Highest Education｜Ph.D. in Fine Arts, National Taiwan Normal University
Teaching Experience
| 2022–Present |
Adjunct Assistant Professor, Department of Sculpture, NTUA
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| 2014–2015 |
Adjunct Lecturer, Department of Fine Arts & Department of Sculpture, NTUA
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| 2011–2012 |
Substitute Teacher, Fine Arts Division, Affiliated Senior High School, NCCU
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Exhibition Curation and Execution
| 2025 |
“Resonance of Space: Digital Art and NFT Open Call Exhibition”, NCCU Computer Center
” Encountering a Century of Yuyu Yang at NCCU”, Special Exhibition on Yang Ying-Feng, installation project at NCCU Arts and Culture Center
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| 2024 |
“Universes n “, 24th Artist-in-Residence Project of NCCU
“He, She, It ∈ Multiverse: Digital Art and NFT Open Call Exhibition”, NCCU Arts and Culture Center
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| 2023 |
“Food/Object_Matrix”, James Ming-Hsueh LEE Solo Exhibition, NCCU Arts and Culture Center
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| 2022 |
“Faces: Digital Art Open Call Exhibition”, NCCU Art and Culture Center
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| 2020 |
“Calculation in Cuboid” LIN Yu-Cheng Solo Exhibition, Free Arts Space
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| 2019–2020 |
“Shunichi Kuriyama × Constructing Memory”, Outdoor Installation and Archival Exhibition, Banqiao Transmission Station, New Taipei City Cultural Affairs Bureau
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| 2014–2015 |
” ISO Remix @ NTU”, National Taiwan University Public Art Project
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| 2013 |
Symposium on Taiwan Contemporary Aboriginal Art: A research for Representation of Primitivity. 2013 Sun Yat-sen Memorial Hall
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Exhibition Reviews and Critiques
| 2021 |
“Theatrical Objects Under the Calculation in Cuboid “, LIN Yu-Cheng Solo Exhibition, Free Arts Space
“Unextinguished Nostalgia”, Notes Toward Shannie Hsu’s Solo Exhibition, ARTALKS, Taishin Arts Foundation
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| 2020 |
“Flora of Consciousness, Core of Matter: Review of “Consciousness and Results” , Chuang Teng-Shiang Solo Exhibition, A Gallery
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| 2019 |
“Stranding Moment”, YU CHUAN Solo Exhibition, FOMO Taipei
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| 2018 |
“Multidirectional Measurement of Perception: Ou Yang Yen-Hsing’s ‘Open Shapes”
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| 2014 |
Taipei Biennial Online Review: Peter Buggenhout
Taipei Biennial Online Review: Matheus Rocha Pitta
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Project Implementation
| 2021 |
Research Assistant, Research and Development of Key Technologies for Fintech Security and Digital Currency (I), Department of Computer Science, NCCU
Coordinator, Wenshan USR (University Social Responsibility) Collaborative Forum
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| 2020 |
Executive Editor, Annual USR Report, NCCU
Editorial Assistant, The history of Christ’s salvation and visual typology: “The Poor. People’s Bible”
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| 2010 |
Research Assistant, “Claude Effect and the Formation and Transformation of 18th-century British Landscape Gardens” NSC Project
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| 2008 |
Part-time Research Assistant, “Exploration of Achievements in Graphic Design by Modern Artists” , NTNU Faculty Research Project
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Theses and Dissertations
| 2019 |
Doctoral Dissertation The Right of Forgetting: Analyzing Denkmal für die Ermordeten Juden Europas Through the Memory-work of Anti-memorials and Counter-monuments
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| 2017 |
‘Unveiling Trauma and Self-Awareness – “Decent Project: Survivor Series”, Interview with Artist CHEN Chang-Chih’, Taiwan Digital Art Archive:
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| 2015 |
‘The Object and Objecthood of Sculpture: British Sculptor Phillip King’s Outdoor Exhibition in London, 2014’ , The Sculpture Research Semiyearly, Ju Ming Museum
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| 2014 |
‘The Sonar of Contemporary Everyday Reality – Searching for A Needle in a Haystack: Liverpool Biennial 2014 ‘, Artist Magazine, September Issue 2014
‘ The Fossils of the Everyday: Rachel Whiteread’s Negative Casting’, Artist Magazine, March Issue 2014
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| 2010 |
‘Disorder in Space: The sculpture by Rachel Whiteread’ Conference Paper
International Contemporary Sculpture Conference, National Taiwan University of Arts:
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| 2009 |
‘The Diversity of Repetition-Esthetical Value of Sculptural Duplicate’, The Sculpture Research Semiyearly, Ju Ming Museum
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| 2008 |
Master’s Thesis: Negative Space of Sculpture and Entropy: The Creations by Rachel Whiteread
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