st Prize & Maoli Award, 2020 Miaoli Art Biennial (3D Category)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>1st Prize & New Taipei Award, New Taipei City Art Exhibition (Sculpture)</div>\n                <div>Honorable Mention, 4th Lihpao International Sculpture Biennial</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>1st Prize & Maoli Award, Miaoli Art Biennial (3D Category)</div>\n                <div>2nd Prize, Sculpture, 23rd Dadun Fine Arts Exhibition, Taichung</div>\n                <div>2nd Prize, Sculpture, 22nd Toucheng Art Exhibition, Chiayi</div>\n                <div>Bronze Medal & Jury Exemption Award, National Art Exhibition (Sculpture)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>1st Prize & Dadun Award, Sculpture, 22nd Dadun Fine Arts Exhibition, Taichung</div>\n                <div>Gold Medal, National Art Exhibition (Sculpture)</div>\n                <div>Honorable Mention, Taoyuan Fine Arts Exhibition (Sculpture)</div>\n                <div>Collection Prize, Yo-Chang Art Museum, NTUA</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>Chimei Arts Award, Figurative Sculpture Category</div>\n                <div>Silver Medal, National Art Exhibition (Sculpture)</div>\n                <div>Merit Award, Taiyang Fine Arts Exhibition (Sculpture)</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>Merit Award, New Taipei City Art Exhibition (Sculpture)</div>\n                <div>Chimei Arts Award, Figurative Sculpture Category</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Collections</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>National Taiwan Museum of Fine Arts – If There Were No Sheepdog</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>New Taipei City Government – Cloud</div>\n                <div>National Taiwan Museum of Fine Arts – Quietly Listening to You</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>Taichung City Government – Form-Limit 2 – Color Emptiness‧Silent Stillness</div>\n                <div>Yo-Chang Art Museum, NTUA – Form-Limit</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>DaMei WuYan Art Space – Form-Released 2 – Essence, Form-Released 3 – Regression</div>\n                <div>Chimei Museum – Seven Lambs</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>Chimei Museum – Me and Me, You and You</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', 'LIN Chen-Shun', '', 'publish', 'closed', 'closed', '', 'lin-chen-shun-2', '', '', '2025-07-20 10:57:21', '2025-07-20 02:57:21', '', 0, 'http://scp.ntua.edu.tw/?p=229409', 0, 'post', '', 0),
(229410, 1, '2025-06-01 17:48:38', '2025-06-01 09:48:38', '<!-- wp:paragraph -->\n<p>Highest Education｜ Master’s Degree, Graduate Institute of Sculpture, National Taiwan University of Arts</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Research Specialties｜ Wood Sculpture</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>1992</strong> Born in Taitung, Taiwan<br><strong>2018</strong> Received M.F.A. in Sculpture from National Taiwan University of Arts<br><strong>2018–2023</strong> Artist-in-residence at Banqiao 435 Art Zone<br><strong>2022–2023</strong> Instructor of Basic Sculpture at Xue Xue Experimental Education Institution</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>Education</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>MFA, Department of Sculpture, National Taiwan University of Arts, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>BFA, Department of Sculpture, National Taiwan University of Arts, Taipei, Taiwan</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Solo Exhibitions</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>“Be Like Water – Yao Ting WU Solo Exhibition”, Capital Art Center, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>“Good Diving – Yao Ting WU Solo Show”, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>“Solemn Human – Yao Ting WU Solo Show”, Taipei, Taiwan</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Group Exhibitions</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2025</td>\n            <td>\n                <div>“Snaken Year” Lunar New Year Wood Carving Group Show, Taiwan</div>\n                <div>“Ingenious Anthology” International Sculpture Exhibition, Taiwan</div>\n                <div>“Dragon Year” Lunar New Year Wood Carving Group Show, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>“Bangkok Design Week – Contemporary Wooden Art Exhibition”, Thailand</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>“The Year of the Rabbit Group Show”, Sanyi Wood Sculpture Museum, Miaoli, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>“See the World Through Your Hands Group Show”, Banqiao 435 Art Zone, New Taipei City</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>“New Normal Group Show”, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>“FLAWLESS – Contemporary Figurative Wood Sculpture Exhibition”, Capital Art Center, Taipei</div>\n                <div>SanYi Art Residency Project, Miaoli, Taiwan</div>\n                <div>“Da Lao Wood Carving Trio Artists Group Show”, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>“Amazing Artist in Art 435 – Huge Woodcarving Creating Live Show”, New Taipei City</div>\n                <div>“Chiang Mai Design Week Group Show”, Thailand</div>\n                <div>“Shapes of the Woodland – Wood Sculpture in Asia Area Group Show”, Taiwan</div>\n                <div>“Wave – Figurative Wood Sculpture During 50 Years in Taiwan Group Show”, Taiwan</div>\n                <div>“Ohtawara 5th Shoes Box Exhibition”, Japan</div>\n                <div>“Pig Year” Chinese New Year Wood Carving Group Show, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>“East Rift Valley Granary Festivities” Art Residency Project, Taiwan</div>\n                <div>“Ohtawara” Art Residency Project, Japan</div>\n                <div>“The Story of Gaia Wood Carvings Group Show”, Taiwan</div>\n                <div>“Dog Poems” Chinese New Year Wood Carving Group Show, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>“Sculpture 5.7.5 Group Show”, Japan</div>\n                <div>“The Imagination of Art in Cloud Group Show”, Taiwan</div>\n                <div>“Taiwan Cultural and Creative Industry Art Fair Group Show”, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>“Tsukuba New Artist Exchange Project Group Show”, Japan</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Art Fair</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2025</td>\n            <td>\n                <div>“ONE ART Taipei 2025”, Hotel Metropolitan Premier Taipei, Capital Art Center, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>“ART TAIPEI” Art Fair, Taiwan</div>\n                <div>“ART TAICHUNG” Art Fair, Taiwan</div>\n                <div>“ONE ART Taipei 2023”, Hotel Metropolitan Premier Taipei, Capital Art Center, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>“Art Taipei 2022”, TWTC Hall 1, Capital Art Center, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>“Art Kaohsiung 2021”, The Pier-2 Art Center, Kaohsiung, Taiwan</div>\n                <div>“Art Taipei 2021”, TWTC Hall 1, Capital Art Center, Taipei, Taiwan</div>\n                <div>“Art Tainan 2021”, Shangri-La’s Far Eastern Tainan, Capital Art Center, Tainan, Taiwan</div>\n                <div>“ONE ART Taipei 2021”, The Sherwood Metaverse, Capital Art Center, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>“Young Art Kaohsiung” Art Fair, The Pier-2 Art Center, Kaohsiung, Taiwan</div>\n                <div>“Art Taipei 2020”, TWTC Hall 1, Capital Art Center, Taipei, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>“Seoul Art Expo 2019”, COEX, Gallery Iriya, Seoul, Korea</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Residencies</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>“Sanyi Wood Art Transmission Project”, Residency Program, Sanyi Wood Sculpture Museum, Miaoli, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>“Granary of All Things – Earth Festival Art Season”, Residency Program, Taitung, Taiwan</div>\n                <div>“Ōtawara City Institute of Art Residency Program”, Ōtawara City Institute of Art, Tochigi, Japan</div>\n                <div>“Banqiao 435 Art Zone Artist-in-Residence”, New Taipei City, Taiwan</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Awards</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>“Jié Bàn Harvest Festival – Solid Wood Carving Competition”, Third Prize</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>“The 7th International Miniature Sculpture Exhibition & Competition”, National Taiwan University of Arts, Gold Award</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>“College of Fine Arts Sculpture Exhibition, National Taiwan University of Arts”, Second Prize in Wood Carving</div>\n                <div>“International Woodcarving Competition”, Third Prize</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>“’Woodcarving Art Heritage Camp’ Sanyi Wood Sculpture Museum”, Outstanding Work Award</div>\n                <div>“’Embrace the Forest’ College Student Woodcarving Camp”, First Prize</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>Collections</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>Gaze and Legacy, Indigenous Peoples Cultural Development Center, Taoyuan City, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>Kurohane no Shimenawa, Ōtawara City Institute of Art, Japan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>Solemn Humanity – Innately Complete No. 5, Lihpao Cultural Arts Foundation, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>Solemn Humanity – Innately Complete No. 3, Department of Sculpture, National Taiwan University of Arts, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>Hopelessly Attached .., Sanyi Wood Sculpture Museum, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>Freedom in Reality, Sanyi Wood Sculpture Museum, Taiwan</div>\n                <div>Human and Monkey, Chiayi County Cultural and Tourism Bureau, Taiwan</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>Don’t Be Like That, Sanyi Wood Sculpture Museum, Taiwan</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', 'WU Yao-Ting', '', 'publish', 'closed', 'closed', '', 'wu-yao-ting-2', '', '', '2025-07-20 10:57:13', '2025-07-20 02:57:13', '', 0, 'http://scp.ntua.edu.tw/?p=229410', 0, 'post', '', 0),
(229414, 1, '2025-06-01 17:50:48', '2025-06-01 09:50:48', '<!-- wp:paragraph -->\n<p>研究専門｜ 木彫</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>1992</strong> 台湾‧台東生まれ<br><strong>2018</strong> 国立台湾芸術大学 彫刻学科 修士課程修了<br><strong>2018-2023</strong> 板橋435芸文特区にてアーティスト‧イン‧レジデンス<br><strong>2022-2023</strong> Xue Xue実験教育機構にて基礎彫刻創作の講師を務める</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>学歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>国立台湾芸術大学 彫刻学科 修士</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>国立台湾芸術大学 彫刻学科 学士</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>個展</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>「若水」個展、首都芸術センター、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>「潛安」Trendsウィンドウ個展、微風信義、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>「人間荘厳」個展、麗寶文化芸術基金会、台北、台湾</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>グループ展</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2025</td>\n            <td>\n                <div>「蛇發蛇 GOOD」干支テーマ小型木彫展、三義木彫博物館、苗栗、台湾</div>\n                <div>「玲瓏集：国際彫刻展」、多納芸術、台北、台湾</div>\n                <div>「紋新雕龍」干支テーマ小型木彫展、三義木彫博物館、苗栗、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>「バンコク‧デザイン‧ウィーク：現代木彫グループ展」、CAM+、バンコク、タイ</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>「夯兔大展」木彫グループ展、三義木彫博物館、苗栗、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>「手で見る世界」グループ展、板橋435芸文特区、新北市、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>「New Normal―パンデミック後の日常」グループ展、板橋435芸文特区、新北市、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「三義木藝伝習計画」アーティスト‧イン‧レジデンス、三義木彫博物館、苗栗、台湾</div>\n                <div>「刓無缺―現代具象木彫展」、首都芸術センター、台北、台湾</div>\n                <div>「打撈」三人展、福溢画廊、高雄、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>「藝術家94狂」大型木彫ライブパフォーマンス、板橋435芸文特区、台北、台湾</div>\n                <div>「清邁デザイン‧ウィーク」グループ展、清邁芸術文化センター、タイ</div>\n                <div>「森態―アジア太平洋木彫芸術交流展」、三義木彫博物館、苗栗、台湾</div>\n                <div>「浪潮－台湾具象木彫芸術50年」展、麗寶文化芸術基金会／三義木彫博物館、台北、台湾</div>\n                <div>「大田原市芸術研究所第5回シューズボックス展」、栃木県大田原市芸術研究所、日本</div>\n                <div>「豬事如藝」旧正月小品展、東籬画廊、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>「萬物糧倉‧大地慶典」芸術季アーティスト‧イン‧レジデンス、台東、台湾</div>\n                <div>「大田原市芸術研究所レジデンス」、栃木県大田原市芸術研究所、日本</div>\n                <div>「蓋婭の物語」木彫グループ展、心動芸術空間、台北、台湾</div>\n                <div>「狗來賦」旧正月展、東籬画廊、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>「彫刻五七五展」、女子美術大学美術館、神奈川県、日本</div>\n                <div>「雲想藝―台湾の金属／木質彫刻新人展」、雲清芸術センター、台北、台湾</div>\n                <div>「台湾文化創意芸術博覧会：変身」展、大里ソフトウェアパーク、台中、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>「新進芸術家育成交流展」、筑波大学、茨城、日本</div>\n                <div>「雲端集瑞」彫刻グループ展、雲清芸術センター、台北、台湾</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>アートフェア</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2025</td>\n            <td>\n                <div>「One Art Taipei 2025」、首都芸術センター、JR東日本ホテル台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2023</td>\n            <td>\n                <div>「台北国際アートフェア」、台北、台湾</div>\n                <div>「台中アートフェア」、台中、台湾</div>\n                <div>「One Art Taipei 2023」、首都芸術センター、JR東日本ホテル台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>「2022台北国際アートフェア」、首都芸術センター、台北世界貿易センター、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>「2021高雄アートフェア」、駁二芸術特区、高雄、台湾</div>\n                <div>「2021台北国際アートフェア」、首都芸術センター、台北世界貿易センター、台北、台湾</div>\n                <div>「2021台南アートフェア」、首都芸術センター、遠東シャングリ‧ラホテル、台南、台湾</div>\n                <div>「One Art Taipei 2021」、首都芸術センター、西華ホテル、台北、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「2020台北国際アートフェア」、首都芸術センター、台北世界貿易センター、台北、台湾</div>\n                <div>「高雄漾アートフェア」、駁二芸術特区、高雄、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>「2019 Seoul Art Expo」、いりや画廊、COEX、ソウル、韓国</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>アーティスト‧イン‧レジデンス</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「三義木藝伝習計画」、三義木彫博物館、苗栗、台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>「萬物糧倉‧大地慶典」芸術季、台東、台湾</div>\n                <div>「大田原市芸術研究所レジデンス」、栃木県、日本</div>\n                <div>「435芸文特区 アーティスト‧イン‧レジデンス」、板橋、新北市、台湾</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>受賞歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>「捷伴豐年祭 原木彫刻コンテスト」第3位</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>「国立台湾芸術大学第7回国際ミニチュア彫刻展」金賞</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>「国立台湾芸術大学 美術学院彫刻展」木彫部門 第2位</div>\n                <div>「国際木彫コンテスト」第3位</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>「三義木彫博物館 木彫芸術継承キャンプ」優秀創作賞</div>\n                <div>「森情擁抱 大学生木彫キャンプ」第1位</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>作品収蔵</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>《凝視‧伝承》，桃園市原住民族行政局，台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>《黒羽の〆縄》，大田原市芸術研究所，日本</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>《人間荘厳–本自具足五》，麗寶文化芸術基金会，台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>《人間荘厳–本自具足三》，国立台湾芸術大学 彫刻学科，台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2014</td>\n            <td>\n                <div>《無法自拔的..》，三義木彫博物館，台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2013</td>\n            <td>\n                <div>《現実中的自由》，三義木彫博物館，台湾</div>\n                <div>《人猴》，嘉義県政府文化観光局，台湾</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2012</td>\n            <td>\n                <div>《不要這樣》，三義木彫博物館，台湾</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', '吳耀庭 WU Yao-Ting', '', 'publish', 'closed', 'closed', '', '%e5%90%b3%e8%80%80%e5%ba%ad-wu-yao-ting-2', '', '', '2025-07-20 11:02:52', '2025-07-20 03:02:52', '', 0, 'http://scp.ntua.edu.tw/?p=229414', 0, 'post', '', 0),
(229415, 1, '2025-06-02 17:52:08', '2025-06-02 09:52:08', '<!-- wp:paragraph -->\n<p>1992年 台湾‧台北生まれ</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<h3>学歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2013年</td>\n            <td>\n                <div>国立台湾芸術大学 彫刻学科 学士</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016年</td>\n            <td>\n                <div>国立台湾芸術大学 彫刻学科 修士</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>経歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2023年～現在</td>\n            <td>\n                <div>国立台湾芸術大学 非常勤講師</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019年～2020年</td>\n            <td>\n                <div>私立復興商工高校 非常勤講師</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019年～2021年</td>\n            <td>\n                <div>板橋435芸文特区 アーティスト‧イン‧レジデンス（国立台湾芸術大学 彫刻学科 修士課程）</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>展覧会歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2024</td>\n            <td>\n                <div>「WHEN YOU SEE IT」 個展、C Square Gallery</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2022</td>\n            <td>\n                <div>「HAND IN HAND, DO NOT FOLLOW ME」 個展、元象芸術</div>\n                <div>「Art for art\'s sake―無条件飢餓」 グループ展、首都芸術センター</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>「啟新動念之扭轉時空」 グループ展、国璽芸術</div>\n                <div>「清‧新世代 II－生命境況」 グループ展、清風画廊</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>「老派地陳腔裡沒有濫調」 二人展（江基と共同）、靜慮画廊</div>\n                <div>「天才、幸運児、与辺縁人」 個展、麗寶文化芸術基金会 彩雲芸術空間</div>\n                <div>「我が家の馬はつながれていない」 個展、YIRI ART</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>「Art Future 藝術未來」 YIRI ARTS & 神旺大飯店</div>\n                <div>「朱銘美術館コレクション特別展－人と鏡の関係」 朱銘美術館</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>「常寂」 彫刻三人展（呂文、林辰勳、黄明鍾） 大美無言芸術空間</div>\n                <div>「安逸の時代に眠る」 個展、北投久號（正大集団）</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>「足跡暫留の風景」 個展、金車文教基金会</div>\n                <div>「ポーズする」 個展、台北市中山路二段</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>「彩雲間－2016彫刻計画展」 朝代画廊</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>「大内芸術祭－不眠の住処」 青雲画廊</div>\n                <div>「般若」 彫刻三人展（王挺宇、林辰勳、孫柏峰） 大美無言芸術空間</div>\n                <div>「あなた‧私‧彼」 個展、麗寶文化芸術基金会 彩雲芸廊</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>受賞歴</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2021</td>\n            <td>\n                <div>台中市第26回大墩美展 彫刻部門：第1位</div>\n                <div>第5回麗寶国際彫刻ビエンナーレ：佳作</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>苗栗美展 彫刻部門：第1位‧貓裏賞</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>新北市美展 彫刻部門：第1位‧新北賞</div>\n                <div>第4回麗寶国際彫刻ビエンナーレ：佳作</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2018</td>\n            <td>\n                <div>苗栗美展 彫刻部門：第1位‧貓裏賞</div>\n                <div>台中市第23回大墩美展 彫刻部門：第2位</div>\n                <div>嘉義市第22回桃城美展 彫刻部門：第2位</div>\n                <div>全国美術展 彫刻部門：銅賞‧無審査賞</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>台中市第22回大墩美展 彫刻部門：第1位‧大墩賞</div>\n                <div>全国美術展 彫刻部門：金賞</div>\n                <div>桃源美展 彫刻部門：佳作</div>\n                <div>国立台湾芸術大学有章芸術博物館：コレクション賞</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>奇美芸術賞 具象美術部門：奇美芸術賞</div>\n                <div>全国美術展 彫刻部門：銀賞</div>\n                <div>台陽美展 彫刻部門：優秀賞</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>新北市美展 彫刻部門：優秀賞</div>\n                <div>奇美芸術賞 具象美術部門：奇美芸術賞</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n\n<h3>コレクション記録</h3>\n<table>\n    <tbody>\n        <tr>\n            <td>2020</td>\n            <td>\n                <div>国立台湾美術館：「もし牧羊犬がいなかったら」</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2019</td>\n            <td>\n                <div>新北市政府文化局：「雲」</div>\n                <div>国立台湾美術館：「静かにあなたの話を聞く」</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2017</td>\n            <td>\n                <div>台中市政府文化局：「限像2－色空‧染寂」</div>\n                <div>国立台湾芸術大学有章芸術博物館：「限像」</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2016</td>\n            <td>\n                <div>大美無言芸術空間：「型釈2－本質」、「型釈3－退変」</div>\n                <div>台南奇美博物館：「七匹の子羊」</div>\n            </td>\n        </tr>\n        <tr>\n            <td>2015</td>\n            <td>\n                <div>台南奇美博物館：「私と私、君と君」</div>\n            </td>\n        </tr>\n    </tbody>\n</table>\n<!-- /wp:html -->', '林辰勳 LIN Chen-Shun', '', 'publish', 'closed', 'closed', '', '%e6%9e%97%e8%be%b0%e5%8b%b3-lin-chen-shun-2', '', '', '2025-07-20 11:02:59', '2025-07-20 03:02:59', '', 0, 'http://scp.ntua.edu.tw/?p=229415', 0, 'post', '', 0);
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(229421, 1, '2025-07-11 09:52:59', '2025-07-11 01:52:59', '<h2>\n                Full-time Faculty                    </h2>\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229328.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/個人照_劉俊蘭.jpg\" srcset=\"\" sizes=\"(max-width: 120px) 100vw, 120px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229328.html\">\n					劉俊蘭 LIU Chun-Lan				</a>\n			</h4>\n			<small>最終学歴｜フランス・パリ＝ソルボンヌ第四大学（Sorbonne-Paris IV）美術史博士<br>\nメール｜liucl@ntua.edu.tw<br>\n電話｜+886-2-2272-2181 内線2130</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229329.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/賴永興_ed.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/賴永興_ed.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/賴永興_ed-300x300.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/賴永興_ed-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/賴永興_ed-200x200.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/賴永興_ed-500x500.jpg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229329.html\">\n					賴永興 LAI Yun-Hsin				</a>\n			</h4>\n			<small>最終学歴｜日本金沢美術工芸大学 芸術博士<br>\nメール｜laieisin@ntua.edu.tw<br>\n電話｜+886222722181 内線2136\n</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229330.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_劉柏村.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_劉柏村.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_劉柏村-300x300.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_劉柏村-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_劉柏村-768x768.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_劉柏村-200x200.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_劉柏村-500x500.jpg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229330.html\">\n					劉柏村 LIU Po-Chun				</a>\n			</h4>\n			<small>最終学歴｜フランス国立パリ高等美術学校 彫刻科 修士<br>\nメール｜t0145@ntua.edu.tw<br>\n電話｜+886-2-2272-2181 ext.2139</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229331.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_宋璽德-1024x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_宋璽德-1024x1024.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_宋璽德-300x300.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_宋璽德-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_宋璽德-768x768.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_宋璽德-1536x1536.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_宋璽德-2048x2048.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_宋璽德-200x200.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_宋璽德-1920x1920.jpg 1920w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_宋璽德-500x500.jpg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229331.html\">\n					宋璽德 SUNG Hsi-Te				</a>\n			</h4>\n			<small>最終学歴｜ 日本国立東京藝術大学 美術研究科 デザイン専攻 博士<br>\nメール｜ t0360@ntua.edu.tw<br>\n電話｜ +886-2-2272-2181 内線2140<br>\n研究専門｜金属</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229332.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/劉千瑋_ed.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/劉千瑋_ed.jpg 960w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/劉千瑋_ed-300x300.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/劉千瑋_ed-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/劉千瑋_ed-768x768.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/劉千瑋_ed-200x200.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/劉千瑋_ed-500x500.jpg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229332.html\">\n					劉千瑋 LIU Chien-Wei				</a>\n			</h4>\n			<small>最終学歴｜ドイツ国立ドレスデン芸術大学 マイスターシューラー課程修了<br>\nメール｜chienwei@ntua.edu.tw<br>\n電話｜+886-2-2272-2181 ext.2138</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229333.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/游崴_ed.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/游崴_ed.jpg 182w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/游崴_ed-150x150.jpg 150w\" sizes=\"(max-width: 182px) 100vw, 182px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229333.html\">\n					游崴 YU Wei				</a>\n			</h4>\n			<small>最終学歴｜ 英国ロンドン大学バークベック校 人文学および文化研究 博士<br>\nメール｜ weiyu@ntua.edu.tw<br>\n電話｜+886-2-2272-2181 ext.2141<br>\n研究専門｜現代美術／キュレーション／美術批評／戦後台湾美術史</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229334.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_詹士泰.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_詹士泰.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_詹士泰-300x300.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_詹士泰-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_詹士泰-768x768.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_詹士泰-200x200.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_詹士泰-500x500.jpg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229334.html\">\n					詹士泰 CHAN Shih-Tai				</a>\n			</h4>\n			<small>最終学歴｜イタリア・カッラーラ美術学院 視覚芸術彫刻科<br>\nメール｜zan1004@ntua.edu.tw<br>\n電話｜+886-2-2272-2181 ext.2141<br>\n研究専門｜視覚芸術／彫刻</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229335.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/個人照_邱承宏.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/個人照_邱承宏.jpg 563w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/個人照_邱承宏-291x300.jpg 291w\" sizes=\"(max-width: 563px) 100vw, 563px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229335.html\">\n					邱承宏 Chen-Hung CHIU				</a>\n			</h4>\n			<small>国立台湾芸術大学 造形芸術研究科 彫刻専攻 修士（芸術学）<br>\nchiuchenhung@ntua.edu.tw<br>\n+886-2-2272-2181 内線2137<br>\n研究専門｜彫刻／インスタレーション</small>		\n    <h2>\n                Adjunct Faculty                    </h2>\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229377.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_陳銘.jpg\" srcset=\"\" sizes=\"(max-width: 120px) 100vw, 120px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229377.html\">\n					陳銘 CHEN Ming				</a>\n			</h4>\n			<small>最終学歴｜スペイン バルセロナ「LLOTJA」芸術学院 陶芸科</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229378.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_楊北辰.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_楊北辰.jpg 440w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_楊北辰-285x300.jpg 285w\" sizes=\"(max-width: 440px) 100vw, 440px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229378.html\">\n					楊北辰 YANG Pei-Chen				</a>\n			</h4>\n			<small>最終学歴｜スペイン‧バレンシア大学 現代彫刻芸術研究所 博士課程修了</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229386.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_楊衍畇.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_楊衍畇.jpg 740w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_楊衍畇-300x300.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_楊衍畇-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_楊衍畇-200x200.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_楊衍畇-500x500.jpg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229386.html\">\n					楊衍畇 YANG Yunnia				</a>\n			</h4>\n			<small>最高学歴｜国立台湾師範大学 美術研究所 博士</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229385.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃慕怡-1-970x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃慕怡-1-970x1024.jpg 970w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃慕怡-1-284x300.jpg 284w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃慕怡-1-768x811.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃慕怡-1.jpg 1024w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229385.html\">\n					黃慕怡 HUANG Mu-Yi				</a>\n			</h4>\n			<small>最終学歴｜ 国立台湾師範大学 美術研究科 博士課程修了</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229384.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_劉國勝.jpg\" srcset=\"\" sizes=\"(max-width: 100px) 100vw, 100px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229384.html\">\n					劉國勝 LIOU Kuo-Sheng				</a>\n			</h4>\n			<small>最終学歴｜国立台湾芸術大学 造形芸術研究科 修士</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229383.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_陳右昇.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_陳右昇.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_陳右昇-300x300.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_陳右昇-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_陳右昇-768x768.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_陳右昇-200x200.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_陳右昇-500x500.jpg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229383.html\">\n					陳右昇 CHEN Yu-Sheng				</a>\n			</h4>\n			<small>最高學歷｜國立台南藝術大學造形藝術研究所碩士<br>\n研究専門｜金属／造形／ミクストメディア</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229382.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_吳俊學.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_吳俊學.jpg 281w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_吳俊學-268x300.jpg 268w\" sizes=\"(max-width: 281px) 100vw, 281px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229382.html\">\n					吳俊學 WU Chun-Hsueh				</a>\n			</h4>\n			<small>最終学歴｜ロシア・サンクトペテルブルク帝国美術アカデミー 油絵科 修士</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229381.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林宗龍.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林宗龍.jpg 247w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林宗龍-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林宗龍-200x200.jpg 200w\" sizes=\"(max-width: 247px) 100vw, 247px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229381.html\">\n					林宗龍 LIN Tsung-Lung				</a>\n			</h4>\n			<small>最終学歴｜国立台湾芸術大学 彫刻研究科 修士課程修了</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229380.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_邢力云.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_邢力云.jpg 828w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_邢力云-272x300.jpg 272w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_邢力云-768x846.jpg 768w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229380.html\">\n					邢力云 HSING Li-Yun				</a>\n			</h4>\n			<small>最終学歴｜アメリカ‧カリフォルニア州サンフランシスコ芸術大学 ジュエリーおよび金属工芸 修士<br>\n研究専門｜金属彫刻／金属工芸</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229379.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃冠崴.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃冠崴.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃冠崴-300x300.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃冠崴-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃冠崴-768x768.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃冠崴-200x200.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃冠崴-500x500.jpg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229379.html\">\n					黃冠崴 HUANG Guan-Wei				</a>\n			</h4>\n			<small>最終学歴｜国立台北芸術大学 美術学系 修士</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229415.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林辰勳-1024x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林辰勳-1024x1024.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林辰勳-300x300.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林辰勳-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林辰勳-768x768.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林辰勳-1536x1536.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林辰勳-2048x2048.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林辰勳-200x200.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林辰勳-1920x1920.jpg 1920w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林辰勳-500x500.jpg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229415.html\">\n					林辰勳 LIN Chen-Shun				</a>\n			</h4>\n			<small>最終学歴｜国立台湾芸術大学 彫刻研究科 修士課程修了</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229414.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_吳耀庭.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_吳耀庭.jpg 959w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_吳耀庭-300x300.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_吳耀庭-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_吳耀庭-768x768.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_吳耀庭-200x200.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_吳耀庭-500x500.jpg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229414.html\">\n					吳耀庭 WU Yao-Ting				</a>\n			</h4>\n			<small>最終学歴｜ 国立台湾芸術大学 彫刻研究科 修士課程修了\n</small>		\n    <h2>\n                Retired Faculty                    </h2>\n		<h3 style=\"margin-bottom: unset;\">WEI Tao-Huei Adjunct Associate Professor</h3>		\n    <h2>\n                Department Office                    </h2>\n		<h3 style=\"margin-bottom: unset;\">HSU Zi-Fan Student Affairs, General Affairs</h3>\nEmail: <a href=\"mailto:zifan@ntua.edu.tw\">zifan@ntua.edu.tw</a>\nPhone: <a href=\"tel:+886222722181\">02-2272-2181</a> ext.2132<h3 style=\"margin-bottom: unset;\">WU Tzu-Ling Academic Affairs, Personnel</h3>\nEmail: <a href=\"mailto:tziling@ntua.edu.tw\">tziling@ntua.edu.tw</a>\nPhone: <a href=\"tel:+886222722181\">02-2272-2181</a> ext.2131', 'Faculty &amp; Staff', '', 'publish', 'closed', 'closed', '', 'faculty-staff', '', '', '2025-10-09 19:09:09', '2025-10-09 11:09:09', '', 0, 'http://scp.ntua.edu.tw/?page_id=229421', 0, 'page', '', 0),
(229422, 1, '2025-07-11 09:53:33', '2025-07-11 01:53:33', '<h2>\n                專任老師                    </h2>\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229328.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/個人照_劉俊蘭.jpg\" srcset=\"\" sizes=\"(max-width: 120px) 100vw, 120px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229328.html\">\n					劉俊蘭 LIU Chun-Lan				</a>\n			</h4>\n			<small>最終学歴｜フランス・パリ＝ソルボンヌ第四大学（Sorbonne-Paris IV）美術史博士<br>\nメール｜liucl@ntua.edu.tw<br>\n電話｜+886-2-2272-2181 内線2130</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229329.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/賴永興_ed.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/賴永興_ed.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/賴永興_ed-300x300.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/賴永興_ed-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/賴永興_ed-200x200.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/賴永興_ed-500x500.jpg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229329.html\">\n					賴永興 LAI Yun-Hsin				</a>\n			</h4>\n			<small>最終学歴｜日本金沢美術工芸大学 芸術博士<br>\nメール｜laieisin@ntua.edu.tw<br>\n電話｜+886222722181 内線2136\n</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229330.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_劉柏村.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_劉柏村.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_劉柏村-300x300.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_劉柏村-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_劉柏村-768x768.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_劉柏村-200x200.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_劉柏村-500x500.jpg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229330.html\">\n					劉柏村 LIU Po-Chun				</a>\n			</h4>\n			<small>最終学歴｜フランス国立パリ高等美術学校 彫刻科 修士<br>\nメール｜t0145@ntua.edu.tw<br>\n電話｜+886-2-2272-2181 ext.2139</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229331.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_宋璽德-1024x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_宋璽德-1024x1024.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_宋璽德-300x300.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_宋璽德-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_宋璽德-768x768.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_宋璽德-1536x1536.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_宋璽德-2048x2048.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_宋璽德-200x200.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_宋璽德-1920x1920.jpg 1920w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_宋璽德-500x500.jpg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229331.html\">\n					宋璽德 SUNG Hsi-Te				</a>\n			</h4>\n			<small>最終学歴｜ 日本国立東京藝術大学 美術研究科 デザイン専攻 博士<br>\nメール｜ t0360@ntua.edu.tw<br>\n電話｜ +886-2-2272-2181 内線2140<br>\n研究専門｜金属</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229332.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/劉千瑋_ed.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/劉千瑋_ed.jpg 960w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/劉千瑋_ed-300x300.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/劉千瑋_ed-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/劉千瑋_ed-768x768.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/劉千瑋_ed-200x200.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/劉千瑋_ed-500x500.jpg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229332.html\">\n					劉千瑋 LIU Chien-Wei				</a>\n			</h4>\n			<small>最終学歴｜ドイツ国立ドレスデン芸術大学 マイスターシューラー課程修了<br>\nメール｜chienwei@ntua.edu.tw<br>\n電話｜+886-2-2272-2181 ext.2138</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229333.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/游崴_ed.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/游崴_ed.jpg 182w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/游崴_ed-150x150.jpg 150w\" sizes=\"(max-width: 182px) 100vw, 182px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229333.html\">\n					游崴 YU Wei				</a>\n			</h4>\n			<small>最終学歴｜ 英国ロンドン大学バークベック校 人文学および文化研究 博士<br>\nメール｜ weiyu@ntua.edu.tw<br>\n電話｜+886-2-2272-2181 ext.2141<br>\n研究専門｜現代美術／キュレーション／美術批評／戦後台湾美術史</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229334.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_詹士泰.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_詹士泰.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_詹士泰-300x300.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_詹士泰-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_詹士泰-768x768.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_詹士泰-200x200.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_詹士泰-500x500.jpg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229334.html\">\n					詹士泰 CHAN Shih-Tai				</a>\n			</h4>\n			<small>最終学歴｜イタリア・カッラーラ美術学院 視覚芸術彫刻科<br>\nメール｜zan1004@ntua.edu.tw<br>\n電話｜+886-2-2272-2181 ext.2141<br>\n研究専門｜視覚芸術／彫刻</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229335.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/個人照_邱承宏.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/個人照_邱承宏.jpg 563w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/個人照_邱承宏-291x300.jpg 291w\" sizes=\"(max-width: 563px) 100vw, 563px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/full-time-faculty-jp/229335.html\">\n					邱承宏 Chen-Hung CHIU				</a>\n			</h4>\n			<small>国立台湾芸術大学 造形芸術研究科 彫刻専攻 修士（芸術学）<br>\nchiuchenhung@ntua.edu.tw<br>\n+886-2-2272-2181 内線2137<br>\n研究専門｜彫刻／インスタレーション</small>		\n    <h2>\n                兼任老師                    </h2>\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229377.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_陳銘.jpg\" srcset=\"\" sizes=\"(max-width: 120px) 100vw, 120px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229377.html\">\n					陳銘 CHEN Ming				</a>\n			</h4>\n			<small>最終学歴｜スペイン バルセロナ「LLOTJA」芸術学院 陶芸科</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229378.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_楊北辰.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_楊北辰.jpg 440w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_楊北辰-285x300.jpg 285w\" sizes=\"(max-width: 440px) 100vw, 440px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229378.html\">\n					楊北辰 YANG Pei-Chen				</a>\n			</h4>\n			<small>最終学歴｜スペイン‧バレンシア大学 現代彫刻芸術研究所 博士課程修了</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229386.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_楊衍畇.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_楊衍畇.jpg 740w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_楊衍畇-300x300.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_楊衍畇-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_楊衍畇-200x200.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_楊衍畇-500x500.jpg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229386.html\">\n					楊衍畇 YANG Yunnia				</a>\n			</h4>\n			<small>最高学歴｜国立台湾師範大学 美術研究所 博士</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229385.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃慕怡-1-970x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃慕怡-1-970x1024.jpg 970w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃慕怡-1-284x300.jpg 284w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃慕怡-1-768x811.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃慕怡-1.jpg 1024w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229385.html\">\n					黃慕怡 HUANG Mu-Yi				</a>\n			</h4>\n			<small>最終学歴｜ 国立台湾師範大学 美術研究科 博士課程修了</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229384.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_劉國勝.jpg\" srcset=\"\" sizes=\"(max-width: 100px) 100vw, 100px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229384.html\">\n					劉國勝 LIOU Kuo-Sheng				</a>\n			</h4>\n			<small>最終学歴｜国立台湾芸術大学 造形芸術研究科 修士</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229383.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_陳右昇.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_陳右昇.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_陳右昇-300x300.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_陳右昇-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_陳右昇-768x768.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_陳右昇-200x200.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_陳右昇-500x500.jpg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229383.html\">\n					陳右昇 CHEN Yu-Sheng				</a>\n			</h4>\n			<small>最高學歷｜國立台南藝術大學造形藝術研究所碩士<br>\n研究専門｜金属／造形／ミクストメディア</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229382.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_吳俊學.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_吳俊學.jpg 281w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_吳俊學-268x300.jpg 268w\" sizes=\"(max-width: 281px) 100vw, 281px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229382.html\">\n					吳俊學 WU Chun-Hsueh				</a>\n			</h4>\n			<small>最終学歴｜ロシア・サンクトペテルブルク帝国美術アカデミー 油絵科 修士</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229381.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林宗龍.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林宗龍.jpg 247w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林宗龍-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林宗龍-200x200.jpg 200w\" sizes=\"(max-width: 247px) 100vw, 247px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229381.html\">\n					林宗龍 LIN Tsung-Lung				</a>\n			</h4>\n			<small>最終学歴｜国立台湾芸術大学 彫刻研究科 修士課程修了</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229380.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_邢力云.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_邢力云.jpg 828w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_邢力云-272x300.jpg 272w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_邢力云-768x846.jpg 768w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229380.html\">\n					邢力云 HSING Li-Yun				</a>\n			</h4>\n			<small>最終学歴｜アメリカ‧カリフォルニア州サンフランシスコ芸術大学 ジュエリーおよび金属工芸 修士<br>\n研究専門｜金属彫刻／金属工芸</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229379.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃冠崴.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃冠崴.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃冠崴-300x300.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃冠崴-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃冠崴-768x768.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃冠崴-200x200.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_黃冠崴-500x500.jpg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229379.html\">\n					黃冠崴 HUANG Guan-Wei				</a>\n			</h4>\n			<small>最終学歴｜国立台北芸術大学 美術学系 修士</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229415.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林辰勳-1024x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林辰勳-1024x1024.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林辰勳-300x300.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林辰勳-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林辰勳-768x768.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林辰勳-1536x1536.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林辰勳-2048x2048.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林辰勳-200x200.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林辰勳-1920x1920.jpg 1920w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_林辰勳-500x500.jpg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229415.html\">\n					林辰勳 LIN Chen-Shun				</a>\n			</h4>\n			<small>最終学歴｜国立台湾芸術大学 彫刻研究科 修士課程修了</small>		\n	<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229414.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_吳耀庭.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_吳耀庭.jpg 959w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_吳耀庭-300x300.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_吳耀庭-150x150.jpg 150w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_吳耀庭-768x768.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_吳耀庭-200x200.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2025/07/個人照_吳耀庭-500x500.jpg 500w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/ja/faculty-jp/adjunct-faculty-jp/229414.html\">\n					吳耀庭 WU Yao-Ting				</a>\n			</h4>\n			<small>最終学歴｜ 国立台湾芸術大学 彫刻研究科 修士課程修了\n</small>		\n		<h2>退休老師</h2>\n<h3 style=\"margin-bottom: unset;\">魏道慧 WEI Tao-Huei 兼任准教授</h3><h2>系辦成員</h2><h3 style=\"margin-bottom: unset;\">徐子凡 HSU Zi-Fan 事務補助員｜学務・総務</h3>\nEmail: <a href=\"mailto:zifan@ntua.edu.tw\">zifan@ntua.edu.tw</a>\nPhone: <a href=\"tel:+886222722181\">02-2272-2181</a> ext.2132<h3 style=\"margin-bottom: unset;\">巫姿陵 WU Tzu-Ling 事務職員｜教務・人事</h3>\nEmail: <a href=\"mailto:zifan@ntua.edu.tw\">zifan@ntua.edu.tw</a>\nPhone: <a href=\"tel:+886222722181\">02-2272-2181</a> ext.2132', '教職員紹介', '', 'publish', 'closed', 'closed', '', 'faculty-staff-jp', '', '', '2025-10-09 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(229433, 1, '2025-10-09 20:35:16', '2025-07-11 01:56:41', '', 'About', '', 'publish', 'closed', 'closed', '', 'about-the-department', '', '', '2025-10-09 20:35:16', '2025-10-09 12:35:16', '', 0, 'http://scp.ntua.edu.tw/?p=229433', 12, 'nav_menu_item', '', 0),
(229434, 1, '2025-10-09 20:35:16', '2025-07-11 01:56:41', ' ', '', '', 'publish', 'closed', 'closed', '', '229434', '', '', '2025-10-09 20:35:16', '2025-10-09 12:35:16', '', 0, 'http://scp.ntua.edu.tw/?p=229434', 14, 'nav_menu_item', '', 0),
(229435, 1, '2025-07-11 09:58:38', '2025-07-11 01:58:38', '<!-- wp:paragraph -->\n<p><strong>1. Department Mission and Educational Objectives</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>To provide fundamental knowledge and professional skills in sculpture.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>To cultivate talents in contemporary sculptural art creation.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>To integrate the cultural and artistic characteristics of East and West, expanding the stage for sculptural creativity.</li>\n<!-- /wp:list-item --></ul>\n<!-- /wp:list -->\n\n<!-- wp:paragraph -->\n<p><strong>2. Department History of Sculpture</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The modernization of sculpture in Taiwan can be traced back to the early 20th century, beginning with Huang Tu-Shui (1895–1930), who studied modern sculpture in Japan. Although his promising career was cut short, his works left a significant legacy. Over time, others also studied abroad and returned to Taiwan, but due to the absence of sculpture programs in local schools, they had limited opportunities to pass on their knowledge.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In 1962, the National Academy of Arts established the Department of Fine Arts, which included three divisions: Chinese Painting, Western Painting, and Sculpture. By 1967, Sculpture became an independent division, marking the formal beginning of academic sculpture education in Taiwan. In 1994, the institution was upgraded to an academy, and in 2001, it became a university. That same year, a graduate institute of sculpture was established, making it the only higher education institution in Taiwan to offer a specialized program in sculpture. Over nearly six decades, the department has nurtured nearly a thousand sculptural talents.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Early sculpture education in Taiwan was influenced by the academic system from mainland China, and key faculty members included Chiu Yun, Ho Ming-Chi, and Yang Yu-Yu. Influenced by Japanese and Western modern sculpture, they fostered the development of native Taiwanese sculptors. Faculty members such as Ho Hong-Hsiung, Ren Jau-Ming, Chen Chen-Huei, Wang Ching-Tai, Wei Dao-Hui, Kao Tsan-Hsing, and Yeh Jenn-Tsang remained at the school to teach. Some pursued further studies abroad and later returned to contribute to education, while others taught sculpture in vocational art schools, extending their influence across different levels of the Taiwanese art scene.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In the beginning, instruction focused primarily on modeling. Later, the curriculum expanded to include stone carving, wood carving, metalwork, and mixed media, forming the comprehensive teaching structure seen today. In recent years, the department has strengthened international exchanges and improved facilities and learning spaces. To cultivate sculptors with both critical thinking and technical skills, the faculty now includes not only practicing sculptors but also two sculpture theory instructors and one visiting professor, further enriching the teaching team.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>1962</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The Department of Fine Arts was established at the National Academy of Arts, offering three divisions: Chinese Painting, Western Painting, and Sculpture, with a three-year curriculum.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>1967</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The Sculpture Division was formally separated and established as an independent Department of Sculpture.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>1994</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The school was upgraded to the National Institute of the Arts, and the Department of Sculpture was restructured into a four-year undergraduate program, becoming the Department of Sculpture.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2000</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The Graduate Institute of Plastic Arts was established, comprising five divisions: Chinese Painting and Calligraphy, Western Painting, Visual Communication Design, Craft Design, and Sculpture.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2001</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The institution was renamed National Taiwan University of Arts. The Department of Sculpture became part of the College of Fine Arts, and remains the only university-level department in Taiwan focusing exclusively on sculpture.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2007</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The Master\'s program in Sculpture was officially established, completing the integration of undergraduate and graduate education within the department.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>3. Features of the Department of Sculpture</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Final Review System</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>To ensure objectivity and fairness in evaluating studio-based courses, a comprehensive assessment system is implemented.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>All final works for practical courses are reviewed collectively by the department’s faculty.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>External reviewers are invited for graduate-level critiques to provide diverse and professional perspectives.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Evaluation criteria include artistic quality, technical execution, and overall coherence. Graduate students must also present an oral defense.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Students are required to submit a statement of creative intent to strengthen the connection between thinking and making.</li>\n<!-- /wp:list-item --></ul>\n<!-- /wp:list -->\n\n<!-- wp:paragraph -->\n<p><strong>Intensive Course Schedule</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>Three 18-week, once-a-week courses are restructured into a 6-week intensive format, meeting three times a week.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>This model helps reduce end-of-semester stress while increasing focus and learning effectiveness.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>The compact schedule allows students to achieve more concentrated and clearly defined learning outcomes.</li>\n<!-- /wp:list-item --></ul>\n<!-- /wp:list -->\n\n<!-- wp:paragraph -->\n<p><strong>International Shoebox Sculpture Exhibition</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>A shoebox-sized sculpture exhibition is held every spring semester, featuring flexible formats and diverse themes.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Student competitions with awards and prize money are organized to encourage participation and creativity.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>The exhibition often tours domestically or is invited to commercial venues, expanding student exposure.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Faculty members and international partner institutions are also invited to exhibit, fostering global exchange.</li>\n<!-- /wp:list-item --></ul>\n<!-- /wp:list -->\n\n<!-- wp:paragraph -->\n<p><strong>Annual Exhibition</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>Held every fall semester, this joint faculty-student exhibition is a major platform for presenting creative achievements.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Large-scale sculptures form the main body of the exhibition, highlighting both teaching outcomes and student creativity.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>A student competition is also held with prizes and awards to support artistic practice.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Full-time and adjunct faculty, as well as alumni, are invited to participate, promoting intergenerational dialogue and professional exchange.</li>\n<!-- /wp:list-item --></ul>\n<!-- /wp:list -->\n\n<!-- wp:paragraph -->\n<p><strong>Studio-Based Learning System</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>The department provides multiple dedicated studios where students can focus on creative work in a safe environment.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Each studio is led by a faculty member specializing in a specific material, offering technical instruction and creative mentoring.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Inter-studio collaboration is encouraged to promote cross-disciplinary artistic practice.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>The studio system supports vertical knowledge transmission and peer-based horizontal learning.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Long-term collaboration helps students develop professionalism and ethical working habits.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>It also cultivates a strong sense of teamwork and deep creative bonds among peers.</li>\n<!-- /wp:list-item --></ul>\n<!-- /wp:list -->\n\n<!-- wp:paragraph -->\n<p><strong>4. Future Development Plans</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol class=\"wp-block-list\"><!-- wp:list-item -->\n<li>Strengthen both localized and international perspectives in the curriculum to establish a globally oriented foundation for sculpture education.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Actively promote domestic and international academic exchanges and exhibitions to deepen cross-cultural artistic collaboration.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Build a scholarly framework for sculpture in Taiwan, establishing key developmental directions and theoretical foundations for local sculptural practices.</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Continue cultivating contemporary sculptural artists with innovative thinking and strong practical skills.</li>\n<!-- /wp:list-item --></ol>\n<!-- /wp:list -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->', 'Department Overview', '', 'publish', 'closed', 'closed', '', 'department-overview', '', '', '2025-07-11 09:58:40', '2025-07-11 01:58:40', '', 0, 'http://scp.ntua.edu.tw/?page_id=229435', 0, 'page', '', 0);
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(229436, 1, '2025-07-11 09:59:18', '2025-07-11 01:59:18', '<!-- wp:paragraph -->\n<p><strong>1. </strong><strong>学科の理念と教育目標</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>彫刻に関する基礎知識と専門的な技術を教授すること。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>現代彫刻の創作に携わる人材を育成すること。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>東洋と西洋の文化芸術の特質を融合し、彫刻表現の舞台を広げること。</li>\n<!-- /wp:list-item --></ul>\n<!-- /wp:list -->\n\n<!-- wp:paragraph -->\n<p><strong>2. </strong><strong>彫刻学科の沿革</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>台湾における彫刻の近代化は20世紀初頭にさかのぼり、黄土水（1895～1930）が日本に渡り、近代彫刻を学んだことに始まります。彼は数々の作品を残し、後世に影響を与えましたが、若くして亡くなったのは惜しまれます。その後も留学帰国者は続きましたが、当時は各級学校に彫刻科が設けられておらず、彼らが教育に携わる機会は限られていました。</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>1962年、国立芸専に美術科が設置され、その中に国画、西洋画、彫刻の三専攻がありました。1967年には彫刻が独立した科となり、台湾における大学レベルの彫刻教育が本格的に始動しました。1994年に学院へ昇格、2001年には大学へ改組され、同時に彫刻学科の大学院も設立。台湾の高等教育において唯一の彫刻専門学科として今日まで発展してきました。創立からすでに60年近くが経過し、約千人の彫刻家を育成しています。</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>初期の彫刻教育は中国大陸の芸専体系に由来し、教師には丘雲、何明績、楊英風の三氏が中心でした。日本および西洋の近代彫刻の影響を受け、台湾独自の彫刻家たちを育成しました。何恆雄、任兆明、陳振輝、王慶臺、魏道慧、高燦興、葉振滄などの教員は学校に残り教育に尽力しました。一部は留学後、教育界に戻り、ある者は高等職業学校の美術工芸科で彫刻を教えるなど、台湾彫刻界の多方面で影響を与えました。</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>初期の教育内容は主に塑造（モデリング）を中心にしていましたが、その後、石彫、木彫、金属造形、複合メディアなどの専門分野が加わり、現在の教育体制が形成されました。近年では国際交流を強化し、設備や学習環境の整備にも力を入れています。思考力と技術力を兼ね備えた彫刻家を育成するため、創作を指導する教員のほかに、彫刻理論を専門とする教員2名と、客員教授1名を迎え、教育体制の充実を図っています。</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>1962年（民国51年）</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>国立芸術専科学校に美術科が設立され、中国画‧西洋画‧彫刻の三専攻で三年制課程の学生募集を開始。</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>1967年（民国56年）</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>彫刻専攻が正式に独立し、「彫刻科」として設置される。</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>1994年（民国83年）</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>本校が「国立芸術学院」に昇格し、彫刻科も四年制の「彫刻学系」へと改制される。</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2000年（民国89年）</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>「造形芸術研究所」が新設され、中国書画、西洋画、視覚伝達デザイン、工芸デザイン、彫刻の五つの創作分野が設置される。</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2001年（民国90年）</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>本校は「国立台湾芸術大学」に改称され、彫刻学系は美術学院に所属。台湾において唯一、彫刻を専門とする大学教育機関となる。</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2007年（民国96年）</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>彫刻学系に修士課程が正式に設置され、学部と大学院の一体化が実現される。</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>3. </strong><strong>彫刻学系の特色</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>期末総審査制度</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>実技科目の評価における客観性と公正性を確保するため、充実した学習成果審査制度を整備しています。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>全ての実技科目の期末作品は、全教員による共同審査を実施しています。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>修士課程では外部審査員を招聘し、多角的かつ専門的な視点での審査を行います。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>評価基準には「芸術性」「技術性」「全体性」が含まれ、修士課程では口頭発表を通じた審査を実施します。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>学生は同時に創作理念を提出し、思考と創作の連動を強化します。</li>\n<!-- /wp:list-item --></ul>\n<!-- /wp:list -->\n\n<!-- wp:paragraph -->\n<p><strong>集中授業制度</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>従来の毎週1回、18週間にわたる3科目の授業を、各科目6週間内に週3回実施する集中形式へと再編成。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>学期末の負担を軽減し、学習への集中力と授業の効果を高めます。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>タイトなスケジュールにより、学習成果がより明確かつ効果的に得られます。</li>\n<!-- /wp:list-item --></ul>\n<!-- /wp:list -->\n\n<!-- wp:paragraph -->\n<p><strong>国際シューズボックス彫刻展</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>毎年春学期に開催される「シューズボックスサイズ」の彫刻展で、自由な形式と多様なテーマが特徴です。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>学生向けのコンペと賞金制度があり、創造力と参加意欲を促進します。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>展覧会はしばしば国内巡回展や商業展として開催され、学生作品の発表機会が広がります。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>学内教員や国内外の交流校の教員も出展し、国際的な交流の場を築いています。</li>\n<!-- /wp:list-item --></ul>\n<!-- /wp:list -->\n\n<!-- wp:paragraph -->\n<p><strong>年次展覧会</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>毎年秋学期に開催される教員と学生の合同展で、学系の重要な成果発表の場です。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>大型彫刻作品を中心に展示し、教育成果と学生の創作力を披露します。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>学生コンペと賞金制度も設けられ、創作実践を奨励しています。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>専任教員‧兼任教員‧卒業生が参加し、世代間の対話と専門交流を促進します。</li>\n<!-- /wp:list-item --></ul>\n<!-- /wp:list -->\n\n<!-- wp:paragraph -->\n<p><strong>工房制度</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:list -->\n<ul class=\"wp-block-list\"><!-- wp:list-item -->\n<li>学系には複数の専門工房があり、学生は安心して創作に集中できる環境が整っています。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>各工房には専任教員が配置され、特定素材に特化した技術指導と創作支援を行います。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>工房間の協働や交流も奨励され、領域横断的な創作精神を実践します。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>工房制度は、縦の経験継承と横の同輩間刺激を促進し、良好な学習循環を形成します。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>長期的な共同制作を通じて、職場倫理を遵守する習慣や態度が育まれます。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>チームワーク精神を養い、深い同輩間のつながりと創作への絆が築かれます。</li>\n<!-- /wp:list-item --></ul>\n<!-- /wp:list -->\n\n<!-- wp:paragraph -->\n<p><strong>4. </strong><strong>今後の発展計画</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol class=\"wp-block-list\"><!-- wp:list-item -->\n<li>カリキュラムのローカル性と国際性を強化し、グローバルな視野を備えた彫刻教育の基盤を構築する。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>国内外の学術交流および展覧活動を積極的に推進し、異文化間の芸術的協働を深化させる。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>台湾における彫刻の学術体系を構築し、地域彫刻の発展における主流と理論的基盤を確立する。</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>創造的思考と実践力を兼ね備えた現代彫刻の芸術人材を継続的に育成する。</li>\n<!-- /wp:list-item --></ol>\n<!-- /wp:list -->', '学科概要', '', 'publish', 'closed', 'closed', '', 'department-overview-jp', '', '', '2025-07-20 01:00:18', '2025-07-19 17:00:18', '', 0, 'http://scp.ntua.edu.tw/?page_id=229436', 0, 'page', '', 0),
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(229441, 1, '2025-07-12 00:38:23', '2025-07-11 16:38:23', '<h2>﻿Teaching Spaces</h2>\n<b>Sculpture Building</b>\n<ul>\n 	<li>4F: Drawing Classroom, First-Year Modeling Classroom</li>\n 	<li>3F: Modeling Studio, Second-Year Modeling Classroom</li>\n 	<li>2F: Mixed Media Studio, Graduate Classroom</li>\n 	<li>1F: Experimental Gallery, Multimedia Lecture Hall, Conference Room, Office</li>\n 	<li>B1: Ceramic Modeling Classroom, General Classroom, Metal Machinery Room</li>\n</ul>\n&nbsp;\n<b>Sculpture Workshop Building</b>\n<ul>\n 	<li>North: Metalworking Workshop</li>\n 	<li>Center: Wood Carving Workshop</li>\n 	<li>South: Stone Carving Workshop</li>\n</ul><h2>Teaching Equipment</h2>\n<b>Modeling Classrooms (3 rooms)</b>\nBust modeling stands, full-body modeling stands, model turntables, clay kneading machines\n&nbsp;\n<b>Drawing Classroom (1 room)</b>\nPlaster casts, easels, pedestals, track lighting, model turntable\n&nbsp;\n<b>Ceramic Modeling Classroom (1 room)</b>\nVacuum clay kneader, electric kiln, glazing machine, tile press, glaze grinder, clay kneader\n&nbsp;\n<b>Metalworking Workshop (1 room)</b>\nLifting and Environmental Equipment｜Overhead crane (Gantry crane), Air compressor, Dust collection system\nDrilling and Cutting Machines｜Vertical drill press, Circular saw, Electric jigsaw, Metal band saw, Plasma air cutter, Sheet metal shear, Hydraulic cutting machine\nForming Machines｜Bending machine (Edge bender), Pipe bender, Rolling machine\nWelding and Heating Equipment｜TIG welder (Argon welder), CO₂ welder, Arc welder, Oxy-acetylene torch\n&nbsp;\n<b>Wood Carving Workshop (1 room)</b>\nLifting and Environmental Equipment｜Overhead crane (Gantry crane), Electric forklift, Laser level\nCutting and Shaping Machines｜Multi-angle cutting machine, Panel saw, Scroll saw, Vertical band saw, Planer, Mortising machine, Wood lathe\nSanding and Finishing｜Belt sander\nHandheld Tools and Others｜Portable chainsaw, Drill press\n&nbsp;\n<b>Stone Carving Workshop (1 room)</b>\nLifting and Environmental Equipment｜Overhead crane (Gantry crane), Air compressor, Dust collection system\nCutting and Grinding Equipment｜Stone cutting machine, Sandblaster, Wet grinder, Cutting and polishing machine\nDrilling and Carving Tools｜Heavy-duty drill press, Cantilever-type drilling machine, Electric rotary hammer, Handheld rock drill', 'Studios and Facilities', '', 'publish', 'closed', 'closed', '', 'studios-and-facilities', '', '', '2025-07-12 00:46:12', '2025-07-11 16:46:12', '', 0, 'http://scp.ntua.edu.tw/?page_id=229441', 0, 'page', '', 0),
(229456, 1, '2025-07-12 00:46:57', '2025-07-11 16:46:57', '<h2>教育空間</h2>\n<b>彫刻棟</b>\n<ul>\n 	<li>4階: デッサン教室、1年生塑造教室</li>\n 	<li>3階: 塑造工房、2年生塑造教室</li>\n 	<li>2階: 複合メディア工房、大学院教室</li>\n 	<li>1階: 実験展示室、大視聴覚教室、会議室、事務室</li>\n 	<li>地下1階: 陶芸教室、総合教室、金属機械室</li>\n</ul>\n&nbsp;\n<b>彫刻大工房</b>\n<ul>\n 	<li>北側: 金属工房</li>\n 	<li>中央: 木彫工房</li>\n 	<li>南側: 石彫工房</li>\n</ul><h2>教學設備</h2>\n<b>塑造教室（3室）</b>\n胸像用回転台、全身像用回転台、モデル用回転台、粘土練機\n&nbsp;\n<b>デッサン教室（1室）</b>\n石膏像、イーゼル、台座、スポットライトレール、モデル用回転台\n&nbsp;\n<b>陶芸教室（1室）</b>\n真空式粘土練機、電気窯、施釉機、タイルプレス、釉薬研磨機、粘土練機\n&nbsp;\n<b>金属工房（1室）</b>\n搬送・環境設備｜固定式クレーン（天車）、空気圧縮機、集塵装置\n穴あけ・切断設備｜立型ボール盤、丸鋸機、電動ジグソー、金属用バンドソー、プラズマ切断機、金属板切断機、油圧式シャー\n成形設備｜ベンディングマシン、パイプベンダー、ローリングマシン\n溶接・接合設備｜TIG溶接機（アルゴン溶接）、CO₂溶接機、アーク溶接機（手動アーク）、酸素アセチレン溶接機\n&nbsp;\n<b>木彫工房（1室）</b>\n搬送・環境設備｜固定式クレーン（天車）、電動フォークリフト、レーザーレベル、空気圧縮機、集塵装置\n切断・加工設備｜多角度切断機（傾斜切断機）、パネルソー、糸鋸盤、縦型バンドソー、自動かんな盤、角ノミ盤、木工旋盤\n研磨・仕上げ設備｜ベルトサンダー、オービタルサンダー\nその他の設備｜携帯用チェーンソー、立型ボール盤\n&nbsp;\n<b>石彫工房（1室）</b>\n搬送・環境設備｜固定式クレーン（天車）、空気圧縮機、集塵装置\n切断・研磨設備｜石材切断機、サンドブラスター、水研磨機、切断・研磨機\n穴あけ・彫刻工具｜強力ボール盤、アーム型穴あけ機、電動ハンマードリル、手持ち式削岩機', '教育空間と設備', '', 'publish', 'closed', 'closed', '', 'studios-and-facilities-jp', '', '', '2025-07-12 00:52:40', '2025-07-11 16:52:40', '', 0, 'http://scp.ntua.edu.tw/?page_id=229456', 0, 'page', '', 0),
(229464, 1, '2025-10-09 20:35:40', '2025-07-11 16:53:05', ' ', '', '', 'publish', 'closed', 'closed', '', '229464', '', '', '2025-10-09 20:35:40', '2025-10-09 12:35:40', '', 0, 'http://scp.ntua.edu.tw/?p=229464', 20, 'nav_menu_item', '', 0),
(229465, 1, '2025-10-09 20:35:16', '2025-07-11 16:53:21', ' ', '', '', 'publish', 'closed', 'closed', '', '229465', '', '', '2025-10-09 20:35:16', '2025-10-09 12:35:16', '', 0, 'http://scp.ntua.edu.tw/?p=229465', 20, 'nav_menu_item', '', 0),
(229466, 1, '2025-02-25 01:17:57', '2025-02-24 17:17:57', '<!-- wp:paragraph -->\n<p>“Contemporary Art Lecture Series 2025” is coming soon! Featuring artists, scholars, and curators, this series delves into multiple facets of contemporary art, including artistic practice, curatorial research, public art, and technology-based art. All are welcome to enroll or attend!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Date｜ February 25 – June 3, 2025 (Tuesdays, 15:10–17:00)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Venue｜ Room 1002, Department of Sculpture, National Taiwan University of Arts</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>(No. 59, Sec. 1, Daguan Rd., Banqiao District, New Taipei City)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Moderators｜ LIU Chun-Lan, LIU Chien-Wei</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lecture Schedule｜<br>02/25 CHEN Hsi-An｜“Curation as Editing and Research”<br><br>03/04 WU Ta-Kun｜“Whose Art? Whose Future?”<br><br>03/11 CHEN Hsuan-Cheng｜“From Process to Form”<br><br>03/18 CHU Jui-Chi｜“You Are a Public Artist!”<br><br>03/25 LING Tsung-Ting｜“What Comes After Graduation: Linking Sculpture, Tech Art, and Society”<br><br>04/08 LUO Li-Chen｜“Becoming an Artist — Reflections on Experience at the Taipei Contemporary Art Museum”<br><br>04/15 LIN Mu-Cai｜“Film Curation as Art Practice: Reflections on the Taiwan International Documentary Festival”<br><br>04/22 FARKAS Roland｜“Artists Deserve a Day Lying and Gazing at the Sky” <br><br>04/29 HUANG Po-Chih｜“From Section 2, Zhongshan Road to No. 147, Qingshui Village”<br><br>05/06 HO Yen-Yen｜“Signs of Space”<br><br>05/13 LO Chih-Hsin｜“Styles of Creation: I Once Thought Studio Was My Only Outlet”<br><br>05/20 SHEN Yu-Chang｜“Materiality in Media Modalities”<br><br>05/27 CHANG Shih-Lun｜“Formal Issues in Photography”<br><br>06/03 LIN Hung-Chang｜“Curating in a Suitcase”</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Supervisor｜National Taiwan University of Arts, College of Fine Arts, National Taiwan University of Arts<br>Organizer｜Department of Sculpture, College of Fine Arts, National Taiwan University of Arts</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Follow us on Facebook and Instagram to stay updated on our latest lectures!Facebook｜https://www.facebook.com/share/1JWJLoLMd5/?mibextid=wwXIfr<br>Instagram｜https://www.instagram.com/ntua.sculpture.department?igsh=M2M5bHlkcmd2N3Rk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"lightbox\":{\"enabled\":true},\"id\":228322,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1024x724.jpg\" alt=\"\" class=\"wp-image-228322\"/></figure>\n<!-- /wp:image -->', 'Contemporary Art Lecture Series 2025', '', 'publish', 'open', 'open', '', 'contemporary-art-lecture-series-2025', '', '', '2025-07-20 01:08:09', '2025-07-19 17:08:09', '', 0, 'http://scp.ntua.edu.tw/?p=229466', 0, 'post', '', 0),
(229469, 1, '2025-02-25 01:20:25', '2025-02-24 17:20:25', '<!-- wp:paragraph -->\n<p>「2025現代芸術特別講座」がまもなく開講されます！本シリーズでは、アーティスト、学者、キュレーターを迎え、創作実践、キュレーション研究、パブリックアートからテクノロジーアートまで、現代芸術の多様な領域を探求します。履修または聴講どなたも歓迎です！</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>日程｜2025年2月25日-6月3日（毎週火曜 15:10-17:00）</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>会場｜国立台湾芸術大学 彫刻学科 選聴覚教室1002（新北市板橋区大観路一段59号）</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>司会｜劉俊蘭（LIU Chun-Lan）、劉千瑋（LIU Chien-Wei）</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>講座情報｜</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>02/25 陳璽安（CHEN Hsi-An）｜「策展としての編集と研究」</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>03/04 吳達坤（WU Ta-Kun）｜「誰の芸術？誰の未来？」</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>03/11 陳宣誠（CHEN Hsuan-Cheng）｜「プロセスから形へ」</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>03/18 褚瑞基（CHU Jui-Chi）｜「あなたは公共アーティストです！」</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>03/25 凌宗廷（LING Tsung-Ting）｜「卒業後なにができる？—彫刻、テクノアートと社会をつなぐ観察」</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>04/08 駱麗真（LUO Li-Chen）｜「アーティストになること—台北当代芸術館での経験を交えて」</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>04/15 林木材（LIN Mu-Cai）｜「映画キュレーションをアート実践として—台湾国際ドキュメンタリー映画祭を例に」</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>04/22 Roland FARKAS（ローランド・ファーカス）｜「アーティストも一日中空を眺める権利がある」&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>04/29 黃博志（HUANG Po-Chih）｜「中山路二段から清水里147号へ」</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>05/06 何彥諺（HO Yen-Yen）｜「空間の記号」</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>05/13 羅智信（LO Chih-Hsin）｜「創造の様式：かつてスタジオで情熱を解き放つことだけが私の全てだった」</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>05/20 沈裕昌（SHEN Yu-Chang）｜「メディアモダリティにおける素材主義」</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>05/27 張世倫（CHANG Shih-Lun）｜「写真の造形的問題」</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>06/03 林宏璋（LIN Hung-Chang）｜「スーツケースによるキュレーション」</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"/>\n<!-- /wp:separator -->\n\n<!-- wp:paragraph -->\n<p>指導機関｜国立台湾芸術大学、美術学部（国立台湾芸術大学）</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>主催｜国立台湾芸術大学美術学部彫刻学科</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>最新の講演情報をチェックするには、FacebookとInstagramで私たちをフォローしてください！</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Facebook｜https://www.facebook.com/share/1JWJLoLMd5/?mibextid=wwXIfr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Instagram｜https://www.instagram.com/ntua.sculpture.department?igsh=M2M5bHlkcmd2N3Rk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"lightbox\":{\"enabled\":true},\"id\":228322,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1024x724.jpg\" alt=\"\" class=\"wp-image-228322\"/></figure>\n<!-- /wp:image -->', '2025現代芸術特別講座', '', 'publish', 'closed', 'closed', '', '2025%e7%8f%be%e4%bb%a3%e8%8a%b8%e8%a1%93%e7%89%b9%e5%88%a5%e8%ac%9b%e5%ba%a7', '', '', '2025-07-20 01:06:07', '2025-07-19 17:06:07', '', 0, 'http://scp.ntua.edu.tw/?p=229469', 0, 'post', '', 0),
(229472, 1, '2025-07-12 01:23:29', '2025-07-11 17:23:29', '<a href=\"http://scp.ntua.edu.tw/announcements-zh/exhibition-announcement-zh-zh/228472.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-726x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-726x1024.jpg 726w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-213x300.jpg 213w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-768x1083.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-1089x1536.jpg 1089w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-1452x2048.jpg 1452w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed.jpg 1815w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2025-04-27\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/announcements-zh/exhibition-announcement-zh-zh/228472.html\">\n					《2025 臺藝大雕塑年度展》				</a>\n			</h4>\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/category/announcements-zh/exhibition-announcement-zh-zh\">展演發表</a>\n	<a href=\"http://scp.ntua.edu.tw/announcements-zh/competition-call-zh-zh/228476.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250417ed-906x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250417ed-906x1024.jpg 906w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250417ed-265x300.jpg 265w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250417ed-768x868.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250417ed.jpg 1125w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2025-04-17\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/announcements-zh/competition-call-zh-zh/228476.html\">\n					徵件開跑｜MIT新人推薦特區 2025				</a>\n			</h4>\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/category/announcements-zh/competition-call-zh-zh\">競賽徵件</a>\n	<a href=\"http://scp.ntua.edu.tw/announcements-zh/exhibition-announcement-zh-zh/228460.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250408aed-768x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250408aed-768x1024.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250408aed-225x300.jpg 225w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250408aed.jpg 1083w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2025-04-08\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/announcements-zh/exhibition-announcement-zh-zh/228460.html\">\n					《「在綠境的邊緣  Along these lines」洪雪寧個展》				</a>\n			</h4>\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/category/announcements-zh/exhibition-announcement-zh-zh\">展演發表</a>\n	<a href=\"http://scp.ntua.edu.tw/announcements-zh/academic-lectures-zh-zh/228321.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-1024x724.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-1024x724.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-300x212.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-768x543.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-1536x1087.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-2048x1449.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-1920x1358.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2025-02-25\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/announcements-zh/academic-lectures-zh-zh/228321.html\">\n					2025當代藝術專題講座				</a>\n			</h4>\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/category/announcements-zh/academic-lectures-zh-zh\">學術講座</a>\n	<a href=\"http://scp.ntua.edu.tw/announcements-zh/honor-roll-zh-zh/228533.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124f-1024x768.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124f-1024x768.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124f-300x225.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124f-768x576.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124f-1536x1152.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124f-2048x1536.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124f-1920x1440.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2025-01-24\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/announcements-zh/honor-roll-zh-zh/228533.html\">\n					賀！本系碩士班應屆畢業生 賴科維 榮獲「2025高雄獎 評審特別獎」				</a>\n			</h4>\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/category/announcements-zh/honor-roll-zh-zh\">榮譽榜</a>\n	<a href=\"http://scp.ntua.edu.tw/announcements-zh/honor-roll-zh-zh/228527.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124c-1024x768.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124c-1024x768.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124c-300x225.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124c-768x576.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124c.jpg 1136w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2025-01-24\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/announcements-zh/honor-roll-zh-zh/228527.html\">\n					賀！本系碩士班應屆畢業生 丘智偉 榮獲「2025高雄獎 首獎」				</a>\n			</h4>\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/category/announcements-zh/honor-roll-zh-zh\">榮譽榜</a>\n	<a href=\"http://scp.ntua.edu.tw/announcements-zh/honor-roll-zh-zh/228520.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124a-768x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124a-768x1024.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124a-225x300.jpg 225w, http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124a.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2025-01-24\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/announcements-zh/honor-roll-zh-zh/228520.html\">\n					賀！本系畢業校友 何宇森 榮獲「2025高雄獎 評審特別獎」				</a>\n			</h4>\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/category/announcements-zh/honor-roll-zh-zh\">榮譽榜</a>\n	<a href=\"http://scp.ntua.edu.tw/announcements-zh/exhibition-announcement-zh-zh/228398.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20251225a-1024x455.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20251225a-1024x455.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20251225a-300x133.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20251225a-768x341.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20251225a.jpg 1219w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2024-12-25\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/announcements-zh/exhibition-announcement-zh-zh/228398.html\">\n					《神豬會》				</a>\n			</h4>\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/category/announcements-zh/exhibition-announcement-zh-zh\">展演發表</a>\n	<a href=\"http://scp.ntua.edu.tw/announcements-zh/exhibition-announcement-zh-zh/228394.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-1024x723.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-1024x723.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-300x212.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-768x542.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-1536x1085.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-2048x1446.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-200x140.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-1920x1356.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2024-12-04\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/announcements-zh/exhibition-announcement-zh-zh/228394.html\">\n					《「銀河艦隊：Galácticos」——113學年度碩士生新生展》				</a>\n			</h4>\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/category/announcements-zh/exhibition-announcement-zh-zh\">展演發表</a>\n	<a href=\"http://scp.ntua.edu.tw/announcements-zh/honor-roll-zh-zh/228492.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/11/20241118b-724x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/11/20241118b-724x1024.jpg 724w, http://scp.ntua.edu.tw/wp-content/uploads/2024/11/20241118b-212x300.jpg 212w, http://scp.ntua.edu.tw/wp-content/uploads/2024/11/20241118b-768x1086.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2024/11/20241118b.jpg 842w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2024-11-18\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/announcements-zh/honor-roll-zh-zh/228492.html\">\n					賀！本系碩士班應屆畢業生 丘智偉 榮獲「2024世安美學獎 造型藝術類創作贊助」				</a>\n			</h4>\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/category/announcements-zh/honor-roll-zh-zh\">榮譽榜</a>\n<button>Load MoreLoading</button>', 'Announcements', '', 'publish', 'closed', 'closed', '', 'announcements', '', '', '2025-07-12 01:23:32', '2025-07-11 17:23:32', '', 0, 'http://scp.ntua.edu.tw/?page_id=229472', 0, 'page', '', 0),
(229476, 1, '2025-07-12 01:24:26', '2025-07-11 17:24:26', '<a href=\"http://scp.ntua.edu.tw/announcements-zh/exhibition-announcement-zh-zh/228472.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-726x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-726x1024.jpg 726w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-213x300.jpg 213w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-768x1083.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-1089x1536.jpg 1089w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed-1452x2048.jpg 1452w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250430ed.jpg 1815w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2025-04-27\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/announcements-zh/exhibition-announcement-zh-zh/228472.html\">\n					《2025 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href=\"http://scp.ntua.edu.tw/category/announcements-zh/competition-call-zh-zh\">競賽徵件</a>\n	<a href=\"http://scp.ntua.edu.tw/announcements-zh/exhibition-announcement-zh-zh/228460.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250408aed-768x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250408aed-768x1024.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250408aed-225x300.jpg 225w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250408aed.jpg 1083w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2025-04-08\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/announcements-zh/exhibition-announcement-zh-zh/228460.html\">\n					《「在綠境的邊緣  Along these lines」洪雪寧個展》				</a>\n			</h4>\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/category/announcements-zh/exhibition-announcement-zh-zh\">展演發表</a>\n	<a href=\"http://scp.ntua.edu.tw/announcements-zh/academic-lectures-zh-zh/228321.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-1024x724.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-1024x724.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-300x212.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-768x543.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-1536x1087.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-2048x1449.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-1920x1358.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2025-02-25\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/announcements-zh/academic-lectures-zh-zh/228321.html\">\n					2025當代藝術專題講座				</a>\n			</h4>\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/category/announcements-zh/academic-lectures-zh-zh\">學術講座</a>\n	<a href=\"http://scp.ntua.edu.tw/announcements-zh/honor-roll-zh-zh/228533.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124f-1024x768.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124f-1024x768.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124f-300x225.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124f-768x576.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124f-1536x1152.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124f-2048x1536.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124f-1920x1440.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2025-01-24\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/announcements-zh/honor-roll-zh-zh/228533.html\">\n					賀！本系碩士班應屆畢業生 賴科維 榮獲「2025高雄獎 評審特別獎」				</a>\n			</h4>\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/category/announcements-zh/honor-roll-zh-zh\">榮譽榜</a>\n	<a href=\"http://scp.ntua.edu.tw/announcements-zh/honor-roll-zh-zh/228527.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124c-1024x768.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124c-1024x768.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124c-300x225.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124c-768x576.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124c.jpg 1136w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2025-01-24\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/announcements-zh/honor-roll-zh-zh/228527.html\">\n					賀！本系碩士班應屆畢業生 丘智偉 榮獲「2025高雄獎 首獎」				</a>\n			</h4>\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/category/announcements-zh/honor-roll-zh-zh\">榮譽榜</a>\n	<a href=\"http://scp.ntua.edu.tw/announcements-zh/honor-roll-zh-zh/228520.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124a-768x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124a-768x1024.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124a-225x300.jpg 225w, http://scp.ntua.edu.tw/wp-content/uploads/2025/01/20250124a.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2025-01-24\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/announcements-zh/honor-roll-zh-zh/228520.html\">\n					賀！本系畢業校友 何宇森 榮獲「2025高雄獎 評審特別獎」				</a>\n			</h4>\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/category/announcements-zh/honor-roll-zh-zh\">榮譽榜</a>\n	<a href=\"http://scp.ntua.edu.tw/announcements-zh/exhibition-announcement-zh-zh/228398.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20251225a-1024x455.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20251225a-1024x455.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20251225a-300x133.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20251225a-768x341.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20251225a.jpg 1219w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2024-12-25\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/announcements-zh/exhibition-announcement-zh-zh/228398.html\">\n					《神豬會》				</a>\n			</h4>\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/category/announcements-zh/exhibition-announcement-zh-zh\">展演發表</a>\n	<a href=\"http://scp.ntua.edu.tw/announcements-zh/exhibition-announcement-zh-zh/228394.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-1024x723.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-1024x723.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-300x212.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-768x542.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-1536x1085.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-2048x1446.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-200x140.jpg 200w, http://scp.ntua.edu.tw/wp-content/uploads/2024/12/20241204ed-1920x1356.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2024-12-04\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/announcements-zh/exhibition-announcement-zh-zh/228394.html\">\n					《「銀河艦隊：Galácticos」——113學年度碩士生新生展》				</a>\n			</h4>\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/category/announcements-zh/exhibition-announcement-zh-zh\">展演發表</a>\n	<a href=\"http://scp.ntua.edu.tw/announcements-zh/honor-roll-zh-zh/228492.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/11/20241118b-724x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/11/20241118b-724x1024.jpg 724w, http://scp.ntua.edu.tw/wp-content/uploads/2024/11/20241118b-212x300.jpg 212w, http://scp.ntua.edu.tw/wp-content/uploads/2024/11/20241118b-768x1086.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2024/11/20241118b.jpg 842w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2024-11-18\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/announcements-zh/honor-roll-zh-zh/228492.html\">\n					賀！本系碩士班應屆畢業生 丘智偉 榮獲「2024世安美學獎 造型藝術類創作贊助」				</a>\n			</h4>\n									<a rel=\"tag\" href=\"http://scp.ntua.edu.tw/category/announcements-zh/honor-roll-zh-zh\">榮譽榜</a>\n<button>Load MoreLoading</button>', 'お知らせ', '', 'publish', 'closed', 'closed', '', 'announcements-jp', '', '', '2025-07-12 01:24:54', '2025-07-11 17:24:54', '', 0, 'http://scp.ntua.edu.tw/?page_id=229476', 0, 'page', '', 0),
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(229479, 1, '2025-10-09 20:35:39', '2025-07-11 17:25:38', ' ', '', '', 'publish', 'closed', 'closed', '', '229479', '', '', '2025-10-09 20:35:39', '2025-10-09 12:35:39', '', 0, 'http://scp.ntua.edu.tw/?p=229479', 1, 'nav_menu_item', '', 0),
(229483, 1, '2025-07-12 01:30:36', '2025-07-11 17:30:36', '<a href=\"http://scp.ntua.edu.tw/en/announcements/academic-lectures/229588.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_2023-當代藝術專題講座ed-703x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_2023-當代藝術專題講座ed-703x1024.jpg 703w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_2023-當代藝術專題講座ed-206x300.jpg 206w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_2023-當代藝術專題講座ed-768x1119.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_2023-當代藝術專題講座ed.jpg 840w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2025-07-12\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/en/announcements/academic-lectures/229588.html\">\n					Special Topics in Contemporary Art 2023				</a>\n			</h4>\n			<small>Date｜March 7 – June 13, 2023 (Every Tuesday, 13:00 - 15:00)<br>\nVenue｜Room 1002, Department of Sculpture, National Taiwan University of Arts (No. 59, Sec. 1, Daguan Rd., Banqiao Dist., New Taipei City)<br>\nHosts｜Prof. LIU Chun-Lan, Prof. LIU Po-Chun\n</small>		\n	<a href=\"http://scp.ntua.edu.tw/en/announcements/academic-lectures/229582.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed-724x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed-724x1024.jpg 724w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed-212x300.jpg 212w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed-768x1086.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed-1086x1536.jpg 1086w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed-1448x2048.jpg 1448w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/圖片_【大師系列講座】王衛✕賴志盛ed.jpg 1810w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2025-07-12\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/en/announcements/academic-lectures/229582.html\">\n					Master Lecture Series | WANG Wei × LAI Chih-Sheng				</a>\n			</h4>\n			<small>Venue｜Room 1002, Department of Sculpture, National Taiwan University of Arts<br>\nDate & Time｜Thursday, November 23, 2023, 14:00–16:00<br>\nModerator｜YU Wei\n</small>		\n	<a href=\"http://scp.ntua.edu.tw/en/announcements/academic-lectures/229569.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-1024x724.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-1024x724.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-300x212.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-768x543.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-1536x1085.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-2048x1447.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20240301ed-1920x1357.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2025-07-12\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/en/announcements/academic-lectures/229569.html\">\n					Contemporary Art Lecture Series 2024				</a>\n			</h4>\n			<small>Date｜March 1 – June 14, 2024 (Fridays, 13:00–15:00)<br>\nVenue｜Room 1002, Department of Sculpture, National Taiwan University of Arts\n</small>		\n	<a href=\"http://scp.ntua.edu.tw/en/announcements/academic-lectures/229563.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-824x1024.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-824x1024.jpg 824w, http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-242x300.jpg 242w, http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-768x954.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-1237x1536.jpg 1237w, http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-1649x2048.jpg 1649w, http://scp.ntua.edu.tw/wp-content/uploads/2024/03/20240517ed-1920x2385.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2025-07-12\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/en/announcements/academic-lectures/229563.html\">\n					Artist Lecture | PONDICK Rona				</a>\n			</h4>\n			<small>Venue｜ Room 1002, Department of Sculpture, National Taiwan University of Arts<br>\nDate & Time｜ Friday, May 17, 2024, 13:00–15:00<br>\n</small>		\n	<a href=\"http://scp.ntua.edu.tw/en/announcements/academic-lectures/229466.html\" data-cursor-class=\"cursor-link\">\n		<figure >\n							<img src=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-1024x724.jpg\" srcset=\"http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-1024x724.jpg 1024w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-300x212.jpg 300w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-768x543.jpg 768w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-1536x1087.jpg 1536w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-2048x1449.jpg 2048w, http://scp.ntua.edu.tw/wp-content/uploads/2025/04/20250225ed-1-1920x1358.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\" alt=\"\" >\n		</figure>\n	</a>\n									2025-07-12\n			<h4>\n								<a href=\"http://scp.ntua.edu.tw/en/announcements/academic-lectures/229466.html\">\n					Contemporary Art Lecture Series 2025				</a>\n			</h4>\n			<small>Date｜ February 25 – June 3, 2025 (Tuesdays, 15:10–17:00)<br>\nVenue｜ Room 1002, Department of Sculpture, National Taiwan University of Arts\n</small>', 'Academic Lectures', '', 'publish', 'closed', 'closed', '', 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