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<p>Highest Education｜Ph.D. in Fine Arts, National Taiwan Normal University</p>
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<h3>Teaching Experience</h3>
<table>
    <tbody>
        <tr>
            <td>2022–Present</td>
            <td>
                <div>Adjunct Assistant Professor, Department of Sculpture, NTUA</div>
            </td>
        </tr>
        <tr>
            <td>2014–2015</td>
            <td>
                <div>Adjunct Lecturer, Department of Fine Arts & Department of Sculpture, NTUA</div>
            </td>
        </tr>
        <tr>
            <td>2011–2012</td>
            <td>
                <div>Substitute Teacher, Fine Arts Division, Affiliated Senior High School, NCCU</div>
            </td>
        </tr>
    </tbody>
</table>

<h3>Exhibition Curation and Execution</h3>
<table>
    <tbody>
        <tr>
            <td>2025</td>
            <td>
                <div>"Resonance of Space: Digital Art and NFT Open Call Exhibition", NCCU Computer Center</div>
                <div>" Encountering a Century of Yuyu Yang at NCCU", Special Exhibition on Yang Ying-Feng, installation project at NCCU Arts and Culture Center</div>
            </td>
        </tr>
        <tr>
            <td>2024</td>
            <td>
                <div>"Universes n ", 24th Artist-in-Residence Project of NCCU</div>
                <div>"He, She, It ∈ Multiverse: Digital Art and NFT Open Call Exhibition", NCCU Arts and Culture Center</div>
            </td>
        </tr>
        <tr>
            <td>2023</td>
            <td>
                <div>"Food/Object_Matrix", James Ming-Hsueh LEE Solo Exhibition, NCCU Arts and Culture Center</div>
            </td>
        </tr>
        <tr>
            <td>2022</td>
            <td>
                <div>"Faces: Digital Art Open Call Exhibition", NCCU Art and Culture Center</div>
            </td>
        </tr>
        <tr>
            <td>2020</td>
            <td>
                <div>“Calculation in Cuboid” LIN Yu-Cheng Solo Exhibition, Free Arts Space</div>
            </td>
        </tr>
        <tr>
            <td>2019–2020</td>
            <td>
                <div>"Shunichi Kuriyama × Constructing Memory", Outdoor Installation and Archival Exhibition, Banqiao Transmission Station, New Taipei City Cultural Affairs Bureau</div>
            </td>
        </tr>
        <tr>
            <td>2014–2015</td>
            <td>
                <div>" ISO Remix @ NTU", National Taiwan University Public Art Project</div>
            </td>
        </tr>
        <tr>
            <td>2013</td>
            <td>
                <div>Symposium on Taiwan Contemporary Aboriginal Art: A research for Representation of Primitivity. 2013 Sun Yat-sen Memorial Hall</div>
            </td>
        </tr>
    </tbody>
</table>

<h3>Exhibition Reviews and Critiques</h3>
<table>
    <tbody>
        <tr>
            <td>2021</td>
            <td>
                <div>"Theatrical Objects Under the Calculation in Cuboid ", LIN Yu-Cheng Solo Exhibition, Free Arts Space</div>
                <div>"Unextinguished Nostalgia", Notes Toward Shannie Hsu’s Solo Exhibition, ARTALKS, Taishin Arts Foundation</div>
            </td>
        </tr>
        <tr>
            <td>2020</td>
            <td>
                <div>"Flora of Consciousness, Core of Matter: Review of “Consciousness and Results” , Chuang Teng-Shiang Solo Exhibition, A Gallery</div>
            </td>
        </tr>
        <tr>
            <td>2019</td>
            <td>
                <div>"Stranding Moment", YU CHUAN Solo Exhibition, FOMO Taipei</div>
            </td>
        </tr>
        <tr>
            <td>2018</td>
            <td>
                <div>"Multidirectional Measurement of Perception: Ou Yang Yen-Hsing’s ‘Open Shapes"</div>
            </td>
        </tr>
        <tr>
            <td>2014</td>
            <td>
                <div>Taipei Biennial Online Review: Peter Buggenhout</div>
                <div>Taipei Biennial Online Review: Matheus Rocha Pitta</div>
            </td>
        </tr>
    </tbody>
</table>

<h3>Project Implementation</h3>
<table>
    <tbody>
        <tr>
            <td>2021</td>
            <td>
                <div>Research Assistant, Research and Development of Key Technologies for Fintech Security and Digital Currency (I), Department of Computer Science, NCCU</div>
                <div>Coordinator, Wenshan USR (University Social Responsibility) Collaborative Forum</div>
            </td>
        </tr>
        <tr>
            <td>2020</td>
            <td>
                <div>Executive Editor, Annual USR Report, NCCU</div>
                <div>Editorial Assistant, The history of Christ's salvation and visual typology: "The Poor. People's Bible"</div>
            </td>
        </tr>
        <tr>
            <td>2010</td>
            <td>
                <div>Research Assistant, "Claude Effect and the Formation and Transformation of 18th-century British Landscape Gardens" NSC Project</div>
            </td>
        </tr>
        <tr>
            <td>2008</td>
            <td>
                <div>Part-time Research Assistant, "Exploration of Achievements in Graphic Design by Modern Artists" , NTNU Faculty Research Project</div>
            </td>
        </tr>
    </tbody>
</table>

<h3>Theses and Dissertations</h3>
<table>
    <tbody>
        <tr>
            <td>2019</td>
            <td>
                <div>Doctoral Dissertation The Right of Forgetting: Analyzing Denkmal für die Ermordeten Juden Europas Through the Memory-work of Anti-memorials and Counter-monuments</div>
            </td>
        </tr>
        <tr>
            <td>2017</td>
            <td>
                <div>‘Unveiling Trauma and Self-Awareness – “Decent Project: Survivor Series”, Interview with Artist CHEN Chang-Chih’, Taiwan Digital Art Archive:</div>
            </td>
        </tr>
        <tr>
            <td>2015</td>
            <td>
                <div>‘The Object and Objecthood of Sculpture: British Sculptor Phillip King's Outdoor Exhibition in London, 2014’ , The Sculpture Research Semiyearly, Ju Ming Museum</div>
            </td>
        </tr>
        <tr>
            <td>2014</td>
            <td>
                <div>‘The Sonar of Contemporary Everyday Reality – Searching for A Needle in a Haystack: Liverpool Biennial 2014 ‘, Artist Magazine, September Issue 2014</div>
                <div>‘ The Fossils of the Everyday: Rachel Whiteread’s Negative Casting’, Artist Magazine, March Issue 2014</div>
            </td>
        </tr>
        <tr>
            <td>2010</td>
            <td>
                <div>‘Disorder in Space: The sculpture by Rachel Whiteread’ Conference Paper</div>
                <div>International Contemporary Sculpture Conference, National Taiwan University of Arts:</div>
            </td>
        </tr>
        <tr>
            <td>2009</td>
            <td>
                <div>‘The Diversity of Repetition-Esthetical Value of Sculptural Duplicate’, The Sculpture Research Semiyearly, Ju Ming Museum</div>
            </td>
        </tr>
        <tr>
            <td>2008</td>
            <td>
                <div>Master’s Thesis: Negative Space of Sculpture and Entropy: The Creations by Rachel Whiteread</div>
            </td>
        </tr>
    </tbody>
</table>
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